dance residency

Dance Residency 2026: Tobiah Booth-Remmers, In The End

We are thrilled to announce Tobiah Booth-Remmers as a Dance Residency recipient for 2026.

Tobiah will be in residency for two weeks, continuing his research and development of his latest work In The End.

This piece builds on ideas explored in Damaged Goods and From The Other Side of Chaos. It is an ode to humanity's tenacity in the face of constant pressure or adversity. Despite what is often a relentless cycle, we keep moving forward, supporting each other through uncertain moments and across unpredictable ground.

The piece experiments with an interactive set, a non-traditional performance format and structured improvisation.

The residency will culminate in a private showing for invited guests.

Image: Courtesy of the artist.


galleries, public program

FORUM: Our coast - creativity, responsibility and response

Image: Toni Hassan, Behold, the Rainbow Cale (Heteroscarus acroptilus), detail, 2025, Photo: Pro Lab, courtesy of the artist

Artist Forum

When: Friday, May 15, 5:30-7pm

Galleries, 154 Angas St, Kaurna Yarta

Free entry, bookings essential

We invite you to join us for an artist led forum discussing the impact of the South Australian algal bloom, and opening a discussion about climate, ecologies, and our place in the world.

This forum builds on The Sea is Talking, a new exhibition by Toni Hassan currently Showing in Gallery I. Speakers include Toni Hassan, ecologist Dr Faith Coleman, and curator Lindl Lawton. The forum will also include a short performance by artist Sandy Marion in response to Toni Hassan’s exhibited video work Death Dance (Longfinned worm eel, Scolecenchelys breviceps).

As chair of the panel, Toni brings her curiosity, advocacy background and creative insights to a lively conversation with a panel of special cross-disciplinary guests, exploring how creative practice can open new ways of thinking, feeling and responding to environmental change.

She asks; In the wake of South Australia’s devastating algal bloom, how can art help us make sense of ecological loss? And as the planet warms, what practical and imaginative roles can South Australians play in caring for our marine ecosystems?

About the artists:


This forum has support from a Human.Kind Ripple Effect grant

writers in residence

Writer in Residence 2026: Melanie Bakewell

We are thrilled to announce Melanie Bakewell as the recipient of the 2026 Writer in Residence.

The Writer in Residence program, in partnership with CityMag, supports emerging writers from a variety of disciplines. The program creates a broader audience for writing through leadership, mentorship and publication.

About the writer:

Photo: Melanie Bakewell


 

The Writer in Residence program is presented in partnership with CityMag.

 

photog in res

Photographer in Residence 2026: Zane Qureshi

We are thrilled to announce Zane Qureshi as the recipient of the Photographer in Residence program for 2026. Presented in partnership with the Ana and Christopher Koch Foundation Fund, Zane will receive a 12-month studio space in 2026 and an exhibition outcome as part of our Visual Arts Program in 2027.

About the artist:

Photo: @cashmereflipflops


This residency has support from

 
 

wayinthi

Adelaide Fringe 2026: WAYIN:THI, 'Fibres'

Photo: Jack Fenby.

Adelaide Fringe 2026

When: February 20 - 22

Where: Tandanya Theatre, 253 Grenfell St, Kaurna Yarta

Cost: From $15-25

Duration: 60 minutes

This work explores the natural fibres — once used for healing, weaving, storytelling, dance, painting and crafting. More than resources, these fibres hold story, culture and connection to Country. Through touch, texture and movement, we follow the gestures of threading, knotting, interweaving and mending, drawing on their strength and care. Dance becomes a bridge between fibre and story, body and Country.

This work is presented by WAYIN:THI Collective produced by The Mill - a bold new platform grounded in culture, self-determination, and performance-making. The Collective is dedicated to amplifying the voices of South Australian First Nations dance and performance artists.

This is movement. This is story. This is WAYIN:THI.


