first nations residency

First Nations Dance Residency 2026: Keisha Barrow

We are thrilled to announce Keisha Barrow as the recipient of the First Nations Dance Residency for 2026.

Keisha will be supported by WAYIN:THI Co-Leads Caleena Sansbury and Kaine Sultan-Babij during this residency.

This is a creative development and presentation platform available to South Australian performing artists working with contemporary culture. The aim of the residency is to offer place and space as part of a vibrant arts community for artists to develop and show new or existing work.

About the artist:

Photo: Kyahm Ross


This project has support from

 
 

ozasia residency

OzAsia Festival Residency 2026: Hanna Instrell-Walker

We are thrilled to announce Hanna Instrell-Walker as the recipient of the OzAsia Festival Residency for 2026.

Hanna will be collaborating with Alix Kuijpers, Caroline De Wan and Jazzy Williamson-Gray for this residency.

This is a creative development and presentation platform available to South Australian performing artists working with contemporary culture. The aim of the residency is to offer place and space as part of a vibrant arts community for artists to develop and show new or existing work.

About the artists:

Photo: Melodee Meehan


This residency has support from

 
 

dance residency

Dance Residency 2026: Marcus Louend

We are thrilled to announce Marcus Louend as the recipient of the Dance Residency for 2026.

Marcus will be collaborating with Nat Penney and Paige Neis-Beer during this residency.

This is a creative development and presentation platform available to South Australian performing artists working with contemporary culture. The aim of the residency is to offer place and space as part of a vibrant arts community for artists to develop and show new or existing work.

About the artist:

Photo: Courtesy of the artist


This residency has support from

 
 

theatre residency

Theatre Residency 2026: Nicky T. Li

We are thrilled to announce Nicky T. Li as the recipient of the Theatre Residency for 2026.

Nicky will be collaborating with Jamie Hornsby for this residency.

This is a creative development and presentation platform available to South Australian performing artists working with contemporary culture. The aim of the residency is to offer place and space as part of a vibrant arts community for artists to develop and show new or existing work.

About the artist:

Photo: Courtesy of the artist


This residency has support from

 
 

Exhibition: Sharifah Sorayya, The Unspoken: Intimate portraits & silent dialogues

Image: Maktub |Destiny – multiplate photogravure print 280 x 1200mm Awagami Shiramine paper. Photo: courtesy of the artist.

October 16, 2026- January 15, 2027

Opening night: Friday, October 16, 5:30-7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present The Unspoken: Intimate portraits & silent dialogues, a solo exhibition by Sharifah Sorayya as part of OzAsia Festival 2026.

Using the photogravure technique, this layered, mixed-media series explores her identity as an Asian woman of mixed heritage, reflecting on family, her transcontinental existence as a global citizen and the resilience forged through life's unexpected challenges.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

OzAsia Festival Residency: Hanna Instrell-Walker, I'll Sleep When I Die

Photo: Melodee Meehan

Showing and Q&A

When: Thursday, October 15, 5-6pm, and Friday, October 16, 4-5pm and 6:30-7:30pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A).

Hanna Instrell-Walker collaborates with Alix Kuijpers, Caroline De Wan, and Jazzy Williamson-Gray to explore modern Japanese society and its need for constant work and lack of rest.

I’ll Sleep When I Die is a direct reference to the unethical, overworking culture in Japan. With new original sound by Alix Kuijpers, Japanese horror and art along with experimentation of light and darkness help to inform the storytelling of this new work-in-progress, creating a melancholic reminder that sometimes it’s okay to slow down.

About the artist:

Photo: Melodee Meehan


This showing has support from

 
 

galleries, public program

Exhibition: Joeulla Coulthard, Juanella Donovan and Lisa Khan, Held

Image: Lisa Khan, Intergenerational Wealth of Knowledge (detail) Photo: courtesy of the artist

July 27 - September 4, 2026

Opening night, Wednesday, July 29, 5:00- 7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

For SALA 2026 we are excited to present Held, a new group exhibition featuring new work by First Nations artists Joeulla Coulthard (Adnyamathna, Kuyani), Juanella Donovan (Adnyamathanha, Luritja and Arrernte), and Lisa Khan (Yankunytjatjara/ Antakirinja/ Pitjantjatjara). This exhibition explores the artists practices across painting, weaving, sculpture and ceramics. As mothers, each of these artist’s plays a vital role in caring for family and caring for Country. We know that mothers hold so much strength and tenderness, veracity and knowledge. These qualities are passed down through generations from mother to child, and for these women, their art practices reflect the ongoing practice of holding and sharing knowledge and stories.

