coming up

gallery I, public program, gallery II

Artist talk: Lucky Smith, Under 30s Eat Free + Meg Mader, Patterned Disproportion

Artist Talk

When: Friday, May 30, 5:30-6:30pm

Where: The Mill, 154 Angas Street, Kaurna Yarta

Cost: Free

  • The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


Join Lucky Smith, Meg Mader and The Mill's Visual Arts Curator Adele Sliuzas for a chat about Under 30s Eat Free and Patterned Disproportion, showing in Galleries I and II at The Mill.

About the exhibitions

Under 30s Eat Free combines pop-art flatness with anthropomorphic characters, exploring contemporary anxieties in a way that is both jovial and deadly serious. Bold and bright, and slightly disconcerting, we see Lucky’s subjects navigating everyday scenarios in unusual ways - a day at the beach turns into a most strange place to adopt a kitten, while a Rapa Nui (Easter Island) moai statue spills the tea on a date at a Parisienne bistro. Lucky has also begun exploring the addition of textured oil paint within his otherwise modernly flat scenes, bringing a new quality within the paintings. The body of works are uncanny and relatable, shedding light on the ‘coming of age’ we experience as we enter our 30s.

Patterned Disproportion uses Meg’s signature vibrant painting style, taking viewers on an imaginative journey through playful, disproportionate and extraordinary scenes. Checkerboard floors and ornate wallpaper come together to give a glimpse into the lives of music-playing ornaments, mischievous gnomes and a most sophisticated doll house. We’re invited to fill in the narrative, whose beautiful house is this? Is this maggie performing a Billie Holiday tribute? Indeed, could the ornaments and pets in our own homes also have such glamorous secret lives?

About the artists

  • Lucky Smith is a passionate expressionist painter from rural South Australia, now living and working in Adelaide. Lucky specialises in large scale portraiture of pop culture personalities and surrealist scenes using oil & acrylics. An avid painter from the age of six, his organically developed style has blossomed into grand and colourful artworks that fill a wall, brighten a room, and invite a crowd into vibrant conversation.

    Lucky is an imaginative storyteller, learning foundations from John Collee’s AFTRS Screenwriting seminar, and travelling to New York in 2022 to study story structure under screen and writing lecturer Robert McKee. Lucky uses these storytelling principles to construct scenes in his artwork which empathetically explore complex interpersonal exchanges and idiosyncratic social situations, with recurring motifs such as anthropomorphised animals and retro pop culture.

    Lucky has worked in graphic design and the film industry for over a decade, working on such

    significant projects as The Tourist (2020, STAN), La Brea (2020, NBC), & Territory (2024, NETFLIX).

    Lucky’s artwork is displayed in numerous public and private collections domestically and internationally. His solo exhibition ‘Your Spectrum is Showing’ was held at Linhay Gallery in Auburn SA in 2022. Lucky has a studio at The Mill - Adelaide, and will be exhibiting as part of The Mill’s Visual Art program in 2025.

  • Meg Mader works predominantly with acrylic inks, gouache, and pen to create vibrant illustrations of animals, still life, and pop culture mash-ups. She has participated in many group exhibitions. Noteworthy are her duo exhibitions with collaborator Stu Nankivell, where she ventures into augmented reality, adding another layer to her works. In her solo exhibitions, Meg explores themes and narratives of her choice including literary mashups and still life, allowing for unrestrained expression.

    Her artistic style has earned her a Highly Commended and the Incentive Award at the Clare Valley Portrait Prize along with winning the Balco Art Prize's Best Work on Paper. A pivotal moment arrived when Meg was chosen for the Nebula Program by Country Arts SA, offering her the chance to deepen her practice and build connections with fellow regional artists. Meg's art often takes the form of commissioned pieces, frequently commemorating beloved pets and cherished memories.

    Since 2017, Meg has expanded her artistic practice by organising art events and workshops across South Australia and a series of large events at Puddleduck Vineyard in Tasmania. Her involvement in a local arts committee and establishment of a weekly art group are other ways to enjoy arts within the community.


