masterclass series, public program

SALA Masterclass: Chris Orchard (drawing), 'The Body Caught - Drawing the Body in Motion'

The Throw, by Chris Orchard 2018

The Throw, by Chris Orchard 2018

Presented by The Mill in partnership with SALA Festival, 2019, a Chris Orchard Masterclass The Body Caught - drawing the body in motion

Masterclass information

When: August 3 and 4, 2019, 10am - 4pm daily

Where: The Mill’s Breakout Space, 154 Angas St (enter via Gunson St), Adelaide

Cost: $400

book tickets

About the masterclass:

The intensive will be constructed around the body in motion vs. stillness. Our model will “choreograph” movement that participants will capture in drawings sometimes as fleeting as the moment and at other times held in suspension for longer periods. We will focus on the “loss” of memory and each participants’ capacity to invent when memory fails. We will use repetition both in the models movements and in the drawers’ marks to embed imagery in more developed drawings in charcoal and or materials of the participants’ choice. We will make a lot of drawings and engage in discussion along the way. 

Artists to consider; DAUMIER. FUTURISM. JENNY SAVILLE. DEGAS. KENTRIDGE. MUYBRIDGE.

About the artist:

Chris Orchard held his first solo exhibition 1975. 1982 Founding member of Central Studios Adelaide. Over 60 solo and group exhibitions to the present. Former Head of Drawing at Adelaide Central School of Art. 1984-1987 joined Air and Space Studios Berry St London. 2000 residency at Gunnery Studios Sydney. 2002 taught Drawing at the New York Studio School. 2011 Awarded the Arts SA Fellowship. 2012 Three month studio development of new work at Present Company, Brooklyn, NY.    In 2017 awarded the SALA feature artist with a publication by Wakefield Press, “Christopher Orchard, The Uncertainty of the Poet with text by Peter Goldsworthy, Margot Osborne, Julia Robinson, Roy Ananda and Rod Taylor. Maintain studio practice in Adelaide and New York to the present. Represented in Adelaide by BMGArt, in Sydney by Wagner Contemporary Galleries and in New York by Stephen Rosenberg Fine Art. 

Materials:

Participants must provide the following;

12, Sheets Bulky Newsprint, NOT butchers paper.

6, Sheets 210 gsm Cartridge. (CA Grain or equivalent.)

3, boxes natural charcoal, thick sticks, about pencil thickness.

2 Charcoal pencils, medium. (Central Art Supplies at Glenside have terrific “Peel & Sketch” charcoal pencils, just an option.)

2, Sticks compressed charcoal, medium & soft. Conte also makes an HB compressed charcoal that participants may find interesting

White latex erasers.

20mm Masking tape.

Retractable blade utility knife.

A rag, napkin size, old T-shirt or bed sheet.

(Each participant will have his or her preferred mediums to add to list.)


public program

Umbrella Music Festival: 'The Hum Of Concrete' Blues 'n' Roots / Indie / Folk

The Mill in partnership with Umbrella City Sounds Festival/Music SA presents; The Hum of Concrete - Songs from the City to Suburbia, curated by Jen Lush.

When the city comes alive with the hum of concrete – songwriters bring warmth and their own unique observations, with stories and songs that take us beyond the concrete surfaces and into the suburbs of our imaginations.

An open air street session of folk-blues with Jimmybay kicks off the Umbrella City Sounds event at The Mill. The Fiddle Chicks thread their folk tunes through the inner spaces, roving storytelling at it’s finest, leading to the Breakout space where Loren Kate, Jen Lush and Ryan Martin John, fill up the night with their indie-folk/rock songs of identity and belonging, joining the hum of the city’s night soundscape.

Details

When: July 26, 4.30pm - 10pm

Set times:
4:30 - 5:15pm Jimmybay (45 mins - Free outdoor event)
5:30 - 6:15pm Fiddle chicks (45 mins - Enter via The Mill Exhibition Space)
6:40 - 7:30pm Loren Kate (45 mins - Enter via The Mill Breakout)
7:50 - 8:40pm Jen Lush (45 mins - Enter via The Mill Breakout)
9:00 - 10pm Ryan Martin John (45 mins - Enter via The Mill Breakout)

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expand

Expand: Motus Collective, Artist in Residence

Supported by The Mill, Motus Collective are in residence in The Mill Breakout in 2019 as part of The Mill’s EXPAND Program.

This program is designed to create a space for artists to expand their own individual practice whilst being inspired and supported by other interdisciplinary artists. This ongoing workshop series will facilitate new explorations and connections between artists of diverse disciplines.

The aim of this program is to;

  • To bring the Adelaide arts community together.

  • To provide networking opportunities for artists of diverse disciplines.

  • To provide a creative space free from the pressure to perform, or to provide an

  • To enable a safe space for creative practice, in which all participants are equal.

  • To allow artists a place to develop their own individual practice with the support of fellow

    local artists, to be inspired by others and excel at their own unique style.

  • To give artists a place to experiment and step outside of their comfort zones.

  • To enliven contemporary dance practice in South Australia.

About the artists and residency:

 
Felicity Boyd and Zoe Gay

Felicity Boyd and Zoe Gay

 

Motus Collective are Felicity Boyd and Zoe Gay, based in Adelaide facilitating connections between artists from diverse backgrounds and disciplines in a shared rigorous contemporary movement-based practice. Motus Collective are creating new work in The Breakout space in 2019 and running public Jam Sessions;

Interdisciplinary Jam Sessions

Tuesday nights, The Mill Breakout Space, 7-9pm

Felicity Boyd: felicityb91@hotmail.com

Zoe Gay: zjwgay@gmail.com

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masterclass series

Masterclass: Ella Ziegler (public art), 'Transforming Everyday Sites'

Image Credit: work by Ella Ziegler

Image Credit: work by Ella Ziegler

Presented by The Mill, Open Space Contemporary Arts (OSCA) and supported by City of Adelaide, Transforming Everyday Sites a masterclass with artist Ella Ziegler.

Masterclass information

When: Wednesday, June 12, 2019, 10am - 4pm

Where: The Mill Breakout and Public walk, 154 Angas St (enter via Gunson St), Adelaide

Cost: $50 adult and $30 concession

book tickets

About the artist:

Ella Ziegler uses a wide range of artistic methods to creatively transform mundane existence into interesting opportunities for playful artistic expression. Her interdisciplinary observations and reflections lead us through a variety of social situations where she highlights, questions and renegotiates the importance of individual participation in public space. Her distinctive practice inspires new pathways and thought patterns as to how artists can approach the use of the public domain for artistic and relevant outcomes unique to that space. Ella has participated successfully in international exhibitions, residencies and projects and has received numerous awards and recognition for her work.