 
 

Fibres is supported by the Government of South Australia through CreateSA, a Nexus Arts 40 for 40 Quick Response grant and funding from The Adelaide Fringe Fund

centre stage residency

Adelaide Fringe 2026: Yoz Mensch, 'My Grandpa Doesn't Follow Me On Instagram'

Photo: Daniel Marks.

Adelaide Fringe 2026

When: February 19 - March 7

Where: The Breakout, 154 Angas St, Kaurna Yarta

Cost: From $30-35

Duration: 60 minutes

They drove from Cornwall to the Scottish Highlands – one grandparent, one grandchild, one unspoken truth.

Multi-award-winning storyteller, Yoz Mensch, weaves a darkly funny and haunting solo show about dingy hotel rooms, dog-eared maps, and the strained intimacy of travel.

Drawn from hundreds of real Instagram Stories posted during the trip, Yoz revisits what they shared with their grandpa – and the secrets they didn’t. 

Blending clowning, found footage, and intimate confession, 'My Grandpa Doesn’t Follow Me On Instagram' unravels what it means to hide yourself from the people you love.

★★★★★ “Mesmerising” Mindshare

★★★★★ “Utterly genius” Binge Fringe

★★★★★ “Masterful” The List


 
 

centre stage residency

Adelaide Fringe 2026: The CRAM Collective, 'Meteors'

Photo: Daniel Marks.

Adelaide Fringe 2026

When: February 19 - March 7

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: From $18-28

Duration: 60 minutes

Grief isn’t part of the conversation. Especially not as a young person. No one knows what to say, so it’s simply left unsaid.

This premiere work from The CRAM Collective explores the complex impact of the immediate and lingering effects of grief on young people. Melissa tells the story of the death of her mother, too many lasagnes brought over by neighbours and the continual search for something or someone out in the sky.

This show was developed through our Centre Stage Residency, in partnership with Adelaide Fringe.


 
 

perth moves bursary

Perth Moves / The Mill Bursary 2026: Rhianna Dunaiski

The Mill is thrilled to announce Rhianna Dunaiski as the recipient of the 2026 Perth Moves / The Mill Bursary.

This residency is presented in partnership with STRUT Dance (WA), designed to connect and elevate dance-makers across Australia through dedicated professional development. This opportunity encourages national exchange and sector-wide conversation through active participation and visibility.

Rhianna will travel to Perth [Boorloo] in February to attend the Perth Moves Workshop Series, a three-week program of deep-dive workshops with leading figures of the dance world, hosted by STRUT Dance.

The Mill CEO/Artistic Director Katrina Lazaroff will join Rhianna at the end of the festival to support her with additional networking opportunities.

About the artist:


This residency has support from

 
 

public program, galleries

Finissage: Hasta La Raíz, Kosh-Chenar, The House of a Thousand Faces

Photo: Daniel Marks.

March 20, 2026

Finissage: Friday, March 20, 4:30-6:30pm

Artist Spotlight with Carmen Alcedo: 4:30pm

Galleries, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We invite you to join us for the closing event for Hasta La Raíz, Kosh-Chenar, and The House of a Thousand Faces, and an Artist Spotlight from exhibiting artist Carmen Alcedo.

Hasta La Raíz has been developed through our Photographer in Residence program by artist Carmen Alcedo, presented with support from the Ana and Christopher Koch Foundation and Black and White Photographic. Through layered digital and analogue collage, Carmen creates atmospheric images referencing her personal experience of migration from Spain to Australia.

Kosh-Chenar has been developed through our Visual Arts Studio Residency program by artist Nadera Rasulova, presented with support from Drs Geoff Martin and Sorayya Mahmood Martin. Nadera draws on the cultural lineage of handwoven ikat, its motifs, colours, and tribal symbolism while reflecting both Australian and Central Asian landscapes.

The House of a Thousand Faces is a solo exhibition by multidisciplinary artist Christian Best. The first instalment in his series of photographic portraits, Christian introduces us to 36 of his planned 1000 portraits; each joyful personality captured is a contact or connection from Chris’ life and travels.