This exhibition has support from

 
 
 

Under 30s Eat Free has support from

 
 
 

gallery I, gallery II, public program

Screening: PROJECT/FORWARD: 2049

Image: PROJECT/FORWARD: 2049

May 30, 2025

When: Friday, May 30, 10am- 6:30pm

Where: Foyer, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find PROJECT/FORWARD: 2049 in The Mill’s foyer, located at 154 Angas St, Kaurna Yarta (Adelaide).

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


Digital Art Projections Reimagining Our Future

The Mill is excited to present a special screening of PROJECT/FORWARD: 2049, joining 20+ countries as part of a micro moving image festival initiated by Micro Galleries!

PROJECT/FORWARD: 2049 transforms everyday spaces into extraordinary galleries through digital art projections that envision better futures for our world. For one night only, international artworks will illuminate The Mill’s foyer, creating a temporary wonderland where people from all walks of life can gather, observe, debate, and dream together.

A 60-minute loop of digital artworks from artists spanning four continents will be displayed in The Mill’s foyer from 10am, and will be viewable through the window on Gunson Street from dusk until 6:30pm.

How to attend:

Show up anytime between 10am and 6:30pm. Feel free to stay for the entire 60min loop, or drop by for a few minutes—it's entirely up to you!

This event is part of Micro Galleries' PROJECT/FORWARD: 2049, happening May 30-31, 2025, in 20+ countries worldwide.

  • Project/Forward is a global micro moving image festival by Micro Galleries that democratises access to new media art by bringing it directly to communities in unexpected public spaces.

    Previous festivals have featured 117 artists and reached audiences exceeding 500,000 people across 22 countries.

    In a time where our digital world is moving at warp speed, with tech billionaires getting all the spoils, countless communities are still waiting for an invitation to the digital art party. That's where Project/Forward crashes the scene—beautifully disrupting this digital divide by transforming ordinary public spaces into extraordinary galleries of possibility.

    Because the future shouldn't be a luxury product—it should be a public experience. And, we should all be part of it.


masterclass series, public program

Workshops: Screen Printing with Bob Window

Photo: courtesy of the artist

Workshops

Workshop 1: Friday, June 20, 1-4pm 

Workshop 2: Friday, July 4, 1-4pm 

Where: The Mill, 154 Angas Street, Kaurna Yarta, Adelaide

Cost per workshop: $190 (+ booking fee)

  • The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


Join artist Bob Window for a screen printing workshop where you’ll learn to print on fabric!

This beginner-level workshop will explore Bob’s signature styles with shapes, layers and stunning colours.

What to expect:

In this 3-hour session you will learn the basics of screen printing and learn two different techniques for creating amazing prints! Master screen printer Bob Window will share his expertise and guide participants through the process of printing using pre-exposed screens, followed by printing with blank screens and butchers paper.

Bob will provide participants with 1m of fabric, but you are welcome to bring along additional fabric, t-shirts or totes - natural fibres only.

This can be a messy process, so please wear covered shoes and studio clothes or an apron.

At the end of the day, you will get to take home your amazing screen-printed artworks!

  • Robert Viner Jones (AKA Bob Window) is a contemporary printer/painter based in Adelaide (Kaurna Country). Robert’s works offer bold, uncompromising graphics - stark and confident in their nature. Trained in Sydney, obsessed with design and colour, Robert’s works draw heavily on fearlessness of mid 20th century design plus an unbridled willingness to simply paint and print things that make him smile.

    https://bobwindow.com.au/


dance residency, public program

Dance Residency: Erin Fowler, FAFF

Photos: Ramsay Taplin.

Showing and Q&A

When: Thursday, June 19, 6-7pm

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A). 

  • This showing and Q&A will be held in The Breakout. Please come to The Mill at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

    Please arrive at 5:45pm for a 6pm sharp start.

    This event will be 1 hour (including the Q&A).

    Accessibility

    Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

FAFF is a protest to a world out of control, offering an escape from the endless global crises, overwhelming responsibilities, and gnawing screen addictions - by putting on a bonnet and escaping into the fantasy world of Jane Austen to ask: “How can I experience joy, when the world is dying?”

FAFF explores how we respond to crises - both personally and collectively - and explores the role of joy in that.