This exhibition is presented with support from Ku Arts and the City of Adelaide’s Arts and Community Arts and Cultural grants.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries, public program

Exhibition: Nicolas Ottavio Saccardo, A scratch to a whisper

Image: Nicolas Ottavio Saccardo, Untitled, 2026, coloured pencil on found wood and masonite box, 50cm x 91.9cm x 6.5cm, image courtesy of the artist.

July 27 - September 4, 2026

Opening night, Wednesday, July 29, 5:30- 7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present A scratch to a whisper, a new exhibition by Nicolas Ottavio Saccardo. In this exhibition Nicolas explores materiality, mark-making and trace through a series of works on found surfaces. Using previously discarded panels, boards and pages, Nicolas examines the relationship between surfaces and the body, both as the material of our human ecology and as artefacts of our culture.

Through this body of work Nicolas draws our attention to mark making, honouring found marks- carpenters measurements once hidden on the inside of cabinets, scuffs from use, the wearing away of surface through repetitive touch. Through studio practice, they add layers of text like marks, sometimes referencing writing, scribbles, shopping lists, diary entries, and sometimes gestural, abstract marks across the surface.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

scotch college residency

Scotch College Residency 2026: Piri Eddy

We are thrilled to announce Piri Eddy as the recipient of the 2026 Scotch College Residency.

In partnership with Scotch College, Piri will receive a six-week paid residency within the English Faculty. Aiming to help further develop students’ writing and communication skills responding to creative themes.

About the writer:

Photo: Courtesy of the writer


 

Presented in partnership with Scotch College

 
 
 

galleries, public program

Exhibition: Jen Trantor, CONGRATULATIONS

Image: Jen Trantor, CONGRATULATIONS, on not shooting anyone today, CONGRATULATIONS, you didn’t poison anyone today, CONGRATULATIONS, on taking a great shot, photo: Russell Millard

July 27 - September 4, 2026

Opening: Wednesday, July 29, 5-7:30pm

Foyer Gallery, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present CONGRATULATIONS, a new exhibition by Jen Trantor. With cheeky humour and more than a touch of sarcasm, Jen offers the least of us an opportunity to be celebrated. Her delightful series of medals commemorate mundane and everyday achievements - CONGRATULATIONS, you made it out of bed!!! We all get a chance to be decorated with rich velvet ribbons, embellished beading and gold work.

For Jen this is an opportunity to share about her own small wins. Each of these daily achievements are what add value, enjoyment and creative fulfilment to our lives. Sure, you could go run a sub-two-hour marathon, or, you could celebrate yourself for living your life in line with your values, knowing yourself deeply, and cherishing your friends. Don’t get too mushy about it though, this is all meant to be a bit tongue in cheek!


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

public program

Studio Tours

Photo: Bri Hammond.

January - November, 2026

Fortnightly tours alternating Tuesdays, 11am, and Fridays, 4:30pm

The Mill Foyer, 154 Angas St, Kaurna Yarta

45 minutes duration

Free entry, all welcome

Discover your next favourite artist or maker at The Mill. See behind the scenes of our 70+ studio on a free, fortnightly studio tour.

We open our doors for tours on alternating Tuesdays and Fridays; inviting audiences to explore our studios and engage with our community.

Whether you're an art lover, a curious wanderer, or just keen to see creativity in motion, these tours promise inspiration and new connections at every turn.

Social clubs, community organisations and groups of 6+ can register for private tours by emailing info@themilladelaide.com.


theatre residency, public program

Theatre Residency: Nicky T. Li, Signal 2.0

Photo: Courtesy of the artist

Showing and Q&A

When: Friday, August 14, 6-7pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A). 

Signal 2.0 is a new multidisciplinary work in response to the Hong Kong political climate.

This first stage development is led by Nicky T. Li in collaboration with Jamie Hornsby, under the mentorship of Valerie Berry and Joon-Yee Kwok. Hong Kong artists Vincy Chan, Lok. and Chris Siu have provided cultural consultation. 

Signal 2.0 explores “how do we keep living without forgetting.” This work serves as a reminder that the revolution is not over, but simply, dormant. 

This is a story for every person who has had their culture and identity suppressed, whether that is in the past, or now. 

