Exhibition: Zane Qureshi, Where Are You (Really) From?

Photo: Zane Qureshi, 2026, courtesy of the artist.

February 5 - March 19, 2027

Opening night: Friday, February 12, 6-8pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present Where Are You (Really) From? a new photographic exhibition by Zane Qureshi exploring identity, culture and belonging. This exhibition is an outcome of our Photographer in residence, presented with support from the Ana and Christopher Koch Foundation, and Black and White Photographic.

In this exhibition emerging photographer Zane Qureshi presents a series of intimate portraits of young creatives, artists and models. Each portrait explores the subjects own ties to cultural identity through personal style, objects and locations. Inspired by his own experiences growing up as an American-Australian with Greek and Pakistani heritage, Zane’s new body of work opens conversations about growing up in Australia as a person of colour. Zane builds layers of meaning through colour, texture and lighting- the series jumps between locations in Adelaide’s uniquely recognisable farmland, to fashion-led studio photography, and then on to one of his subject’s heavily curated bedrooms. Through these snapshots audiences get an intimate introduction to each of Zane’s subjects, allowing us to more deeply connect with the rich self-expression and cultural pride of diverse young Australians.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

Exhibition: Chloe Noble, shelter without safety

Photo: Chloe Noble, shelter without safety, 2026, courtesy of the artist.

November 19, 2026 - January 22, 2027

Opening night: Thursday, November 19, 5-7pm

Dentons, Level 1, 19 Gouger Street, Adelaide

Free entry

We are excited to present shelter without safety a new exhibition of digital drawings and textile works by Chloe Noble. This exhibition is an outcome of our Disability Access Studio, presented in partnership with The Honig Foundation and Access2Arts. 

In this exhibition Chloe Noble explores their experience of housing instability, disability and trauma through a series of new mixed media works. Chloe invites audiences to consider their own experiences of housing, with digital drawings that illustrate familiar domestic scenes. Chloe’s dogs greet us from a victorian porch, a vase of native flowers is complete with a note ‘congratulations on moving’. While these familiar scenes might feel warm and nostalgic for most, the works reference Chloe’s lived experience of housing instability. In this exhibition Chloe uses materiality to speak about the embodied and experiencial, Chloe writes ‘Weight, texture, repetition, enclosure, distance and movement become ways of communicating vigilance, fatigue, disorientation and endurance. I am interested in what happens when these internal states are given a physical form, and when the materials themselves begin to carry the weight of an experience.’


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

ozasia residency, public program

OzAsia Festival Residency: Hanna Instrell-Walker, I'll Sleep When I Die

Photo: Melodee Meehan

Showing and Q&A

When: Thursday, October 15, 5-6pm, and Friday, October 16, 4-5pm and 6:30-7:30pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A).

Hanna Instrell-Walker collaborates with Alix Kuijpers, Caroline De Wan, Sophie Hollingworth and Jazzy Williamson-Gray to explore modern Japanese society and its need for constant work and lack of rest.

I’ll Sleep When I Die is a direct reference to the unethical, overworking culture in Japan. With new original sound by Alix Kuijpers, Japanese horror and art along with experimentation of light and darkness help to inform the storytelling of this new work-in-progress, creating a melancholic reminder that sometimes it’s okay to slow down.

About the artist:

Photo: Melodee Meehan


This showing has support from

 
 

galleries, public program

Exhibition: Hamish Fleming, NOWHERE IS EVER REALLY THAT DARK

Photo: Hamish Fleming, The Roof is Leaking, (detail) 2024. Courtesy of the artist.

October 16, 2026 - January 15, 2027

Opening night: Friday, October 16, 5:30-7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present NOWHERE IS EVER REALLY THAT DARK, a new exhibition of paintings by Hamish Fleming.

Working within his signature gritty realist style, Hamish Fleming presents a series of nocturnal scenes, backstreet roadsides and spaces of intimate solitude. Works depict everyday scenes seen through new light, pragmatic building such as fast-food chains and service stations are reframed through the slow and lingering attention necessary for painting from life.

A contemporary artist who paints contemporary subject matter, Hamish takes a decidedly traditional approach to his artistic practice. Painting solely from life without the use of reference images, his work brings a classical approach to painting into a raw, contemporary context. A pursuit of understanding and mastery sit at the core of the work, going as far as hand making a large portion of his paints and mediums from scratch. Hamish treats these materials with the same sentiment as his subject matter, taking them for what they are and working with, rather than against these properties.  