A new dance theatre comedy work by Erin Fowler, developed and performed in this second-stage development with Zoe Dunwoodie, Fallow (Tom Borgas & Amber Cronin), Sam McMahon, Ella Molloy, Hew Parham, Will Spartalis, Carol Wellman-Kelly and Jazzy Williamson-Grey.

Audiences can expect exploration of scenes, concepts and design, along with conversations around the creative process, key themes, and the questions that drive the work.

The showing will be followed by a short Q&A with Erin, hosted by The Mill CEO/Artistic Director Katrina Lazaroff. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

About the artists:

  • Erin is an award-winning dance and physical theatre maker, performer, musician, and educator based on Kaurna Yerta.

    She creates and presents deeply feminine, audience-driven, socially minded work and blends together an eclectic mix of contemporary dance, feminine movement, clowning, cabaret and martial arts.

    Erin’s choreographic credits include Erin’s choreographic and performance credits include her two award winning solo works; EGG (2021, Weekly Best Dance Award, Best Dance Hollywood Fringe 2021, NZ Tour Ready Award Adelaide Fringe 2022, Best Theatre Nominee, Sydney Fringe 2022), and FEMME, (2019 Adelaide Fringe - Best Dance Award, 2020 Adelaide Fringe – Made in Adelaide award). Other works include Gen-y (2018) commissioned for the Adelaide Dance Festival; Epoch (2016) created on Australian Dance Theatre for their Ignition season; and the acclaimed environmental dance film, Gaia (2014, 'Best Experimental' London Film Awards and Byron Bay Film Festival).

    As a performer she has worked on Victoria Falconer’s, The Sight at Dark Mofo, and The Vali Myers Project: And Then We Go at the Adelaide Cabaret Festival and with BalletLab, Patch Theatre Company and independent artists Lina Limosani, Monte Massi, Ben Brooker & Teddy Dunn (Act Now Theatre) and Larissa McGowan.

    She was also the movement director for Rebecca Meston’s 2024 Adelaide Festival Centre presentation of HITS and is the Director and Choreographer for Joanne Hartstone’s The Smart Girls Guide to Breaking Up in the 2025 Adelaide Cabaret Festival.

  • Hew Parham is a clown and theatre performer and director. Hew has extensively trained and mentored in the in the Pochinko Clowning through Mask Method with John Turner at The Manitoulin Conservatory for Creation and Performance.

    Hew has also trained with British Physical Comedy troupe Spymonkey in London, England and Italian clown Giovanni Fusetti. Hew has developed and been commissioned to create several solo shows including Symphony of the Bicycle which toured nationally in 2024 in partnership with Brink and STC, as well as Giovanni, which played at the New York Clown Theatre Festival, The Wonderland Festival in Brisbane and The Adelaide Fringe Festival; Odyssey Schmodyssey which played at the Sangeunay Arts Festival, Quebec Canada; Rudi’s The Rinse Cycle which played at The Adelaide Cabaret Festival, as well as The Riddalin Brothers with Callan Fleming and A Not So Trivial Pursuit (Adelaide Fringe).

    Hew has travelled extensively with Melbourne-based company Bunk Puppets to tour their show Sticks Stones Broken Bones to countries such as Norway, Germany and China. Other credits includes: The Weill File (Adelaide Cabaret Festival); The Swell Mob (Flabberghast Theatre/Adelaide Cabaret Festival); Me and My Shadow (Patch Theatre Company); Boo (Windmill Theatre Company); Superheroes (Stone/Castro); Blister by Sarah Peters (Holden Street Theatres); and If you can learn to fake authenticity you have it made by Rebecca Meston, (Feltspace).

    He has also directed a number of shows including Egg (Erin Fowler, Adelaide Fringe) Chameleon (Frank Theatre, Edinburgh Fringe Festival, Rumpus); Moof’s Adventures (Backporch Theatre, Adelaide Fringe); Dead Gorgeous (Madness of Two, Adelaide Fringe Festival) and Light Minded (AC Arts).

  • Will is a globe-trotting Production Manager, Circus Producer, Theatre & Film Composer, Sound Designer, Set Builder, Aerial Rigger, and Nightclub Manager.

    Following two decades of experience in Production with Adelaide Fringe, Adelaide Festival Centre, State Opera, State Theatre Company, and a viral smash-hit with his collaborative film project Italian Spiderman, Will relocated to NYC to assume the role of Head of Production at iconic Brooklyn Nightclub and multidisciplinary art space, House of Yes.