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About the masterclass:

This one-day masterclass/workshop is focused on temporary site-based and unexpected art events in the public domain. Taking its lead from Ella’s innovative approaches that utilise performance and visual art strategies, to creatively transform mundane public spaces into dynamic spaces of playful artistic expression. Masterclass/workshop participants will be invited to explore the importance of individual participation in public space by means of context - based actions, events and performance proposals.

This masterclass/workshop will offer local Adelaide artists a fertile space to share, learn, create and exchange ideas, skills and processes. The overall directives will open up new ways of thinking, doing and making in a collaborative and collegial gathering that will extend and address each participating artists’ own practices and interests.

I take delight in renewing my own as well as my viewers’ consciousness by highlighting and sensitizing us to what normally passes us by inconspicuously. My independent, idiosyncratic practice is simple and radical at the same time, inspiring wonder, provoking curiosity and making us think differently about what we previously considered ordinary.” Ella Ziegler.

galleries

Exhibition: Robyn Wood, 'Natural Progression'

Robyn Wood, 2018, photo: James Knowler, courtesy of Brand SA

Robyn Wood, 2018, photo: James Knowler, courtesy of Brand SA

Robyn Wood, Reflect Desk, 2015, Victorian Ash, photo: Simon Vaughan

Robyn Wood, Reflect Desk, 2015, Victorian Ash, photo: Simon Vaughan

Robyn Wood, Wave Coffee table, 2019, American Oak, glass photo: Nick Clayton

Robyn Wood, Wave Coffee table, 2019, American Oak, glass photo: Nick Clayton

Robyn Wood, Bud lamp, 2015, hand/ turned timber and bonded parchment, photo: Simon Vaughan

Robyn Wood, Bud lamp, 2015, hand/ turned timber and bonded parchment, photo: Simon Vaughan

Robyn Wood, Daisy low stool, 2016, Hoop pine ply, wood wash and wax, photo: Simon Vaughan

Robyn Wood, Daisy low stool, 2016, Hoop pine ply, wood wash and wax, photo: Simon Vaughan

Please join us in The Exhibition Space for Natural Progression, an exhibition by Adelaide based designer/maker Robyn Wood.  

Natural Progression is a solo exhibition of furniture and objects by Robyn Wood. The exhibition features new work and previously unexhibited pieces, alongside a visual exploration of Robyn’s prototyping development. The exhibition gives insight into artistic process, showing how raw materials are transformed into something useful and beautiful. For this exhibition Robyn has explored new materials and processes, extending from her previous work in timber. 

 

Maintaining a connection to nature is an important theme in my designing; simple sculptural forms, lines gently curved, the touch and feel of warmer materials. These are things I am drawn to. I am looking for ways to connect the end user to nature and provide warmth and character to spaces they inhabit. Designing furniture and objects with character, balance and restraint. The use of natural materials and a preference for organic forms are tools I use to express my ideas.’ 

Artist Biography

Robyn Wood (www.robynwood.com.au) is a Furniture designer and maker based at The Mill, Adelaide. Her practice is informed by traditional joinery and current manufacturing techniques. She is influenced by the everyday things she observes, gaining fresh insight from her travels. Maintaining a connection to nature is important in her designing. She expresses her ideas through the use of warmer natural materials and a preference for organic forms. Robyn studied and practiced as a teacher before following her passion for design and returning to study as a designer. She has a Bachelor of Design - Interior Design from the University of South Australia.

 

She has worked for Australian Joinery firm IJF, during which time she oversaw a 3-year interior project fit out in Paris on the Australian embassy residences. As an Interior designer she worked on a wide range of commercial and government projects, where she continued to develop her interest in joinery. In 2014 she pursued her love of furniture design and established her studio. Since then she has been designing and making. Being hands on in her joinery work has become important in developing new work. Robyn is undertaking mentorships with two traditional woodworkers, learning techniques in using hand tools and traditional joinery techniques.

 

In 2016 Robyn exhibited in Home in the Asia Pacific space design alliance conference and as part of the WOMADelaide Creative Industries Showcase. She was selected as an artist for Guildhouse’s Wellmade program in 2016 and is currently an ambassador for Brand SA craft industries. She has presented her work at Big Design Market Melbourne (2015-18) & Sydney (2016-18), The Mill Market (2018) and Bowerbird Market (2014-18). Her work has been featured in the Adelaide Review, The Sydney Morning Herald and City Messenger. 

 

She has worked on a range of commercial projects and private commissions. Her one off pieces and small production runs were launched at Bowerbird in Adelaide in 2014. She is currently working on a new collection of furniture and objects in collaboration with leading South Australian artisan makers and artists. 

EXHIBITION DETAILS
Robyn Wood
Natural Progression
June 3- 28 2019
The Exhibition Space, The Mill Adelaide
154 Angas Street, Adelaide SA 5000

 

brink theatre residency, free-range residency, spotlight residency, theatre residency, dance residency

Breakout Residencies: Announcing successful recipients 2019

Spotlight Residency: Brittany Plummer

Chameleon; April/July 2019

Work in development: Throughout her Spotlight Residency, Britt will be collaborating with Hew Parham, as Director, and Ben Brooker, as Dramaturg, to shake up original work Chameleon that Britt devised and performed in for its premiere season at Adelaide Fringe 2019. Britt, and her creative team, will be turning the piece on its head and delving further into the world of the Bouffon. Bouffon is a way of shining a light on the injustices in society, the lead up is slow burning, and then the message lands strongly. Chameleon was created with the desire to rouse social change around men’s attitudes towards women, sexism, and harassment women encounter in the workplace, in relationships, and wider society. The ways we adapt, and mould our selves to meet other's expectations; changing our behaviour, appearances, and masking of emotions, to blend in, and sometimes survive. Chameleon is a personal piece for Britt, as all stories are her own. It is a conversation, a celebration of women, authenticity and embracing our individuality. 