Hamish’s influences are broad, incorporating references to art, literature and music, alongside a blunt approach to his depiction of daily life. The resulting works present viewers with everyday subject matter, but almost always depicted in a manner in which they’ve never considered.Hamish contrasts modern subjects with his traditional approach creating what he calls a ‘harmonious contradiction’. He writes ‘These paintings possess a sense of inherent solitude, drawn from lived experience. The resulting works used this common experience to invite the viewer into an intimate dialogue that is at times amusing, bleak and comforting.’


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries, public program

Exhibition: Sharifah Sorayya, The Unspoken: Intimate portraits & silent dialogues

Photo: courtesy of the artist.

October 16, 2026- January 15, 2027

Opening night: Friday, October 16, 5:30-7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present The Unspoken: Intimate portraits & silent dialogues, a solo exhibition by Sharifah Sorayya as part of OzAsia Festival 2026.

Using the photogravure technique, this layered, mixed-media series explores her identity as an Asian woman of mixed heritage, reflecting on family, her transcontinental existence as a global citizen and the resilience forged through life's unexpected challenges. 

The Unspoken: Intimate portraits & silent dialogues is a deeply personal exhibition, unraveling memories of places, people, connection and disconnection. We see landscapes from Malaysia, England and Australia, layered with abstracted figures, torn pages and envelopes stuffed full with notes from home- letters, as well as money. Divine architecture is overlaid with Sorayya’s mother and father’s handwriting, linking and contrasting with Sorayya’s own asemic text; illegible but full of meaning.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries, public program

GOOD SHOP: Sharing South Australian stories through craft, design and practice

October 16 - January 15

Foyer, 154 Angas St, Kaurna Yarta

Free

GOOD SHOP celebrates the people, ideas and creative businesses that make South Australia such a good place to live, work and enjoy.

This pop-up shop features an array of lovingly crafted items; from ceramics and prints through to tote bags, tea towels and more. Every item has been created at The Mill by our community of over 70 studio artists.

GOOD DESIGN
GOOD IDEAS
GOOD QUALITY
GOOD BUY

Featured artists


 

GOOD SHOP is a collaboration with our Studios Partner

 
 
 

public program

Studio Tours

Photo: Bri Hammond.

January - November, 2026

Fortnightly tours alternating Tuesdays, 11am, and Fridays, 4:30pm

The Mill Foyer, 154 Angas St, Kaurna Yarta

45 minutes duration

Free entry, all welcome

Discover your next favourite artist or maker at The Mill. See behind the scenes of our 70+ studio on a free, fortnightly studio tour.

We open our doors for tours on alternating Tuesdays and Fridays; inviting audiences to explore our studios and engage with our community.

Whether you're an art lover, a curious wanderer, or just keen to see creativity in motion, these tours promise inspiration and new connections at every turn.

Social clubs, community organisations and groups of 6+ can register for private tours by emailing info@themilladelaide.com.


brand x residency, public program

Brand X Exchange: Joshua Di Mattina-Beven and Mym Kwa, NAUSEOUS CONDITIONS

Photo: Jones King

Showing and Q&A

When: Friday, November 6, 6-7pm

Where: The Breakout, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A).

Presented in partnership with Brand X, join us for the work-in-progress showing of Joshua Di Mattina-Beven and Mym Kwa’s NAUSEOUS CONDITIONS, a duet of mutual transformation.

Born from early developments with Brand X and Readymade Works in Sydney, Josh and Mym have been misusing wayfinding systems to reorient the body and self in space.

Layering movement systems such as google maps, semaphores, gyroscopes and hypnotism, NAUSEOUS CONDITIONS seeks to make contact with the unexpected.

The showing will be followed by a short Q+A with the artists and artistic director of The Mill, Katrina Lazaroff.

About the artists:

Photo: Jones King


This showing has support from

 
 

brand x residency, public program

Movement Workshop: NAUSEOUS CONDITIONS

Photo: Lucy Parakhina

Workshop

When: Saturday, November 7, 2-4pm

Where: The Breakout, 154 Angas St, Kaurna Yarta

Cost: $20 subsidised tickets (+ booking fee)

Presented in partnership with Brand X, we present a workshop with Mym Kwa and Joshua Di Mattina-Beven.

Drawing from their ongoing development of NAUSEOUS CONDITIONS, we invite you into their shared performance practice.

Using clothing and costume as a starting point, participants will be guided through movement exercises designed to disrupt the architecture of the body. Questioning how the self is organised and communicated, this workshop seeks to renegotiate the terms by which we present ourselves onstage and in public.