    His compositions and sound design work have appeared in numerous State Theatre Company works (Volpone, Gorgon, & Jesikah) as well as for independent theatre and dance productions, including Hew Parham’s Symphony of the Bicycle and Erin Fowler’s EGG. He has also recently completed a commission to compose the score for a South Australian made feature film, Diabolic.  

  • Fallow is a critical spatial practice that focuses on site-sensitive, immersive presentations in public space through sculpture, installation, performance and education.

    A merging of the practices of Amber Cronin and Tom Borgas, its field is the ecological space of arts research and practice– a thinking-through-doing that seeks to reframe an experience of reciprocity and connection as a definitive way of being in the world.

  • Zoe is a performing artist and emerging maker currently living and working on Kaurna Yerta. She graduated from the New Zealand School of Dance in 2011 with a Diploma in Dance Performance, and was shortlisted for the Tanja Liedkte Fellowship for 2024.

    Zoë worked full-time and as a guest dancer for Australian Dance Theatre from 2012 – 2020, under the directorship of Garry Stewart, and toured his works nationally and internationally.  Zoë has worked with local and international choreographers including Daniel Jaber, Ina Christel Johannessen, Lee Brummer, and children’s theatre companies Patch Theatre Company, Windmill Theatre Co and Windmill Pictures. 

    She is currently developing her own works including dance theatre work Llama and children’s puppet show Planet Stella co-created with fellow maker Tim Overton.

  • Ella is a highly skilled and dynamic mover with an extensive technical background. Originally from Sydney, she trained intensively at Classique Dance before furthering her education at Newtown High School of the Performing Arts, where she was mentored by leading industry professionals.

    Ella holds a Bachelor of Creative Arts in contemporary dance from Adelaide College of the Arts, where she worked with leading choreographers such as Sue Healy, Daniel Jaber, Leigh Warren, and Lee Brummer. Her rigorous training has shaped her into a versatile and expressive performer, refining both her technical and artistic capabilities.

    Throughout her studies, Ella has worked closely with renowned industry artists, contributing to the development of new works and expanding her choreographic and performance repertoire.

    In 2025, she performed in numerous works at the Adelaide Fringe Festival and Adelaide Festival with Stephanie Lake Dance Company, further cementing her presence in the contemporary dance scene.

  • Sam is an accomplished MC and entertainer, actor, clown, clown doctor and theatre performer. He is regularly engaged as an MC and entertainer for festivals including the Adelaide Fringe, Cabaret Festival and Adelaide as well as other corporate and cultural events. His performance credits include working with Slingsby Theatre Company for the creation and tour of The Tragic Life of Cheeseboy.

  • Jazzy is a contemporary dancer based in Adelaide/Kaurna land. She graduated with a Bachelor of Creative Arts (Dance), from Adelaide College of the Arts in 2022, after performing works by Kialea-Nadine Williams, Peter Sheedy, Tobiah Booth-Remmers, Lee Brummer, Garry Stewart, Alison Currie, Daniel Riley, and Daniel Jaber.

    Following her graduation, she was selected as the 2023 recipient of the ilDance Professional Development program with The Mill and worked with Zoe Dunwoodie on her creative development of Llama. She was also selected as a dancer in the 2024 Choreolab program. Jazzy is interested in interdisciplinary collaboration and is empowered by the creative freedom of improvisation and choreographic composition. She is passionate about exploring themes of the human condition, philosophy, and psychology in future choreographic works.

  • Matt is an award-winning Australia actor working extensively in South Australia, China and The US. Film highlights inc. Monolith (2022, Dir. Matt Vesley) Top End Wedding (2019, Dir. Wayne Blair), Awoken (2020, Dir. Daniel Philips) and One Eyed Girl (2015, Dir. Nick Matthews, Projector Films).

    Matt is an accomplished theatre actor with highlights including Creditors, Switzerland, Romeo and Juliet, Rumpelstiltskin (Windmill co-production), The Red Cross Letters, Volpone; or The Fox, Between Two Waves (Umbrella production), Babyteeth, Pornography and The Give And Take for The State Theatre Company of South Australia.

