coming up

galleries, public program

LIMITLESS 2026

Photo: Neasan McGuinness

September 16 - October 9

Opening party: Friday, September 18, 5-8pm

Finissage & Awards Night: Friday, October 9, 4:30-6:30pm

Galleries, 154 Angas St, Kaurna Yarta

Free entry, all welcome

LIMITLESS 2026 is our annual fundraiser exhibition, featuring over 250 South Australian artists.

Together we’ll be raising vital funds for The Mill, helping to provide opportunities for local artists, while celebrating the abundance of talent within the South Australian arts community.

It's kind of like that other popular anonymous exhibition, but we'll have A5 artworks priced at $100 and a selection of larger works at a higher price point.

And, importantly, we split sales with the artist 50/50, putting money back in their pockets.

All artworks will be anonymous in the exhibition, with artists' names and details shared with buyers at the end.


first nations residency, public program

First Nations Dance Residency: Keisha Barrow, Yaitya

Photo: Elliott Clarke

Showing and Q&A

When: Friday, September 25, 6-7pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A). 

Yaitya is the first development of dance theatre work by Keisha Barrow (Wills).

The idea for Yaitya comes from Keisha's experiences of disconnection and grief alongside the many ways we find connection, identity and belonging, particularly within Aboriginal and Torres Strait Islander culture. The work will explore familial cultural identity, the return to her mob and how her Aboriginal culture has shaped the person she is today. 

Keisha will be working with Kaine Sultan-Babij as artistic mentor throughout the residency, Tiarna Power as dancer/collaborator and Sascha Budimski consulting on sound design. She has also been supported by Caleena Sansbury conceiving and planning for the residency.

The showing will be followed by a short Q&A with Keisha and her collaborative team, hosted by The Mill CEO/Artistic Director Katrina Lazaroff. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

About the artists:

Photo: Elliott Clarke


This residency has support from

 
 

galleries

Exhibition: Sharifah Sorayya, The Unspoken: Intimate portraits & silent dialogues

Photo: courtesy of the artist.

October 16, 2026- January 15, 2027

Opening night: Friday, October 16, 5:30-7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present The Unspoken: Intimate portraits & silent dialogues, a solo exhibition by Sharifah Sorayya as part of OzAsia Festival 2026.

Using the photogravure technique, this layered, mixed-media series explores her identity as an Asian woman of mixed heritage, reflecting on family, her transcontinental existence as a global citizen and the resilience forged through life's unexpected challenges.


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body

 
 
 

galleries

Exhibition: Hamish Fleming, NOWHERE IS EVER REALLY THAT DARK

Photo: Hamish Fleming, The Roof is Leaking, (detail) 2024. Courtesy of the artist.

October 16, 2026 - January 15, 2027

Opening night: Friday, October 16, 5:30-7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present NOWHERE IS EVER REALLY THAT DARK, a new exhibition of paintings by Hamish Fleming.

Working within his signature gritty realist style, Hamish Fleming presents a series of nocturnal scenes, backstreet roadsides and spaces of intimate solitude. Works depict everyday scenes seen through new light, pragmatic building such as fast-food chains and service stations are reframed through the slow and lingering attention necessary for painting from life.

Hamish contrasts modern subjects with his traditional approach creating what he calls a ‘harmonious contradiction’. He writes ‘These paintings possess a sense of inherent solitude, drawn from lived experience. The resulting works used this common experience to invite the viewer into an intimate dialogue that is at times amusing, bleak and comforting.’


 
 
 

This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body