 
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Britt Plummer is an actress, theatre-maker, teacher, and director of FRANK. Theatre, she is a graduate of the Adelaide College of the Arts, and École Philippe Gaulier in France. In 2018, Britt founded FRANK. Theatre, a SA company presenting original work that explores the human condition with honesty, humour, and heart. Specialising in bouffon, clown, and vaudevillian styles, Britt is driven by theatre rooted in the realms of pleasure, play, and connection with the audience. Britt has worked with Monski Mouse Productions, Foul Play, Punctum, Early Worx, Slingsby, Five.Point.One, ActNow, and State Theatre Company of SA. Britt is a teacher of Le Jeu, Neutral Masque, Mask Play, Bouffon, and Clown, to acting students at the Adelaide College of the Arts. In 2018, she directed students in a Bouffon show in Paulo Castro’s ‘La La Luna’. Britt premiered ‘Chameleon’, her first solo work, in the 2019 Adelaide Fringe Festival at MakeSpace, and received the Adelaide Fringe Weekly Award for Emerging Artist. In March 2019, she worked with Punctum on the immersive durational theatre work ‘Public Cooling House at WOMADelaide. In June 2019, Britt joins the London cast of the Edinburgh Fringe hit, Flabbergast Theatre’s ‘The Swell Mob’, presented by Adelaide Festival Centre as part of the Adelaide Cabaret Festival.


Freerange Residency: GIRL

Masc; May, 2019

Work In Development: Masc will be a sonic event, an electronic song cycle and a live experimental sound performance that responds to the following provocations: How do we forge a sonic template for queerness? How does a non-Masc body exist in that space?

 
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GIRL is an Australian-based queer music and live performance project by Jason Sweeney and Em König in collaboration with LGBTQI+ comrades. These artists formerly known as Winter Witches seek to amplify queer sonics and bent gestures into a world gone normal. Their work to date spans live art concerts, art DJ duo (Vegan Festival, Wild Style, Laneway Festival, Adhocracy) and sound art installation/performance. Their first major work, Sentients, was commissioned as part of the Vitalstatistix Climate Century Festival in 2018. As a live art project, GIRL continue to tour across Australia. Their new work, MASC, is being developed with support from Adelaide Festival Centre, The Mill, The SUBSTATION, pvi collective and Performance Space in 2019. 


Freerange Residency: Tobiah Booth Remmers

Damaged Goods; June, 2019

Work in Development: Damaged Goods is a solo research project that explores the frailty and unpredictability of being human. Through metaphor and imagery the work will delve into the experience of living and surviving in a world that sometimes throws everything at you, and at other times leaves you completely alone. It will search through ideas of endurance, vulnerability, unknowingness and revelation in an attempt to make some sense of this continuing journey.

 
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Tobiah is a freelance dance creator, performer, teacher and facilitator from Adelaide, Australia. Since graduating from the ‘Adelaide College of the Arts’ Bachelor of Dance Performance in 2009 Tobiah has worked with a wide range of Australian and international artists; Garry Stewart (ADT), Graeme Murphy (Sydney Dance), Branch Nebula, Brink Productions, Larissa McGowan, Lina Limosani, Gabrielle Nankivell, Paul Gazzola and Paulo Castro among many others. Tobiah has performed in major arts festivals; Adelaide Fringe Festival, Adelaide Festival, Brisbane Festival, WOMAD, Dance Massive (VIC), Dublin Dance Festival and has performed at the Barbican Centre, London. Tobiah has choreographed numerous works with his Adelaide based performance collective; ‘The Human Arts Movement’ and short works for students at ‘Adelaide College of the Arts’ and ‘LINK Dance Company’ in Perth and has lectured at both colleges as well as at ‘Queensland University of Technology’ and ‘Transit Dance’, Melbourne. Tobiah has lived and worked in Europe during 2016/17, receiving residencies in Bulgaria, Brussels and Sweden, with resulting works being performed in Brussels, Bulgaria and Greece. Tobiah has also taught workshops on his own creative and movement practice in Brussels, Bulgaria, Greece, Italy, Sweden and Israel.


Freerange Residency: Anya Anastasia and Aaron Austin-Glen 

August, 2019

Work In Development: Anya Anastasia and Aaron Austin-Glen are currently developing a theatrical musical comedy for stage and screen set in an unspecified rural Australian town that has seen more prosperous days. The crux of the script centres around the town’s attempt to return the community to its glory days through a series of heart warming yet ridiculous large scale schemes. With particular focus on the frustration, felt both on an individual and collective level with local bureaucracy and political inaction, the script is a razor sharp commentary on the current Australian and global landscape.

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Anya Anastasia is an internationally acclaimed songstress with a vivid and twisted imagination. She has traversed the globe with her original songs and bold performance pieces appearing at festivals in Europe, the UK, around Australia and NZ.  Anastasia’s vocals range from husky jazz with a brazen Aussie inflection, to operatic soprano paired unusually with irreverent contemporary musings, though her roots firmly in the world of folk, and she wields a shamelessly un-ironic penchant for catchy pop melodies. Known for her wit and poetic lyricism she is the creator and writer of multiple critically acclaimed darkly funny musical theatre shows that are currently touring Australia. http://anyaanastasia.com/

Aaron Austin-Glen is an independent producer developing multi-disciplinary productions in unconventional spaces for major festivals and arts organisations. With extensive experience as a producer for Brisbane Festival, Woodford Folk Festival, New Zealand Festival and the Southbank Centre London spanning contemporary music, theatrical performance, community engagement, literature and large scale spectacle he has a wealth of creative knowledge and industry connection in Australasia, UK, Germany and India. Aaron has also written, performed and produced his autobiographical show 'Somewhere Else But Now' in Germany (Munich & Cologne), UK (Southbank Centre) and Australia (Anywhere Festival).


Brink Productions Theatre Residency: Hew Parham

Three Bananas; April/May & August, 2019

Work in Development: Three Bananas is a one-man theatrical show about the bicycle, heroes, trophies, the ego and the ups and downs of life. Drawing from the styles of physical theatre, clowning and story telling, the show is ambitious, epic and crosses many continents in its scope.Inspired by legendary Italian cyclist Gino Bartali who said: “Medals aren’t meant to be worn on the shirt they are to be worn on the soul”, the "three bananas" are the performer himself searching for meaning, self worth and an award-winning story; an egomaniacal narcissist cycling champion whose relentless drive to win covers a deeper truth, and Bartali himself. It calls on the great socially aware clowns such as Chaplin, Tati and Fo in how the buffoon through humour can shine a mirror to what is happening in the world right now. Can the clown stop looking at himself for a second to see what is happening in the world? Can the clown move out of the shadows of his heroes to see his own worth?