These exhibitions have support from

 
 

galleries, public program, photog in res outcomes

Exhibition: Carmen Alcedo, Hasta La Raíz (to the root)

Image: Carmen Alcedo, Poner el mundo boca abajo (detail), 2025, courtesy of the artist

January 27 - March 20, 2026

Opening event: Friday, February 6, 5:30-7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present Hasta La Raíz, a new exhibition by Carmen Alcedo developed through our Photographer in Residence program, presented with support from the Ana and Christopher Koch Foundation and Black and White Photographic.

Through layered digital and analogue collage, Carmen creates atmospheric images referencing her personal experience of migration from Spain to Australia. Archival images and elements from her hometown of Sevilla are layered with portraits of her grandparents, nieces and her younger self, and contrasted with photographs taken over her four years of living here in Australia. The opera house, iron rich red dirt and twisting branches of gum trees sit alongside images of her children in makeshift La Semana Santa costume; Carmen’s beloved nieces play under the watchful eye of a golden winged angel; petals open portals to connection and play.

Deeply complex, and brimming with symbolism and personal narrative Carmen’s new body of work invites us into an emotional reflection. What are the emotions that we feel when we think of home? What happens when the idea of home that we long for is no longer a physical place that we can visit? How does identity ebb and flow through our every day life? What anchors us in culture, identity and memory?


This exhibition has support from

galleries, public program

Exhibition: Nadera Rasulova, Kosh-Chenar

Image: courtesy of the artist

January 27 - March 20, 2026

Opening event: Friday, February 6, 5:30-7:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present Kosh-Chenar, a new exhibition by Nadera Rasulova developed through our Visual Arts Studio Residency program, presented with support from Drs Geoff Martin and Sorayya Mahmood Martin.

The exhibition title refers to the Uzbek plane tree, a longstanding symbol of resilience and continuity in Central Asia. Nadera draws on the cultural lineage of handwoven ikat, its motifs, colours, and tribal symbolism while reflecting both Australian and Central Asian landscapes.

Through large-scale abstract oil paintings, she examines how visual traditions migrate, adapt, and settle in new contexts. Rather than reconstructing inherited narratives, Nadera charts the points where cultural memory, place, and personal experience converge. Her palette and mark-making evoke the tonal shifts of desert light, the rhythm of woven textiles, and the layered terrain of diasporic identity.

‘It’s a conversation between inherited culture and the land I live on; a meditation on memory, belonging, and identity,’ she notes. ‘Kosh-Chenar is an exploration of the spaces we inherit and the ones we forge. It reflects the quiet work of reconciling where you come from with where you are, and finding new ground between the two.’


This exhibition has support from

 
 

galleries, public program

Exhibition: Christian Best, The House of a Thousand Faces

Image: Courtesy of the artist

January 27 - March 20, 2026

Opening event: Friday, February 6, 5:30-7:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present The House of a Thousand Faces, a new solo exhibition by multidisciplinary artist Christian Best. The first installment in his series of photographic portraits, Christian introduces us to 36 of his planned 1000 portraits; each joyful personality captured is a contact or connection from Chris’ life and travels.

In The House of a Thousand Faces we are greeted by street performers in Scotland, film crew in Fiji, housemates, friends, artists and collaborators. Each image is a point of connection with Chris, who visually shares stories about community and friendship from around the globe. Together the images create a multiplicity, within which there is beauty in the non-hierarchical. Every face represents a moment of generosity, the subject shares a smile or pose, as they hand trust to the photographer to capture their essence.

As the first iteration of an ongoing project, there is a sense of infinite possibility. Each portrait is framed in a hand made frame, a new skill acquired by Chris in the making of this exhibition.


This exhibition has support from

 
 

adelaide fringe, public program, fringe festival

Adelaide Fringe: The Mill 2026 Program

February 19 - March 21, 2026

We’re back with another jam-packed season for Adelaide Fringe 2026!

This year, we have everything from theatre and cabaret, through to film, comedy and exhibitions. We have a crowd favourite returning this year, along with an incredible line-up of shows from 13 incredible companies.