Participants can expect a brief introduction to the artist’s working methods, before moving onto the floor for guided investigations and informal sharing.

Come play with us!

About the artists:

Photo: Lucy Parakhina


This showing has support from

 
 

galleries, public program

Artist Talk: Hamish Fleming, NOWHERE IS EVER REALLY THAT DARK

Photo: Hamish Fleming, The Roof is Leaking, (detail) 2024. Courtesy of the artist.

Artist Talk

When: Friday, November 13, 5:30-6:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free

Join exhibiting artist Hamish Fleming in conversation with The Mill’s Visual Arts Curator Adele Sliuzas.

Together, they’ll be chatting about process, material and inspiration behind Hamish’s solo exhibition NOWHERE IS EVER REALLY THAT DARK.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

brand x residency

Brand X Exchange: Announcing the successful 2026 recipients

We are thrilled to announce Joshua Di Mattina-Beven and Mym Kwa as the recipients of the Brand X Exchange Residency.

Presented in partnership between Brand X and The Mill, this residency creates vital interstate pathways for independent artists and will bring Sydney-based artists to The Mill in South Australia to network, develop and show new work.

Joshua and Mym will also present a workshop to share their creative process with South Australian artists as part of the exchange.

About the artists:

Photo: Courtesy of Brand X


This residency has support from

 
 

studio veld

Studio Veld Award 2026: Calamity Tash

Since June, Studio Veld have been working with us to present the Studio Veld Award.

This program provides professional development workshops for Studio Artists, covering values, content strategy, UX essentials and building website pathways, with participants going into the draw to win a $12,000 custom website design.

We're delighted to share that Tash Evele, known to many as Calamity Tash, is this year’s award recipient. Tash came to every workshop ready to think hard about her practice and her digital presence, and Studio Veld are looking forward to working alongside Tash over the coming months.

About the artist

Photo: Bri Hammond


This program has support from

 
 

galleries, public program

Exhibition: Joeulla Coulthard, Juanella Donovan and Lisa Khan, Held

Image: Lisa Khan, Intergenerational Wealth of Knowledge (detail) Photo: courtesy of the artist

July 27 - September 4, 2026

Opening night, Wednesday, July 29, 5:00- 7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

For SALA 2026 we are excited to present Held, a new group exhibition featuring new work by First Nations artists Joeulla Coulthard (Adnyamathna, Kuyani), Juanella Donovan (Adnyamathanha, Luritja and Arrernte), and Lisa Khan (Yankunytjatjara/ Antakirinja/ Pitjantjatjara). This exhibition explores the artists practices across painting, weaving, sculpture and ceramics. As mothers, each of these artist’s plays a vital role in caring for family and caring for Country. We know that mothers hold so much strength and tenderness, veracity and knowledge. These qualities are passed down through generations from mother to child, and for these women, their art practices reflect the ongoing practice of holding and sharing knowledge and stories.

This exhibition is presented with support from Ku Arts and the City of Adelaide’s Arts and Community Arts and Cultural grants.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries, public program

Exhibition: Nicolas Ottavio Saccardo, A scratch to a whisper

Image: Nicolas Ottavio Saccardo, Untitled, 2026, coloured pencil on found wood and masonite box, 50cm x 91.9cm x 6.5cm, image courtesy of the artist.

July 27 - September 4, 2026

Opening night, Wednesday, July 29, 5:30- 7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present A scratch to a whisper, a new exhibition by Nicolas Ottavio Saccardo. In this exhibition Nicolas explores materiality, mark-making and trace through a series of works on found surfaces. Using previously discarded panels, boards and pages, Nicolas examines the relationship between surfaces and the body, both as the material of our human ecology and as artefacts of our culture.

Through this body of work Nicolas draws our attention to mark making, honouring found marks- carpenters measurements once hidden on the inside of cabinets, scuffs from use, the wearing away of surface through repetitive touch. Through studio practice, they add layers of text like marks, sometimes referencing writing, scribbles, shopping lists, diary entries, and sometimes gestural, abstract marks across the surface.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries, public program

Exhibition: Jen Trantor, CONGRATULATIONS

Image: Jen Trantor, CONGRATULATIONS, on not shooting anyone today, CONGRATULATIONS, you didn’t poison anyone today, CONGRATULATIONS, on taking a great shot, photo: Russell Millard

July 27 - September 4, 2026

Opening: Wednesday, July 29, 5-7:30pm

Foyer Gallery, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present CONGRATULATIONS, a new exhibition by Jen Trantor. With cheeky humour and more than a touch of sarcasm, Jen offers the least of us an opportunity to be celebrated. Her delightful series of medals commemorate mundane and everyday achievements - CONGRATULATIONS, you made it out of bed!!! We all get a chance to be decorated with rich velvet ribbons, embellished beading and gold work.