The work in progress will include elements of the work developed throughout this residency, followed by a short Q&A with Nicky and her creative team, hosted by The Mill CEO/Artistic Director Katrina Lazaroff.

Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

About the artists:

Photo: Courtesy of the artist


This residency has support from

 
 

galleries, public program

Exhibition: Tony Busch, Closer Horizons II

Image: Tony Busch, Sandstone arch, Sellicks, 2026, hand dyed jute, hand dyed cotton warp, 46 x 68 cm, Photo: Sam Roberts.

May 25 - July 17, 2026

Opening: Friday, May 29, 5:30-7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are thrilled to present Closer Horizons II, a new exhibition of woven textiles by Tony Busch. In this exhibition Tony brings audiences into a sense of place, exploring local landscapes; Warripari Sturt Gorge, Aldinga and Sellicks beach. Through the act of walking, Tony has gathered inspiration from the uniquely South Australian landscape- texture, colour, shape are translated through Tony’s chosen material.

Slow and generous appreciation are also part of Tony’s process- his use of hand dyed cotton warp, hand dyed jute and yarn on his hand built frame looms attenuate the pace of creation. This allows for the both the artist and audiences attention to be drawn slowly across the surface of works- we take notice of subtle shifts in tone and texture, and an understanding of the gesture of the artists hand that have skilfully manipulated the raw materials into abstracted forms. Like the act of walking, the slow process of building these woven landscapes creates a deep appreciation of beauty, and reverence for the life-force of the landscape.


galleries, public program

Exhibition: Kathrine Hoffman and Anna Goodhind, You Ask Me to Talk About the Interior

Image: Anna Goodhind, Face to Face (detail), courtesy of the artist

May 25 - July 17, 2026

Opening: Friday May 29, 5:30-7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are thrilled to present You Ask Me to Talk About the Interior, a new exhibition featuring work by Kathrine Hoffman and Anna Goodhind. This exhibition explores colour, repetition and form through ceramics and collage, looking at how artists build meaning through layering, repetition and pattern. Both Anna and Kathy are current studio artists at The Mill.

Kathrine's intuitive abstract ceramics are built using the Japanese nerikomi technique, working with coloured clay to build patterns that are embedded into the body of her vessels. Using the slow, repetitive technique Katherine creates unique abstract designs, experimenting with colour theory to draw the eye across the surface of the vessel. She says 'For me working with clay is very tactile. I find the connection between the hand, the eye and the brain and the repetition very calming.'

Anna brings a series of collage works to the exhibition, using found images to build narrative through colour and form. Each collage becomes a window into a world, opening a conversation to themes of life, and death, geology, the passing of time and the universe. We see delightfully unexpected characters on backgrounds of repeated patterns, nature and science brought together with infinite horizons.

This exhibition takes its title from Carolina Ebeid's poem 'You Ask Me to Talk About the Interior', a poem about humanness- made of wilderness & sky, a new anatomy, an overbright comet burning through the infinite. Like the poem, Kathrine's works fold and repeat, creating an infinite and intricate interiority. Nerikomi traditionally reflects the harmony of nature and as an expression of the artist's soul. Likewise, Anna's work speaks to the human condition, the interiority of each of us that is complex and in flux, and part of a web of connection through systems of biology and physics, of community and care.


public program, wayinthi

WAYIN:THI, NAIDOC Week work-in-progress performance

Photo: Kyahm Ross.

Showing and Q&A

When: Friday, July 3, 4-5pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A).

Join us for a work-in-progress performance inspired by 50 years of NAIDOC celebrations through contemporary Indigenous dance.

Facilitated by WAYIN:THI Co-Leads Caleena Sansbury and Kaine Sultan-Babij, produced by The Mill, with dancers Keisha Barrow, Kathleen Rankine, Rikki Wilson and Tiarna Power.

This intimate performance offers an early glimpse into the creative process, followed by a conversation with the artists.

Photo: Kyahm Ross


 
 

galleries, public program

Finissage: Closer Horizons II, You Ask Me to Talk About the Interior

Image: Tony Busch, Sandstone arch, Sellicks, 2026, hand dyed jute, hand dyed cotton warp, 46 x 68 cm, Photo: Sam Roberts.

July 17, 2026

Finissage: Friday, July 17, 4:30-6:30pm

Galleries, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We invite you to join us for the closing event for Closer Horizons II and You Ask Me to Talk About the Interior.