    Matt has toured with Windmill Theatre extensively through Australia, the US and China. Matt is a theatre maker, collaborating with Adelaide Cabaret Festival, Oz Asia Festival, Theatre Republic, Slingsby, Sandpit, AJZ Productions and made new work as a member of award winning theatre company five.point.one. Matt is also an accomplished voice-over artist.

  • With a zest for life and a passion for dance, theatre, puppetry and musicals, Carol brings 35 years of professional experience to her professional practice which includes dance performance, teaching, choreographing, directing, facilitating and management and has taken her to many parts of the globe.

    Most recently, Carol has been a freelance Dance/Theatre artist working across genres with a wide variety of participants and roles including: mentor and artistic advisor for Independent choreographers and dancers, guest lecturer and assessor for University Dance and Drama departments in Australia and NZ and Board member for Restless Dance Theatre, Ausdance SA and Ausdance National as well as State and Federal funding bodies.

    Carol is dedicated to creating access to the arts for all and is a trained Audio Describer for people with Visual Impairment. 


This residency has support from

 
 
 

This project has been developed in association with the Adelaide Festival Centre’s inSPACE Development Program.

 
 
 

gallery II

Exhibition: Dai Trang Nguyen, alONEness - một

Image: Dai Trang Nguyen

October 17 - November 28, 2025

Opening Event: Friday October 31, 5:30-7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find Dai Trang’s exhibition in The Mill’s Gallery II, located at 154 Angas St, Kaurna Yarta (Adelaide).

    Gallery II is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


The Mill is excited to present alONEness - một , a new exhibition of sculptures and installations by Vietnamese artist Dai Trang Nguyen. Developed through The Mill’s Kayangan Residency, with support from donors Geoff Martin and Sorayya Mahmood Martin, the exhibition explores identity, connection, and the spaces between, using mindfulness as a compass. một, meaning “one” in Vietnamese, reflects Dai Trang’s journey through aloneness, loneliness, and oneness.  The work flows from a place of authenticity and vulnerability, where the tension between solitude and connection becomes visible.

Through large-scale textile-based sculptures, she transforms the gallery into a multifaceted environment. The installation embodies the solidity of being alone, the struggles of isolation and the universal longing for connection. It invites viewers to reflect on their own experiences of being alone and together, offering a quiet moment of shared understanding amidst life’s chaos. 

  • Dai Trang is a Vietnamese artist and designer based in Kaurna Country whose creative journey spans the UK, Vietnam, and Australia. With a foundation in graphic design, her work radiates vibrancy and a profound connection to colour.

    During the solitude of the COVID-19 pandemic, art became her sanctuary, a way to delve into self-discovery and expression. This transformative period led to her first solo exhibition in Vietnam, exploring themes of self-identity. Inspired by this milestone, she moved to South Australia in 2022 to pursue contemporary art, embracing experimentation and deepening her artistic practice.

    Living far from home has enriched her connection to her heritage and mindfulness practices. Deeply influenced by mindfulness and Buddhism, her work has evolved from structured design to an intuitive, meditative process she calls Moment Art. Rooted in the present moment, by letting go of judgment and pre-determined notions, she lets life unfold naturally through painting, textiles and found objects.

    After three years of solitary practice for self-understanding, Dai Trang has recently begun sharing her work in the local art scene. Her creations reflect her inner journey, inviting viewers to pause, reflect, and connect with their innermost selves.



This exhibition has support from

gallery I, gallery II, public program

Exhibition: Waltja munu Ngura, Art and Films from the Aṉangu Schools Partnership

Image: Dai Trang Nguyen

June 25 - July 11, 2025

Galleries I & II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find the Waltja munu ngura exhibition in The Mill’s Galleries, located at 154 Angas St, Kaurna Yarta (Adelaide).

    The Mill’s Galleries are open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


The Mill is excited to present Waltja munu Ngura, a new exhibition of Art and Films from the Aṉangu Schools Partnership.

