coming up

galleries, public program

FORUM: Our coast - creativity, responsibility and response

Image: Toni Hassan, Behold, the Rainbow Cale (Heteroscarus acroptilus), detail, 2025, Photo: Pro Lab, courtesy of the artist

Artist Forum

When: Friday, May 15, 5:30-7pm

Galleries, 154 Angas St, Kaurna Yarta

Free entry, bookings essential

  • This artist led Forum will be in our Galleries, located at 154 Angas St, Kaurna Yarta (Adelaide).

    Please arrive at 5:30pm for a 5:45pm dance performance by Sandy Marion, in response to the exhibition.

    6-7pm the forum will take place.

    Accessibility

    The Mill’s entrance has a small step into the building. We have a ramp available, please ring the doorbell and our friendly team will assist you.

    During gallery hours, our entrance will be unlocked. If the door is closed, please ring the doorbell to alert our team.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

We invite you to join us for an artist led forum discussing the impact of the South Australian algal bloom, and opening a discussion about climate, ecologies, and our place in the world.

This forum builds on The Sea is Talking, a new exhibition by Toni Hassan currently Showing in Gallery I. Speakers include Toni Hassan, ecologist Dr Faith Coleman, and curator Lindl Lawton. The forum will also include a short performance by artist Sandy Marion in response to Toni Hassan’s exhibited video work Death Dance (Longfinned worm eel, Scolecenchelys breviceps).

As chair of the panel, Toni brings her curiosity, advocacy background and creative insights to a lively conversation with a panel of special cross-disciplinary guests, exploring how creative practice can open new ways of thinking, feeling and responding to environmental change.

She asks; In the wake of South Australia’s devastating algal bloom, how can art help us make sense of ecological loss? And as the planet warms, what practical and imaginative roles can South Australians play in caring for our marine ecosystems?

About the artists:

  • Toni Hassan is an award-winning visual artist and writer. She is committed, in her multidisciplinary practice, to being a witness, seeking to express interconnections and inspire care. In her drawing, painting, digital and installation work she investigates contemporary events, patterns of human relating and nature (including non-human centric perspectives).

    This is Toni’s third solo show since she graduated from the School of Art and Design at the Australian National University in 2021. Her artwork is held in public and private collections.

  • Faith Coleman comes from a family of environmentalists and primary producers, with multiple generations of her family working on the ecology of salinas, saltlakes and estuaries, so she was (quite literally) born with her feet in saline muds. She spent her childhood exploring tidal deltas, in some of the most remote regions of Australia. She is passionate about developing deep understandings of estuarine processes, integrated approaches to estuarine management, adaptive management of landscapes to preserve ecological features, climate change adaptation and sustainable natural resource use. Faith has also published under the name Faith S. Cook.

  • Lindl Lawton has spent three decades in the cultural sector as an historian and museum curator, most notably as Senior Curator at the South Australian Maritime Museum. In 2016, she curated The Art of Science: Baudin’s Voyagers 1800–1804, a touring exhibition of scientific artworks from French collections, sparking her interest in how art can deepen our understanding of the natural world.

    Now Manager, Interpretation and Cultural Collections at the Adelaide Botanic Garden, she creates innovative ways to engage visitors with nature and foster environmental stewardship. Lindl manages the Museum of Economic Botany’s dynamic program of contemporary art exhibitions, where artists explore environmental challenges, respond to the Garden’s collections, and interrogate its colonial foundations. She is committed to creating programs where art, science, and community experience converge to illuminate urgent environmental issues.

  • Sandy is a dance theatre maker, multidisciplinary artist/activist and community organiser living on Kaurna Yerta, Adelaide. She is passionate about using art and community building as tools for connection and transformation, to connect people more to themselves, to others and to the world around them.


This forum has support from a Human.Kind Ripple Effect grant

centre stage residency

Adelaide Fringe 2026: Yoz Mensch, 'My Grandpa Doesn't Follow Me On Instagram'

Photo: Daniel Marks.