 
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Hew is a graduate of Flinders University Drama Centre, Adelaide Australia. In 2007 Hew was the recipient of the Neil Curnow Award where he studied at The Hunter Gates Academy of Physical Theatre one-year program in Canada. Hew has also extensively trained and mentored in the Pochinko Clowning/Clown through Mask Method with John Turner at The Manitoulin Conservatory for Creation and Performance (MCCP). In 2013 Hew received a grant from Arts SA to work with British Physical Comedy troupe Spymonkey in London, England. Hew has developed several solo shows with his comedic characters – including Odyssey Schmodyssey which played at the Sanguenay Fringe Festival in Quebec, Canada as well as the Amuse Bouche New York Clown Theatre Festival; The Giovanni Experiment and Giovanni! which also played at the New York Clown Theatre Festival in 2014 and more recently at The Wonderland Festival in Brisbane, Australia. In 2016 Hew was commissioned to produce a new work at The Adelaide Cabaret Festival Rudi’s The Rinse Cycle. In 2017 Hew was employed by Melbourne based company Bunk Puppets to tour their show Sticks Stones Broken Bones to Norway, Germany and China. He is the resident Clown teacher at Flinders University.

public program

Adelaide Fringe: 2019 program

Our 2019 season was programmed via an open callout and EOI. The resulting festival was an amazing mix of dance, comedy, music and theatre.


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Because There Was Fire

Theatre

On a warm summer night two teens disappear from a neighbourhood barbecue, vanishing without a trace.

There's Clara, seventeen, fed up with her suburb and everyone in it. Everyone except Andrew, the newly arrived rich kid from the right side of the tracks. Sparks fly and they jump in his Monaro and hit the road, yearning for a life of adventure. But they soon learn that escape isn't that easy, and fires can burn beyond control.

Written by Jamie Hornsby, one of South Australia's most exciting new writers and winner: Best New Work - Newcastle Fringe Festival.


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Goose

Theatre

When River reveals they're a goose, child genius Charlie takes it into her own hands to fix things. An adventure filled with time travel, Frenchmen, Mums and Dads; watch as Charlie and Chelsea put things right.

From Little Lamplight Productions - a new, independent theatre collective based in Tasmania.

Little Lamplight also doubles as an ever-growing project in which we aim to create job opportunities and act as a creative outlet for creators in Northern Tasmania.


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Theatre

When thrust into a world you cannot control and confronting a future not of your own making, would you leave your fate to the toss of a coin? A fast, funny, frenzied surreal tragicomedy - compelled into existence by not being able to get the rights to another play.

Presented by a fresh, fierce new generation of Adelaide theatre-makers, this existential comedy will make you laugh and also think about death. A lot.


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Benchmarks

Theatre

Seventy-year-old Ivan has been homeless for many years. Seventeen-year-old Luke has been homeless for seven hours. Tonight their worlds collide as each struggles for clarity, self-worth and domination of the other. Through their cat and mouse games, Benchmarks explores the themes of homelessness, alienation, belonging, manipulation and deception.


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The Best Show

Comedy

A dark comedy about madness, theatre, and Sonic The Hedgehog.

The greatest thespian of this or any other generation, Eddie, guides you through his masterful new one-man play. 'The Best Show'. Why aim lower? 'The Best Show' is a tour de force, epoch-defining theatrical landmark. Exploring all themes, tackling all genres and subjugating all mediums.

"Inner life monologues don't come more brilliantly written and performed at hyper speed...The fabulist nature of Morrison's writing and performance is superb, utterly gripping..."Barefoot Review


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The Riddalin Brothers Pty Ltd, Present: Vol 3 Part 5 The Beginning of the End of Times New Romantic

Physical Comedy

This world premiere is a playful and wistful romp for those wanting to relive your youth. Imagine a crossover of Transformers, a Bunnings Commercial and Lawrence of Arabia and then forget about it, it's not relevant.

The Riddalen Brothers are the bi-product of the over active imaginations of Callan Fleming and Hew Parham. A show for those of you who were told off for being naughty, being too much, being a nuisance.


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FEMME

Dance

From the catwalks of Paris, to the office boardroom, FEMME is a new solo theatrical dance work by choreographer/performer, Erin Fowler. Drawing on her experiences as a fashion model and business woman, FEMME is one woman's search for self within the cacophony of gender and sexual conditioning that surrounds us.

FEMME explores concepts of femininity and female sexuality, the female body, the gender roles we conform to, or break against, and what it means to be powerful in a largely masculine dominant culture.


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Evangeline

Physical Theatre

"A writer and director of true theatrical instincts" Canberra Times

"Little Dove Theatre Art confirms its place as one of the foremost exponents of Butoh in the country" SMH

★★★★★ The Guardian UK
★★★★★ The Herald UK
★★★★★ The List


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ELSKA - Heart & Harp

Live Music

Infusing playfulness and wonder into the Australian pop music industry, Gold Coast artist ELSKA has redefined the humble harp - marrying the delicate instrument with the power of a loop pedal. Oozing charm with a new brand of breezy soulful pop, ELSKA creates melodic harp-infused pop music designed for daydreaming, road tripping and romance.

"The best kind of surprise package!" BLEACH* Festival.

"An absolute powerhouse of a performer!" Six8 Music.


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Live Music

Challenger approaching! Welcome to the only live scored performance of Super Smash Bros!

Prepare to be entertained by bout after bout of furious and explosive combat, with a soundtrack provided by the hottest band you'll see all fringe, Squeltch.

Experience Super Smash Bros as you've never experienced before at 'SUPER JAZZ BROS'!


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Sound and Silence

Live Music

No band. No microphones. No Stage. The award-winning vocal group, Voice of Transition, like you've never seen them.

'Sound & Silence' is an immersive experience that puts the audience in the centre of the performance. Enjoy an evening of a Capella, designed to showcase the power and subtlety of the human voice.

Voice of Transition is an acclaimed ensemble with sold-out Fringe seasons to their name. For the first time, they're forgoing any amplification or accompaniment, showcasing their talents as individuals, and cohesion as a group.


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She’ll Be Right

Live Music

With a shared passion for all things Australian, what a better debut for dynamic duo Madz and Kate than an hour filled with an eclectic array of music from great Australian artists.

Kate and Madz have worked with Kate Ceberano and been mentored by Kim Spargo under 'Platform Academy'.

Now the VB flows, while the jokes, laughter and music are had a plenty with these two crazy Aussie chicks - so join for a drink and a night of adventure in Fringe 2019.


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Live Music

If you love the songs & music of Tracy Chapman you will love this intimate solo live performance of her works by Jonny Lee. Be quick, previous seasons have sold out! This year the show continues to evolve & grow into larger spaces.

★★★★★ "You'll leave feeling... blown away by how heartfelt and beautiful the singing was! It reminded me why I love Tracy Chapman so much." Channel 44, Holly

masterclass series

Masterclasses: Richard Cilli, 'Countertechnique'

The Mill Adelaide in partnership with AC Arts present Countertechnique masterclasses with national dance artist Richard Cilli.