For Jen this is an opportunity to share about her own small wins. Each of these daily achievements are what add value, enjoyment and creative fulfilment to our lives. Sure, you could go run a sub-two-hour marathon, or, you could celebrate yourself for living your life in line with your values, knowing yourself deeply, and cherishing your friends. Don’t get too mushy about it though, this is all meant to be a bit tongue in cheek!


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries, public program

Artist Talk: Juanella Donovan and Lisa Khan, Held

Image: Lisa Khan, Intergenerational Wealth of Knowledge (detail) Photo: courtesy of the artist

Artist Talk

When: Friday, September 4, 4:30-5:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

Join exhibiting artists Juanella Donovan (Adnyamathanha / Luritja / Arrernte) and Lisa Khan (Yankunytjatjara / Antakirinja / Pitjantjatjara) in conversation with The Mill’s Visual Arts Curator Adele Sliuzas as part of our SALA exhibition Held.

Hear the artists speak about process, material and making work about caring for family and caring for Country.  

This exhibition is presented with support from Ku Arts and the City of Adelaide’s Arts and Community Arts and Cultural grants.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries, public program

LIMITLESS 2026

Photo: Neasan McGuinness

September 16 - October 9

Opening party: Friday, September 18, Session 1: 5-6:30pm and Session 2: 6:30-8pm

Finissage & Awards Night: Friday, October 9, 4:30-6:30pm

Closed Monday, October 5

Galleries, 154 Angas St, Kaurna Yarta

Free entry, all welcome

LIMITLESS 2026 is our annual fundraiser exhibition, featuring over 250 South Australian artists.

Together we’ll be raising vital funds for The Mill, helping to provide opportunities for local artists, while celebrating the abundance of talent within the South Australian arts community.

It's kind of like that other popular anonymous exhibition, but we'll have A5 artworks priced at $100 and a selection of larger works at a higher price point.

And, importantly, we split sales with the artist 50/50, putting money back in their pockets.

All artworks will be anonymous in the exhibition, with artists' names and details shared with buyers at the end.


public program, dance residency

Dance Residency: Marcus Louend, Good Mourning

Photo: Courtesy of the artist

Showing and Q&A

When: Friday, August 28, 6-7pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A). 

Good Mourning is a physical theatre work exploring grief through the relationship between the body and objects of support, examining how adornment and material forms become physical and symbolic appendages that bear the weight of the grieving body.

In unveiling the relationship to these sculptural supports, this work-in-development will also trace the body’s bond to an absent object, and how the physical experience of being supported, restricted, or transformed can leave an embodied residue.

The showing will be followed by a short Q&A with Marcus and their collaborative team, hosted by The Mill CEO/Artistic Director Katrina Lazaroff. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

About the artists:


This residency has support from

 
 

centre stage residency

Centre Stage Residencies: Announcing the successful 2026 recipients

We are thrilled to announce Alby T Grace and David Salter as the recipients of our 2026 Centre Stage Residencies.

The Centre Stage Residencies are presented in collaboration with Adelaide Fringe as part of their Arts Industry Collaborations program. This unique incubator program is for South Australian artists to progress a new performance work in its second or third stage of development to the next level, culminating in a season at The Mill as part of the 2027 Adelaide Fringe Festival.

About the artists:


This residency has support from

 
 

first nations residency, public program

First Nations Dance Residency: Keisha Barrow, Yaitya

Photo: Elliott Clarke

Showing and Q&A

When: Friday, September 25, 6-7pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A). 

Yaitya is the first development of dance theatre work by Keisha Barrow (Wills).

The idea for Yaitya comes from Keisha's experiences of disconnection and grief alongside the many ways we find connection, identity and belonging, particularly within Aboriginal and Torres Strait Islander culture. The work will explore familial cultural identity, the return to her mob and how her Aboriginal culture has shaped the person she is today. 

Keisha will be working with Kaine Sultan-Babij as artistic mentor throughout the residency, Tiarna Power as dancer/collaborator and Sascha Budimski consulting on sound design. She has also been supported by Caleena Sansbury conceiving and planning for the residency.

The showing will be followed by a short Q&A with Keisha and her collaborative team, hosted by The Mill CEO/Artistic Director Katrina Lazaroff. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

About the artists:

Photo: Elliott Clarke


This residency has support from