Adelaide Fringe 2026

When: February 19 - March 7

Where: The Breakout, 154 Angas St, Kaurna Yarta

Cost: From $30-35

Duration: 60 minutes

  • My Grandpa Doesn’t Follow Me On Instagram will be held in The Breakoutwill be held in The Breakout at The Mill. Please come to the foyer at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

    Accessibility

    Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

They drove from Cornwall to the Scottish Highlands – one grandparent, one grandchild, one unspoken truth.

Multi-award-winning storyteller, Yoz Mensch, weaves a darkly funny and haunting solo show about dingy hotel rooms, dog-eared maps, and the strained intimacy of travel.

Drawn from hundreds of real Instagram Stories posted during the trip, Yoz revisits what they shared with their grandpa – and the secrets they didn’t. 

Blending clowning, found footage, and intimate confession, 'My Grandpa Doesn’t Follow Me On Instagram' unravels what it means to hide yourself from the people you love.

★★★★★ “Mesmerising” Mindshare

★★★★★ “Utterly genius” Binge Fringe

★★★★★ “Masterful” The List

  • Yoz Mensch (they/she) is a multi-award-winning clown, comedian, writer, and performer living and working on Kaurna Yerta. Their primary arts focus is storytelling that engages through humour and offers thoughtful catharsis.

    In 2024 they trained in Clowning, Le Jeu and Buffon at L’Ecole Philippe Gaulier 2024, toured No Babies In The Sauna to Perth, Adelaide, Prague, and Edinburgh Fringes, and Melbourne International Comedy Festival, picking up the Best Comedy Award at Prague Fringe, and the House of Oz Purse Prize at Adelaide Fringe.

    YOU’RE ALL INVITED TO MY SON SAMUELS FOURTH BIRTHDAY PARTY received the Melbourne Fringe Tour Ready Award at Adelaide Fringe 2022, and picked up the Spirit of The Fringe Award at Melbourne Fringe 2022. They co-wrote, directed and performed in the ambitious sketch-sci-fi ensemble The End is High-Concept - which garnered positive reviews and pioneered live motion-capture for animated on-stage characters. They also co-produced, co-wrote and co-presented HUGE NEWS for Radio Adelaide, a satirical news sketch programme turned live podcast for Edinburgh Fringe 2018.


 
 

centre stage residency

Adelaide Fringe 2026: The CRAM Collective, 'Meteors'

Photo: Daniel Marks.

Adelaide Fringe 2026

When: February 19 - March 7

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: From $18-28

Duration: 60 minutes

  • Meteors will be held in The Breakout at The Mill. Please come to the foyer at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

    Accessibility

    Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

Grief isn’t part of the conversation. Especially not as a young person. No one knows what to say, so it’s simply left unsaid.

This premiere work from The CRAM Collective explores the complex impact of the immediate and lingering effects of grief on young people. Melissa tells the story of the death of her mother, too many lasagnes brought over by neighbours and the continual search for something or someone out in the sky.

This show was developed through our Centre Stage Residency, in partnership with Adelaide Fringe.

  • Melissa Pullinger is an Australian/ English theatre and film actor and is a 2020 Honours graduate of Flinders University Drama Centre. Growing up in England, Melissa appeared in the Andrew Lloyd Webber production of The Sound of Music (2008) at the London Palladium, where she played Brigitta Von Trapp for six months. Upon emigrating to Adelaide, Melissa performed in Border Project’s Disappearance (2008) and then Windmill Theatre and the Adelaide Symphony Orchestra’s Granpa (2008).

    Along with specialising in devising and physical theatre, Melissa is a co-founder of independent theatre collective, The CRAM Collective.Since graduating, Melissa has toured with Perform! Education in their Book Week Tour, Bigger, Better, Brighter! (2021) and Story Quest (2022). Since co-founding CRAM, Melissa has produced and starred in the sold-out world premieres of New World Coming, Something Big, The Future is You and EDGE. In 2022, Melissa travelled to England after being selected to train at Frantic Assembly’s International Summer School.