Waltja munu Ngura (Pitjantjatjara for Family and Place) is an exhibition of Art & Films from the schools of the Anangu Lands, which are presented annually at the Fregon Arts Festival. The works are created by students, families and community, in collaboration with visiting artists, and include videos of stories that explore concepts of wellbeing and citizenship, narrated in Pitjantjatjara and English. There are 10 Anangu Schools in remote South Australia, 8 located on the red dirt of the APY Lands at the top of SA, and 2 in the coastal sands and red dirt of the Maralinga Tjarutja Lands in the Far West of SA, where Anangu Educators work shoulder to shoulder with non-Anangu educators in classrooms and learning on country. 



first nations dance, public program

First Nations Choreographic Lab: Kaine Sultan-Babij, Lines

Photo: Bri Hammond

Showing and Q&A

When: Friday, June 27, 6-7pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A)

  • Getting to the showing

    This showing and Q&A will be held in The Mill Breakout. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

    Please arrive at 5:45pm arrival for a 6pm sharp start.

    This event will be 1 hour (including the Q&A).

    Accessibility

    Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.

    If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

Join us for a work-in-progress showing of Lines by choreographer Kaine Sultan-Babij, developed through The Mill’s First Nations Choreographic Lab in 2025.

This new work will explore movement based on cultural understandings and use of Aboriginal artefacts.

Over one week, Kaine will co-facilitate the lab with Caleena Sansbury, The Mill’s First Nations Dance Program Coordinator, working with dancers Kirsty Williams, Melanie Koolmatrie and Tiarna Power.

The Mill’s First Nations Choreographic Lab is a program designed to create performance outcomes while supporting emerging and mid-career First Nations dancers in South Australia.

About the Facilitators:

  • Arrernte and Gurindji Contemporary Dance Artist, Kaine Sultan-Babij, is making a lasting impact on the world of dance and drag.

    With a background that includes performing with Leigh Warren and Dancers, Bangarra Dance Theatre, and the Australian Dance Theatre, Kaine has skilfully blended Contemporary Dance and Contemporary Indigenous Dance. Based in Kaurna Country, Kaine stands as an Independent Dancer and Choreographer, contributing to the vibrant Australian performing arts scene.

    Beyond Kaine's achievements in the dance world, the emergence of Estelle, a captivating Drag Performer and Persona, has added another layer to their artistic repertoire. Estelle quickly gained recognition, establishing herself as a standout performer in the Adelaide Drag Scene. Through electrifying performances, Estelle has earned a respected place in the realm of drag.

    Together, Kaine and Estelle embody a powerful fusion of Tradition, creativity, and contemporary expression, making a lasting impression on the dance and drag communities in Australia.

  • Caleena Sansbury is a prominent First Nations artist whose diverse background and extensive experience have established her as a leading figure in the arts. Her heritage, encompassing Ngarrindjeri, Narungga, and Kaurna cultures, deeply influences her work and perspective.

    A graduate of NAISDA Dance College, Caleena’s career spans various disciplines including performance, choreography, and program coordination. She has showcased her talents on both national and international stages, working with respected artists and companies.

    Her notable collaborations include:

    • Vicki Van Hout on productions like Long Grass and Les Festivities Lubrufier.

    • Thomas E. S. Kelly on the performance work [MIS]CONCEIVE.

    • Karul Projects on the piece SSHIFT.

    Caleena’s experience extends to children's theatre, where she has performed in shows produced by InSite Arts such as Saltbush and Our Corka Bubs, and with Polyglot Theatre in Tangled. Her work demonstrates a deep understanding of both dance and theatre, particularly in contexts involving young audiences.

    In addition to her performance career, she has contributed to theatre as an actor in Legs On the Wall’s The Man With The Iron Neck and has showcased her organizational skills as a producer for the Melbourne Fringe in 2018. She has also toured South Australia with Taree Sansbury’s Mi:wi 2019, and performed in Jacob Boheme’s dance work Gurranda in 2024. Caleena continues to perform and practice dance in and throughout South Australia. 

    Currently, Caleena is a Program Coordinator at The Mill, an award-winning multi-disciplinary arts organisation. Her role at The Mill continues to reflect her commitment to fostering a vibrant and dynamic First Nations arts community.