Masterclass Details

Venue: Adelaide College of The Arts, Level 3 Rehearsal Studio

When:
Saturday, April 13, 2019, 11am -1pm
Wednesday, April 17, 2019, 10am - 12pm
Thursday, April 18, 2019, 3pm - 5pm

Cost: $20/class

Participant level: Professional level contemporary dance

book tickets

About the artist:

Image by: Gregory Lorenzutti

Image by: Gregory Lorenzutti

Richard Cilli trained at the Western Australian Academy of Performing Arts before joining Sydney Dance Company in 2009, and in 2010 he won and the Helpmann Award for Best Male Dancer for his performance in Rafael Bonachela‘s We Unfold. He has danced for Sydney Dance Company, Dancenorth, K.Kvarnström & Co (Stockholm), Lucy Guerin Inc. and various independent choreographers around Australia. As a choreographer he has created works for Sydney Dance Company, The Australian Ballet, LINK Dance Company, and WAAPA, as well as his own independently produced work. He joined Chunky Move in 2018 to work with Anouk van Dijk on Common Ground, and since then has danced for the company in Anti Gravity (Netherlands Tour), Accumulation (National Gallery Victoria), and the film Traces. 2019 has seen Richard co-produce and perform alongside celebrated percussionist Claire Edwardes inRecital directed by Gideon Obarzanek for Sydney’s March Dance festival and Melbourne’s Dance Massive.

Richard is a certified Countertechnique teacher and continues to perform, choreograph, teach, mentor and produce around Australia.

About the masterclass:

Countertechnique provides tools for body and mind to deal with the deman­ding dance practice of the 21st century. It is a movement system to help the dancer think about the dancing body, focusing on the process of incorporating information into action. Within a clear structure of exercises, the Countertechnique class thoroughly prepares the body for rehearsal and performance, enabling dancers to move bigger, more fluidly and more spatially, while becoming stronger and more flexible.

Join Richard in exploring how these tools can be applied to movement and to life!

brink theatre residency

Call Out: The Breakout Residencies - 'BRINK Productions Residency' 2019

The BRINK Productions Breakout Residency is an open project development platform available to artists working in the performing arts and mixed arts disciplines. In 2019 this theatre residency is co-presented by The Mill and SA based theatre company, BRINK Productions.

The aim of the residency is to establish a platform for theatre artists to develop new or existing work with mentorship from an established theatre director. Successful applicants will receive one week's access to The Breakout (at no charge) for one week, plus an honorarium of $500 (from The Mill) and mentorship from Brink Productions Director Chris Drummond. Dates preferable Weeks beginning April 29th or July 22nd 2019.

Click here to see more from BRINK Productions

Call Out Details

Online applications open: 20th March 2019
Applications close: 4th April, 2019
Notification: 16th April, 2019

Inquires contact The Mill Director Katrina Lazaroff via email; director@themilladelaide.com

Chris Drummond

Chris Drummond

spotlight residency

Call Out: The Breakout Residencies - Spotlight Residency 2019

The Mill’s Spotlight Breakout Residency is an open project development platform available to artists working in the performing arts. The aim of the residency is to offer place and space as part of a vibrant arts community, for artists to develop and show new or existing work.

Successful applicants will receive 2 - 3 week’s use of The Mill’s Breakout space, $2000 artist honorarium, profiling and support from The Mill. To apply for this unique opportunity, artists must complete and submit the following online application form.

Call Out Details

Online applications open: 20th March 2019
Applications close: 4th April 2019
Notification: 16th April 2019

Inquires contact The Mill Director, Katrina Lazaroff via email; director@themilladelaide.com

free-range residency

Call Out: The Breakout Residencies - Free Range Residency 2019

The Mill’s Free Range Breakout Residency is an open project development platform available to artists working in the performing arts. The aim of the residency is to offer place and space as part of a vibrant arts community, for artists to develop new or existing work.

Successful applicants will receive 2 week’s use of The Mill’s Breakout space, profiling and support from The Mill. To apply for this unique opportunity, artists must complete and submit the following online application form.

Call Out Details

Online applications open: March 20, 2019
Applications close: April 4, 2019
Notification: April 16, 2019

Inquires contact The Mill Director, Katrina Lazaroff via email; director@themilladelaide.com

galleries

Visual Artist in Residence: Louise Flaherty, 'Memorial for Forgotten Plants'

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September 1 - November 10, 2018

Louise Flaherty presents Memorial for Forgotten Plants, an exhibition developed through her residency in The Mill's Exhibition Space. An evolving and participatory body of work, Louise has used her ten week residency to explore the native Flora of the city.

“I am currently working on a project titled Memorial for Forgotten Plants. From my initial research into the original flora of the Western Suburbs in the Adelaide Plains, I have been creating memorials for these plants that rarely exist in their natural environment; having been taken over by introduced species. These “memorials” have been in the form of ink drawings, which have been photocopied and pasted up into the local area. The work is about highlighting native plant conservation as well as mourning the loss of the landscape that is no longer there.”

Artist biography:

Louise is an artist and arts worker based in Adelaide. She studied Visual Arts at the South Australian School of Art, receiving first class Honours. She was a Founding Director of Downtown Arts Space, and has worked at the South Australian School of Art and as the Arts Program Manager at Barkly Regional Arts in the Northern Territory. She has exhibited at Light Square Gallery, Adelaide Central Gallery, Artroom5 and Murray Bridge Regional Gallery and ran community workshops at the Woodville library. Louise recently undertook a mentorship with artist Laura Wills, focussing on community engagement and participatory practice. She has an upcoming residency at Sauerbier House.