Closer Horizons II is an exhibition of woven textiles by Tony Busch. In this exhibition Tony brings audiences into a sense of place, exploring local landscapes; Warripari Sturt Gorge, Aldinga and Sellicks beach. Through the act of walking, Tony has gathered inspiration from the uniquely South Australian landscape- texture, colour, shape are translated through Tony’s chosen material.

You Ask Me to Talk About the Interior is an exhibition featuring work by Kathrine Hoffman and Anna Goodhind. This exhibition explores colour, repetition and form through ceramics and collage, looking at how artists build meaning through layering, repetition and pattern. Both Anna and Kathy are current studio artists at The Mill.


wayinthi

WAYIN:THI Performances

WAYIN:THI creates greater visibility for powerful cultural storytelling through movement and performance.

The dance theatre ensemble have performed at the 2025 Ruby Awards, 2026 Adelaide Fringe Award Ceremony, Blak Night at Carclew, Common Threads Summit, 2026 Gluttony Gala and more.


 
 

disability studio access

Disability Access Studio 2026: Chloe Noble

We are thrilled to announce Chloe Noble as the recipient of the 2026 Disability Access Studio.

Chloe will receive a 6-month studio space in our community, and will work towards an exhibition outcome later this year.

About the artist:

 

Photo: Courtesy of the artist

 

 

This program has support from

 

galleries, public program

Exhibition: Toni Hassan, The Sea is Talking

Image: Toni Hassan, Behold, the Rainbow Cale (Heteroscarus acroptilus), detail, 2025, Photo: Pro Lab, courtesy of the artist

March 27 - May 15, 2026

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present The Sea is Talking, a new exhibition by Toni Hassan. In this exhibition Toni works across multiple modalities to honour the lives of the countless marine creatures, some of which she witnessed dead, or struggling, as the South Australian coastline became impacted by the harmful algal bloom. Her regular walks along the city’s shoreline have revealed the incredible biodiversity of our local waters, sparking curiosity as well as sadness.

Through large scale coloured pencil drawings, video, and mixed media installation, Toni creates a feeling within the gallery akin to the emotional response she has had on the beach. We feel the physicality of the experience: a sense of awe, coupled with grief. We get a sense of the tide as it often was, washing in with creamy foam, and we observe an eel in a gripping dance, fighting for breath. Toni ponders our current environmental realities, positioning the algal bloom as a barometer for our world, asking, 'If the sea is talking, who's listening?' Further, 'What does it mean to truly listen?'


galleries, public program

Exhibition: Anthea Tsigros Jones, Think Differently

Image: Anthea Tsigros Jones, The snail and the unicorn (detail), 2026, courtesy of the artist

March 27 - May 15, 2026

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present Think Differently, a new exhibition by Anthea Tsigros Jones. In Think Differently Anthea explores personal narratives through a series of fantastical, embellished and slightly surreal paintings, collages and sculptures. Reimagining childhood scenarios, Anthea places versions of herself amongst world filled with strange dolls and unsettling horizons.

In these works, she utilises her training in classical realism, slipping seamlessly between crisp renditions and loose, painterly backgrounds that conceal more than they reveal. In Hot Chicks she references the Three Graces of greek mythology, with blonde and blue eyed nude barbie dolls bringing to light Anthea’s experience of misogyny and patriarchy.

Alongside her paintings, she presents new sculptural installations - dioramas of a life imagined through playfulness. Anthea’s Think Differently- the 3 (dis)graces) places three nude barbies (as seen in the previously mentioned painting) inside a two story gallery and studio, complete with holographic wallpaper, disco lights and an eternally spinning circular platform. We see their blank faces and abject sections of their bodies reflected back at us from the mirror, while outside the walls of the doll house are plastered graffiti style with misogynistic slurs.

Layered paper collages form the third and significant part of this exhibition, showcase Anthea’s unique process. Through these works, she shares the playful, open and responsive process that she uses to develop compositions for her paintings. Artworks in their own right, these multimedia works mirror the themes of the exhibition, speaking about childhood desires, awkward social interactions, and time spent alone engrossed in her own world.

Through Think Differently, Anthea speaks to the pressures of women of her generation - the expectations of her parents, the role she took on as a wife and mother, and now the freedom of expression she experiences as an artist. Alongside the dark and surreal elements, we are also offered joy and play; Anthea’s pleasure is palpable in The pavilion of dreams, a circus tent complete with carousel of unicorns and twinkling fairy lights, made spontaneously with complete submission to her inner child- an absolute delight!