This project has support from

 
 

gallery II

Exhibition: Erin Renfrey, Once Upon a Lemon Drop

Image: Erin Renfrey, Past, Present and Future (Elspeth, Harold and Doris)

July 18 - September 5, 2025

Opening Event: Friday July 18, 5:30-7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find Erin’s exhibition in The Mill’s Gallery II, located at 154 Angas St, Kaurna Yarta (Adelaide).

    Gallery II is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


For SALA 2025 we are excited to present Once Upon a Lemon Drop, a new solo exhibition by watercolour artist Erin Renfrey. Invoking a sense of childlike curiosity, Erin’s compositions encourage us to see the world through new eyes. Familiar and friendly faces co-exist with unexpected, sinister and uncanny characters, and just like a Grimm fairytale, we are drawn into a conversation about social mores and societal expectations.

  • In Once Upon a Lemon Drop, I am presenting a collection of new, intriguing watercolour paintings. My work reveals an otherworldly journey through the lives of fantastical creatures as they search for communion with each other and the universe. Hieronymus Bosch, theatre, and vintage illustrations are just some of my sources of inspiration.

    My process involves meticulously layering watercolour on paper and panel to create colourful and eye-catching imagery. Each work begins with daydreaming and doodling, which becomes conceptually realised through thrifted toys and handmade miniatures, functioning as a guide for form, light and shadow, and composition.

  • Erin is an emerging artist based on Kaurna Land. She commenced her Bachelor of Creative Arts at Flinders University and Adelaide College of the Arts in 2020 and graduated in 2023. In the same year she was selected for the Helpmann Graduate Exhibition, receiving the Hill Smith Art Advisory Award and Square Holes Award. She has since been a finalist in the Adelaide Parklands Art Prize and exhibited at BMGArt, Collective Haunt and St. Peters Town Hall.

    Erin is currently a studio resident at The Mill.



This exhibition has support from

gallery I

Exhibition: In Reflection: In Response, curated by Stella Martino

Image: Filling in the Blank(et) - Stitching Stories by Elina Priha, Eline Gaudé, Stella Martino, Anna Kozonina, Martta Nieminen, Onerva Heikka

July 18 - September 5, 2025

Opening Event: Friday, July 18, 5:30-7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

  • You can find In Reflection: In Response in The Mill’s Gallery I, located at 154 Angas St, Kaurna Yarta (Adelaide).

    Gallery I is open Monday-Friday, 10am-4pm.

    Accessibility

    The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

    Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

    The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

    Read more in-depth information on our accessibility web page.


For SALA 2025 The Mill is excited to present In Reflection: In Response, a new group exhibition curated by Stella Martino, featuring the work of five South Australian artists; Shani Engelbrecht (textiles), Calamity Tash (textiles), Carman Skeehan (glass), Lotte Schwerdtfeger (ceramics) and Yana Lehey (sculpture). In Reflection: In Response has been developed through a collaborative, community-driven component led by Stella, who sites Ursula Le Guin’s essay The Carrier Bag Theory of Fiction in the conceptual underpinning of the exhibition.

For each of the artists, this exhibition has been an opportunity to come together, share ideas, collaborate, form communal bonds and develop their work. We’re excited to see the artists’ process, both in their individual practices and in creating collaborative work, showcased together in the gallery.

  • In Reflection: In Response is an exploration in storytelling and community-based practices. It includes a collaborative, community-driven artist development component, alongside an exhibition and public program presented during SALA Festival.

    Ursula Le Guin wrote an essay called The Carrier Bag Theory of Fiction that challenges the idea of stories that centre one individual. Instead, Le Guin offers the viewpoint that stories are a collection of things and moments gathered over time. Le Guin uses the term ‘carrier bag’ as a figurative and literal image of how we collect things and put them in a vessel to save for a time when those things are shared amongst others. In Reflection: In Response brings five artists into a three-month residency guided by me at The Mill, where the group will cultivate and share ideas, collaborate, form communal bonds and develop their work for the exhibition. The residency will culminate in one communal piece of work, and individual or collaborative pieces from the artists in response using their chosen medium/s. The communal piece will be a take on patchwork quilting, with each artist hand-sewing a piece of recycled, locally sourced fabric, which will be sewn together at the end of the residency. The outcome of the residency and the artists’ interactions with form will become a physical manifestation of the time we spend together, sharing our thoughts, knowledge, practice and stories: our carrier bag.