About the program:

The Mill’s Exhibition Space Residency program is presented in partnership with the City of Adelaide. The program positions artistic process to the fore, allowing audiences direct access to creative research and making. During this residency The Exhibition Space operates with a studio-like mentality where knowledge arises through participation and experimentation. The Mill believes that art positions itself within transitions and passages; it opens up opportunities for incursions through relation. The Exhibition Space opens the creative process to the public in a way that positions the city’s community as foundational to artistic research and the creative process, thereby connecting people to cultural experience, insights, understanding and meaning. This is our second Residency, following on from our innaugural Exhibition Space Residency John Blines, memorias exspirare.

public program, galleries

Visual Artist in Residence: Sonja Porcaro, 'Small Moments: the city wakes, the city sleeps'

Sonja Porcaro, Work in progress, 2019, glitter netting, paperclip, approx. 11 x `15 x 14 cmPhotograph: Sonja Porcaro

Sonja Porcaro, Work in progress, 2019, glitter netting, paperclip, approx. 11 x `15 x 14 cm

Photograph: Sonja Porcaro

Sonja Porcaro, Work in progress (detail), 2018, felt, masking tape, dimensions variablePhotograph: Sonja Porcaro

Sonja Porcaro, Work in progress (detail), 2018, felt, masking tape, dimensions variable

Photograph: Sonja Porcaro

Sonja Porcaro, Work in progress (detail), 2019, felt, dowel, foldback clip, dimensions variablePhotograph: Sonja Porcaro

Sonja Porcaro, Work in progress (detail), 2019, felt, dowel, foldback clip, dimensions variable

Photograph: Sonja Porcaro

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Artist Studio with Sonja

Artist Studio with Sonja

April 1 - May 29, 2019

The Mill welcomes Sonja Porcaro, our new Artist in Residence in The Mill's Exhibition Space. Sonja will be working on her project ‘Small moments: the city wakes, the city sleeps’.

Porcaro’s predominantly sculpture and installation work uses everyday objects- including found objects- and humble materials to create restrained and poetic assemblages, often investigating notions of memory, uncertainty and the fluidity of language and representation. In combining both intimate, hand crafted objects and materials with more robust structures and often employing repetition, Porcaro’s work also acknowledges and reworks minimalist traditions, often through gendered perspectives. The Mill invites you to witness Sonja’s creative practice and gain insight into her process as the residency unfolds across a two-month period. During her residency Porcaro will be presenting a number of public programs- watch this space!

The project for the residency at The Mill ‘Small moments: the city wakes, the city sleeps’ will explore the idea of daily rhythms and rituals within the city, with repetition (both as an investigative idea and formally through processes and materials employed) featuring throughout its duration. I will explore rituals/rhythms connected to the city of Adelaide (in particular to the Central Market, with reference to early childhood memories) and investigate the rhythms of those who inhabit, work in and visit the city also, with attention to the various languages spoken within the city and beyond.

The work will also respond to the nuances and particularities of the site of The Mill itself- both as a physical space and as a site of diverse social and cultural production and interaction- with ‘Small moments: the city wakes, the city sleeps’, ‘activating’ the space in quiet, contemplative and intimate ways: enacting attention and care.’ - Sonja Porcaro

Kids studio with Sonja Porcaro at The Mill

When: April 15, 10-11:30am, and April 16, 10-11:30am

Artist in Residence Sonja Porcaro invites kids to join her for a drop in studio session at The Mill this school holidays. Participate in Sonja’s project Small moments: the city wakes, the city sleeps, kids will be invited reflect on themes of sunset, sunrise and the rhythms and rituals of daily life.

Come with your parent/carer for a short creative session where kids will make an artwork looking at bright colour and bold form. Sonja will also be looking at some of the ideas explored in iconic children's book 'How the Sun got to Coco's house' by Bob Graham, and abstract painting by artists such as Emily Kame Kngwarreye, Melinda Harper and Wassily Kandinsky. At the end of the session kids will be able to take their artwork home.

Kids Studio details:

Age: 5 + (primary school age)

All materials provided

Children must be accompanied by parent/carer (the idea is to spend the session working alongside your big person), Please wear 'studio clothes' or bring a smock

Cost: $10 for a Kid + accompanying adult, $10 for additional children

Concession pricing available of request, please email Adele at visualarts@themilladelaide.com

book tickets

Artist biography:

Sonja Porcaro is an Adelaide based artist working predominantly in sculpture and installation. Since graduating from the South Australian School of Art (SASA), University of South Australia in 1993 with First Class Honours, Porcaro has exhibited in spaces such as the Art Gallery of South Australia, the SASA Gallery, the Contemporary Art Centre of South Australia, the Experimental Art Foundation (SA), the Australian Centre for Photography (Vic), The Performance Space and Artspace (NSW) and at Viafarini (Milan, Italy). Porcaro has also exhibited in many independent and artist run spaces in both South Australia and New South Wales.

Porcaro has undertaken many residencies throughout her career- funded by both Arts SA and the Australia Council for the Arts- including at the College of Fine Art (COFA), NSW, at SASA and in Milan, Italy (the Australia Council Residential Studio) and at the Athens School of Art Studio (Delphi Annexe), Greece. Porcaro has also curated and co-curated several exhibitions, given guest lectures to undergraduate Visual Art students, written reviews and articles and has contributed digital image/writing pieces to on-line publications/sites including the Electronic Writing Research Ensemble. Porcaro’s work has been collected by the Art Gallery of South Australia, COFA, NSW and is in private collections.

About the program:

The Mill’s Exhibition Space Residency program is presented in partnership with the City of Adelaide. The program positions artistic process to the fore, allowing audiences direct access to creative research and making. During this residency The Exhibition Space operates with a studio-like mentality where knowledge arises through participation and experimentation. The Mill believes that art positions itself within transitions and passages; it opens up opportunities for incursions through relation. The Exhibition Space opens the creative process to the public in a way that positions the city’s community as foundational to artistic research and the creative process, thereby connecting people to cultural experience, insights, understanding and meaning. The Exhibition Space hosts four residencies across the year. Artists in Residence have included John Blines, memorias exspirare 2 June – 25 August 2018, Louise Flaherty, Memorial for Forgotten Plants, 1 September – 14 November 2018, Matthew Fortrose, Cityboi 1 December 2018 – 10 February 2019 and Sonja Poracro, ‘Small moments: the city wakes, the city sleeps’ 1 April – 31 May 2019.


RESIDENCY DETAILS
Sonja Porcaro
Small moments: the city wakes, the city sleeps
April 1 - May 29, 2019
The Exhibition Space Residency
The Mill Adelaide
154 Angas Street, Adelaide SA 5000

Exhibition Catalogue with essay by Linda Marie Walker (PDF download)

masterclass series

Adelaide Festival Masterclass: Dresden Semperoper Ballet (dance / ballet)

The Mill in Partnership with Adelaide Festival and Adelaide College of The Arts, present a masterclass with the Dresden Semperoper Ballet (Germany).