    Melissa began working as a puppeteer for Slingsby’s collaboration with A Blanck Canvas, for Illuminate Adelaide. She then joined the USA & Canada tour of Bluey’s Big Play puppeteering both Bluey and Bingo and touring through 2023 & 2024. She then joined the UK & Northern Ireland tour of Bluey’s Big Play, puppeteering Bingo. In April, Melissa toured across New Zealand with Bluey’s Big Play, puppeteering Bluey.

    Connor Reidy is a South Australian director and theatre maker. He graduated with first class Honours in Directing at the Flinders University Drama Centre. His directing credits include pool (no water), BC, Control, Iphigenia in Orem, The Seagull, and Lungs (Flinders DC).

    In 2021, Connor co-founded The CRAM Collective, a South Australian independent theatre company. His credits for CRAM include NEW WORLD COMING, Anna Barnes’ Something Big and THE FUTURE IS YOU. CRAM is the proud recipient of the 2022 Helpmann Academy Creative Innovator seed funding. 

    Connor’s professional assistant directing credits include Circle Mirror Transformation (Sydney Theatre Company), Lines and The Bleeding Tree (Theatre Republic), Oleanna (Flying Penguin Productions), and The Normal Heart and Hibernation (STCSA). Connor recently directed Emily Steel’s The Worst (Theatre Republic) AND Proud (Famous Last Words).

    Ren Williams is an Australian film & theatre actor, having trained with Honours at the Flinders University Drama Centre. Also specialising in directing and writing, Ren is a co-founder of independent theatre company CRAM Collective. After graduating in 2020, Ren has performed in theatre shows such as Kinetik Collective's STCSA StateSide show Kill Climate Deniers (Dir. Clara Solly-Slade), the North American Tour of Bluey’s Big Play as Bluey (Dir. Rosemary Myers), the one-woman show at DreamBIG Guthrak (Dir. Matthew Briggs), Hits at the AFC (Dir. Rebecca Meston), CRAM Collective's world premiere Something Big (Dir. Connor Reidy) and Slingsby Theatre Company’s trilogy A Concise Compendium of Wonder (Dir. Andy Packer) premiering in the 2026 Adelaide Festival. With a screen-acting diploma from Actors Studio UK at the prestigious Pinewood Studios, Ren has appeared in a number of short films such as The Hitcher which premiered at the 2024 Adelaide Film Festival (Dir. Henry Reimer-Meaney, With Love, Lottie premiering at the 2025 Sydney Film Festival (Dir. Lily Drummond), and ABC’s Beep & Mort Season 2 as an additional puppeteer. Ren’s latest directorial short This is Fine. won Best Directing and Best Film at the 2024 Adelaide 48HFP, sending it to the Filmapalooza Seattle wining 3rd Best Film; where it will now go to the 2025 Cannes Film Festival Short Film Corner

    Connor Pullinger graduated Flinders Drama Centre with a First Class Honours degree in Acting.

    Key roles include the AACTA award winning SBS mini-series The Hunting as OLIVER. In 2024 he starred in SAPOL’s Stop Flirting With Death TVC State-Wide campaign. Connor led BULLDOG, which was officially selected at 5 Film Festivals across Australia. Connor plays the titular role in The Hitcher, which premiered at AFF2024. Connor has seven shorts and one indie feature awaiting release/festivals this year. 

    These projects collaborated with Closer Productions, Heesom Casting, Proetic Productions, Stepney Studios & Showpony Advertising. 

    Extending beyond screens, Connor starred in The CRAM Collective’s sold out 5-Star theatre production FAG/STAG, as well as the encore season -  continuing the critical and commercial success. In 2024 he led Deus Ex Femina’s 5-Star award-winning Fringe show Dirty Energy and WHORE for Flinders University. 

    This year he was chosen to be an actor for the BAFTA and Golden Globe nominated Sophie Hyde in her LAUNCH LAB Directors Workshop.