  • Stella Martino is an emerging curator and writer originally from Dharug/Sydney, now based in Tarndanya/Adelaide. Stella completed her Master of Arts (in Visual Cultures, Curating and Contemporary Art) from Aalto University in Finland in 2023. Since then, Stella has undertaken a curatorial internship at The Mill under the mentorship of visual arts curator Adele Sliuzas. While studying in Finland, Stella co-curated and was a participating artist in the group exhibition Ghost Elephant Stitches in the Snow and co-created and developed the community arts and recipe book Recipes for Resilience and Care in the Climate Emergency. Stella is interested in queer ecologies and how the more-than-human interacts with their environments and in art. Her master's thesis aimed to understand how various forms of memory inform storytelling and their impact on our well-being. Through her research and previous projects, Stella also explores the benefits of community care practices within and beyond art spaces.

  • Shani Engelbrecht (she/they) is a multidisciplinary artist of Indo-Fijian and Scottish-Irish heritage, creating and living on Kaurna Land, South Australia. She holds an Honours degree in Visual Arts (2022) and a Bachelor of Creative Arts (2021) from Flinders University. Her work predominantly explores her identity and sense of belonging in the space she grew up in. Race and identity are at the core of Engelbrecht’s practice as she interrogates the incidences of racism experienced by people of colour daily. By using performance, photography, video, drawing and painting, her work blends traditional and contemporary techniques to convey the duality of her upbringing and to reflect on the feelings of otherness. Engelbrecht has shown works in multiple exhibitions including Art That Walks OFF the Walls (Goodwood Theatre & Studios 2024), Hatched: National Graduate Show Exhibition (Perth Institute of Contemporary Arts 2023), not white/not brown (FELTspace 2023).

  • Calamity Tash, local queer Craft Wizard, believes art is for everyone and is most passionate about inclusivity and accessibility to the creative arts. Over the last decade Tash has been skill sharing with communities across the globe. The spreading of craft joy will continue as Tash becomes an enthusiastic resident at The Mill. Tash’s signature sparkle and use of whimsical dolls have been her wearable art trademark. Calamity Tash joins us on a journey of self expression and discovery. Her private studio will see the creation of many a weird and wonderful thing.

  • Carman Skeehan is a glass artist and maker, living in Adelaide, South Australia. Having completed the Jam Factory associate program in 2023, Carman has hit a milestone in her work, elevating her artistic practice. Guided by the meticulous creative process, Carman centres her work on the art of storytelling through glass, exploring the intersection of narrative and materials. Skeehan draws inspiration from early oil paintings and still lifes, creating a unique likeness in glass materials. Her work is an exploration of these elements, seamlessly blending them to create unique and compelling pieces of art.

  • Lotte Schwerdtfeger is an artist and is currently a studio tenant at the JamFactory Ceramics Studio, Tarndanya/Adelaide. She is materially led across many mediums, being consistently drawn to ceramic processes. Lotte hand builds ceramics, coiling and pinching both functional, sculptural and installation works; combining tendrils of research which span anthropology, biology, symbolism and revelry in the small psychedelic moments of existence. Lotte is delighted by the alchemical and elemental processes of ceramics. She is always intrigued by the role of objects, quotidian and ritual, in defining and connecting human and nonhuman experiences. Lotte is a graduate of the Victorian College of the Arts; regularly working on commission, collaborative projects and gallery exhibitions. Where possible all materials are salvaged, reused and recycled, working towards a zero waste practice.

  • Yana Lehey is an environmentally motivated visual artist based on Kaurna land. Her practice spans various mediums, covering drawing, painting, and sculpture, depending on what a project calls for. Most recently, she has applied a textile approach to petroleum-based waste materials like plastic and rubber on a large scale, creating oversized crocheted sculptural works. She developed the necessary techniques as an accessible means for every person to tackle the waste problem without the need for expensive technology and infrastructure. Yana’s interest in environmental art first started to gain traction in 2020, with her first solo exhibition Face Up, featuring monumentally scaled watercolour portraits of nine young climate activists from diverse cultural backgrounds with diverse approaches. The research behind this project formed the basis for Yana’s current practice.



This exhibition has support from