The Dresden Semperoper Ballet are here in Adelaide performing CARMEN in Adelaide Festival. It’s a MUST SEE! To book your tickets to the show follow the link: https://www.adelaidefestival.com.au/events/carmen/  

Masterclass information

When: Thursday March 7, 2.30-4pm

Where: AC Arts, Level 3, Studio 2

Cost: $25 

Masterclass Leader: Principal Semperoper Ballet Master Gamal Gouda

Level and Content: High level ballet class 

book tickets
 
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Semperoper Ballett Biogaphy:

Breaking down the borders of dance with an all-encompassing repertoire from the pure classical full-lengths to cutting edge modern productions with world-class artists, the Semperoper Ballett is setting new standards in the dance world since 2006 under the directorship Aaron S. Watkin’s. In close collaboration with Rector Jason Beechey and the Palucca Hochschule für Tanz Dresden, the two institutions have created a vibrant apprentice program together to promote young talent. The reputation of the ensemble has been acknowledged on several occasions, most notably with the award of »The Foundation for the Support of the Semperoper« as well as the German Theatre Award »Der Faust« for the creation of »COW« by Alexander Ekman. The Semperoper Ballett has enjoyed a multitude of international tours to some of the most renowned Opera Houses in the world including New York, London, Paris, Ottawa, Barcelona, Houston, St. Petersburg, Abu Dhabi, Antwerp, Gothenburg, Nairobi und Johannesburg among others. The focus of the Semperoper Ballett for the immediate future is to continue to build up our unique identity and send creative new impulses throughout the dance world! 
Ready for more? 

semperoper.de 

ilDance Professional Development Opportunity, international collabs

ilDance Professional Development Opportunity: Jacinta Jeffries 2019

The Mill and Helpmann Academy are thrilled to announce the recipient of the 2019 ilDance Professional Development Opportunity, valued at $17,000. Congratulations Jacinta Jeffries!

Jacinta, Adelaide College of the Arts (TAFE SA) / Flinders University dance graduate will undertake a 3-month residency with ilYoung, ilDance’s project based junior company located in Gothenburg, Sweden directed by Lee Brummer and Israel Aloni.

 
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Jacinta, who will depart Adelaide for Sweden mid 2019, was selected for the residency following an intensive audition process with one of the directors of ilDance, Lee Brummer. The audition saw a dozen local dance graduates vying for selection to take part in the ilYoung residency program, ilDance's project based junior company.

 
Photo: Jacinta Jeffries by Sophia Calado

Photo: Jacinta Jeffries by Sophia Calado

 

“I feel so lucky to have been chosen for this amazing opportunity and to work with such inspiring choreographers. The value of this opportunity for a young emerging artist like myself cannot be expressed enough and I am so thankful that Helpmann Academy, The Mill and ilDance can make such a generous contribution and help young artists get out and experience the world. I cannot wait to begin this residency, as travelling to the other side of the world to create and tour a new work with a unique group of dancers is something I’ll never forget.” Jacinta says.

The ilDance Professional Development Opportunity is the result of a partnership between The Mill, Helpmann Academy and ilDance. The award provides an opportunity for emerging South Australian dancers to create strong and meaningful connections with both artists and organisations across Sweden and Europe and will potentially become a platform for future creative opportunities and cultural collaborations.

The residency will take a group of 10 young dancers, including Jacinta, from around the world, across Sweden where the cast, choreographers and creative team will engage with the local community in various activities whilst developing a new production by Israel Aloni and Lee Brummer.

“We are so very proud to be working with Helpmann Academy and ilDance to provide this opportunity for emerging AC Arts Dance Graduates. It is a unique experience unlike any other provided in Australia, that gives young dancers an insight into professional company practice Europe and the opportunity to build international career pathways.” Katrina Lazaroff (The Mill Director).

“We are thrilled to be partnering with The Mill and ilDance to once again provide emerging dancers in South Australia with the opportunity to broaden their horizons and extend their abilities abroad. We can’t wait to see what Jacinta makes of this unique opportunity.” Jane MacFarlane (CEO Helpmann Academy).

galleries

Exhibition: Matthew Fortrose, Naomi Murrell, Nadia Suartika and Small Room, 'The Mill's Limited Edition Print Series'

Nadia Suartika

Nadia Suartika

Lachlan Stewart of Small Room

Lachlan Stewart of Small Room

Rafal Liszewski of Small Room

Rafal Liszewski of Small Room

Naomi Murrell

Naomi Murrell

Matthew Fortrose

Matthew Fortrose

27 February – 23 March 2019

The Mill’s Limited Edition Print Series

Matthew Fortrose, Naomi Murrell, Nadia Suartika and Small Room

Opening:
Sunday, March 3, 3-5pm

Showcasing the work of four amazing artists associated with The Mill, The Mill has commissioned Matthew Fortrose, Naomi Murrell, Nadia Suartika, and designers Lachlan Stewart & Rafal Liszewski from Small Room to contribute an artwork. The Limited Edition Prints will present one work from each of the four artists, each with an edition of 15 prints.

This exclusive series of artworks by leading South Australian artists appeals to a crowd of young collectors as well as art aficionados. The series makes artworks affordable for a wide audience while at the same time supporting The Mill, a not-for-profit Arts organisation. The funds raised by Limited Edition Prints series will feed directly back into The Mill’s organisational programming, and help to support artists residencies, subsidised studios and other aspects of our Professional Pathways stream.  

Artists biographies:

Matthew Fortrose is a multi-disciplinary artist whose current practice spans studio paintings and sculptures, outdoor paintings, installation and photography. Working with synthetic materials, Fortrose's work creates tensions between natural and manufactured, intentional and incidental, digital representation and physical artefact. Drawing influence from colour field painting and early Bauhaus graphics, the use of rudimentary tools and industrialized processes assist in constructing a strong visual language towards his work. Using documentation of the built environment, interventions within urban space and explorations into materiality, Fortrose work seeks to engage an audience through a series of investigations around the use of public space, and how this communicates to a formal practice.

Naomi Murrell designs romantic street fashion, fine jewellery and home products for the thoughtful woman, to bring small moments of beauty, calm and confidence into her day to day life. Unlike the mass-market, she aims to inspire by using design as a graphic art form. Naomi’s visual language is minimal, on point - yet irrepressibly playful. Inspired by colour, and graphic shape her label turns out refined everyday pieces for the individual. The Naomi Murrell flagship store in Ebenezer Place is an oasis of awesome for the fun lover who delights in the details.

Nadia Suartika is an artist, designer and tattooist with XO L’Avant. She is the founder of Nadika, a range of jewellery and embroidery pieces.

Nadia is a self taught artist and has had a particularly strong interest in plants from an early age which led her to study horticulture. Now living on a native bush block in the Adelaide hills, Nadia continues her study of plants using a creative process of documenting local and South Australian natives through illustration and design.

Nadia draws inspiration from her Balinese-European heritage and her family of creatives. Built on a foundation of intuitive art, her work is simultaneously delicate and bold. Playful colours and shapes interact with each other, reminiscent of multicultural tapestries and the intricate patterns of the natural world.

Small Room is a graphic design and visual communication studio that focuses in creative fields with a strong process based work style. A love for experimental design, pushing the boundaries and breaking the rules fuels our passion for design. But the Small Room design sensibility itself is simpler with a priority for communication, timelessness, visual conquest and collaboration. Small Room work primarily in identity, print and graphics. And also work in broader areas of visual media like packaging, objects, experimental web design and exhibition (‘Death of a Designer’ (2017).

 

Shop The Mill’s Limited Edition Prints

galleries

Exhibition: Georgia Matthews, 'WALLS'

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27 February – 23 March 2019

Opening:
Sunday, March 3, 3-5pm

Please join us in The Exhibition Space for WALLS, an exhibition by Adelaide based photographer Georgia Matthews, showing concurrently with launch of The Mill’s Limited Edition Print Series.

‘I like to express the 'self'- the cognitive apparatus to be self-aware and to think about ourselves consciously. I think we ought to abolish the word 'self' in psychology in order to communicate more clearly – perhaps, by representing 'self' through a visual portal, images, portrayals of external stimulus that may be more widely understood. My interest in psychotherapy has allowed me to concentrate on metaphorical 'walls' which have recently become a staple in my work.’

In this exhibition Georgia explores representations of the 'self' through photographing the construction and deconstruction of architecture. WALLS illustrates an interpretation of 'mental walls' or ‘mental blocks', via the use of Moghul symbolism. In this series she captures Indo-Islamic spaces, focusing on complexity, decoration, transportation, and isolation in order to push the boundaries of form and colour. Vivid and natural colours are combined with geometric shapes, creating a series of abstract landscapes that fall somewhere between painting and photography. WALLS attempts to open doorways into the psyche and aims to evoke a personal response to our surroundings.

Artists biography:

Georgia Matthews is a photographer, videographer and arts therapist from Adelaide, South Australia. Her work delves into topics of the human experience and photo-journalism. She graduated as a photographer from The University of South Australia in 2013, and completed an Advanced Diploma in Transpersonal Art Therapy in 2016. Her theatrical night photography touches on themes of psychoanalysis and the notion of the ‘self’, using layered textures in isolated environments. She has exhibited at Factory 9, Port Elliot, The Artisan Cafe, Peter Walker Fine Art Gallery and Sanskriti Kendra, New Delhi.

masterclass series

Adelaide Festival Masterclass: Hofesh Shechter, UK (contemporary dance)

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The Mill Adelaide in partnership with The Adelaide Festival & AC Arts present a masterclass with leading international dance company Hofesh Shechter (UK).

Hofesh Shechter’s season of Grand Finale is part of the 2019 Adelaide Festival: adelaidefestival.com.au/events/grand-finale/

Masterclass details

When: Saturday, March 16, 2019, 11.30am -1.30pm

Where: Adelaide College of The Arts, Level 3 Rehearsal Studio

Cost: $30

Participants: Professional level contemporary dance

book tickets

About the choreographer:

Hofesh Shechter is no ordinary choreographer. Israeli born, London-based, Shechter exploded into the contemporary dance world when, as a relative unknown, his 2007 work In Your Rooms was hailed as one of the most important new works of the millennium.

Since then, he’s built an arrestingly powerful body of work, almost singlehandedly creating a new genre: part dance, part gig, part theatre. Critics try to encapsulate his work with words like ‘exultant’, ‘visceral’, and ‘ecstatic’, and certainly his trademark gestural language – derived from folkdance, military exercise, club-dancing and even the gym – is addictively hypnotic.

About the masterclass:

This Hofesh Shechter Company professional masterclass opens with a class in the style of the company to enable a full understanding of the movement principles of Hofesh’s work, and his key use of improvisation in his choreography. This is then followed by the opportunity to learn a short extract of Hofesh Shechter’s latest repertoire Grand Finale. The session will end with a short Q&A, to give those participating the chance to ask those burning questions. We look forward to seeing you there!

Image Credit: photographer Gary Copeland

public program, galleries

Visual Artist in Residence: Matthew Fortrose, 'Cityboi - The Mill in conversation with Matthew Fortrose'

The Mill’s Visual Arts Curator Adele Sliuzas sat down with Artist in Residence Matthew Fortrose to have a chat about his practice. This is the first in a series of podcasts ‘in conversation’ with artists for The Exhibition Space Residency Program.

 

In our chat Matthew talks us through the evolution of his practice, his processes and materiality and how the streets of Adelaide form the inspiration for his Cityboi project.

Follow this link to the Podcast on The Mill’s Soundcloud

More about Matthew Fortrose, Cityboi

galleries

Call out: Curatorial opportunity (visual arts)

The Mill is calling for Expressions of Interest for a curator/curatorial team to develop and present an exhibition to be held in The Mill’s Exhibition Space in September 2019.

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The Mill is a collaborative multidisciplinary organisation, placing emphasis on development, process and audience-focused creative direction. The Exhibition Space hosts a program of exhibitions, including residencies and curated exhibitions.

Expressions of interest are now open curators to develop an exhibition to be presented in The Mill’s Exhibition Space in September 2019. We invite independent curators or curatorial teams to apply. A fee will be paid to the successful curator.

To be considered, please submit an application via the form below.

The selection will be made by a panel of The Mill staff based on the following criteria:

  • Professional and artistic merit

  • Accessibility for a diverse audience

  • Viability and suitability of the proposed exhibition

  • Focus on multidisciplinary practice, &/or focus on process

  • Exhibitions and proposals that engage existing and new audiences

About the Exhibition Space:

The Mill’s Exhibition Space is located on the Angas Street Window Frontage of 154 Angas Street. The Gallery’s L-shaped footprint is approximately 40 sq meters, with a gallery hanging system and professional lighting. A number of plinths are available for artists to use. The space sits relation to The Mill’s Creative Industry Offices, oriented prominently at the front of The Mill’s building.

If you have any questions about this opportunity or want to find out more information about the gallery, please contact The Mill's Visual Arts Curator Adele Sliuzas visualarts@themilladelaide.com

Submitting a proposal is no guarantee of acceptance.

Applications have closed

Louise Flaherty, Memorial for Forgotten Plants, 2018, installation view of exhibition Photo: Daniel Marks

Louise Flaherty, Memorial for Forgotten Plants, 2018, installation view of exhibition Photo: Daniel Marks