Make sure to throw your support behind these independent acts and grab your tickets!

Photo: Kyahm Ross

Meteors
February 19-March 7

Grief isn’t part of the conversation. Especially not as a young person. No one knows what to say, so it’s simply left unsaid.

This premiere work from The CRAM Collective, explores the complex impact of the immediate and lingering effects of grief on young people. Melissa tells the story of the death of her mother, too many lasagnes brought over by neighbours and the continual search for something or someone out in the sky.


Photo: Daniel Marks

My Grandpa Doesn’t Follow Me On Instagram
February 19-March 7

They drove from Cornwall to the Scottish Highlands – one grandparent, one grandchild, one unspoken truth.

Multi-award-winning storyteller, Yoz Mensch, weaves a darkly funny and haunting solo show about dingy hotel rooms, dog-eared maps, and the strained intimacy of travel.

Drawn from hundreds of real Instagram Stories posted during the trip, Yoz revisits what they shared with their grandpa – and the secrets they didn’t. 


Photo: Jack Fenby

Fibres
February 20-22, at Tandanya

This work explores the natural fibres — once used for healing, weaving, storytelling, dance, painting and crafting. More than resources, these fibres hold story, culture and connection to Country.

Through touch, texture and movement, we follow the gestures of threading, knotting, interweaving and mending, drawing on their strength and care. Dance becomes a bridge between fibre and story, body and Country.


DUST
February 21-March 7

England-2020-Pontefract-Lockdown-2:20AM. A man fights for each breath, determined to make it home to Dot. In his isolated, morphine-fuelled delirium, we witness a frail man reliving his fragmented past: a boxer, a soldier, a boilermaker, a miner—dancing with Lady Luck as he battles to win. Dust is dedicated to the servicemen who fought for their country, the seven men who tragically lost their lives in the 1973 Lofthouse Colliery disaster, and to every miner who lived their life in darkness so we could live in the light. 


Ripe
February 25-March 8

The different worlds of Claire and Elisabeth collide as they navigate a series of weird and often terrifying events one fateful New Year's Eve in Sydney. Run-away Claire has fled her mother’s fury following the discovery of Claire’s relationship with Duncan, an older family friend. Elisabeth is on the streets to avoid the rage of her drug-addled boyfriend simply because she's taken his dog for a walk. Claire and Elisabeth are changed by the long night and each other. Midnight fireworks light the night sky. Happy new year.


DNA
March 5-12

DNA by Dennis Kelly is a gripping, fast-paced thriller about a group of teenagers whose cruel prank spirals into a shocking cover-up. Darkly funny and disturbingly real, the play exposes how peer pressure, fear, and the desperate need to belong can twist morality and silence truth. With sharp dialogue and relentless tension, DNA pulls the audience into a world where loyalty clashes with conscience, and survival means complicity.


Phoebs, You’re A Lesbian
March 8-21

A thespian and her keyboard leap out of the closet - it’s a metaphor and a stage direction. Featuring a catchy original score, sparkly doc martens, and too many niche anecdotes to count. Join Phoebe Rodger as she explores the euphoric highs, embarrassing lows, and awkward in-betweens of the lesbian experience. From hilarious cabaret bops, to witty parodies, to power ballads, there is something for everyone in this show! All are welcome. (Including homophobes, I’ll still take your money xx).


The Sensemaker
March 4-7

Have you ever been stuck on hold, listening to muzak on a loop while a robotic voice keeps telling you that your request is being processed?
Yes, you have… and so does the protagonist of unclassifiable, Black Mirror–ish 'The Sensemaker' — until she is gradually pushed beyond her limits.

With razor-sharp humour and unsettling precision, this multi-award-winning solo-show stages a dystopian battle between a woman and an answering machine.


Only Bones
March 11-22

Explore a microscopic universe in this intimate and mesmerising work of nonverbal physical theatre. Join a jelly-like solo performer as they pluck creatures from evolutionary history, pushing, bending and twisting the laws of physics. The ordinary becomes extraordinary and the strange becomes familiar.


Spoon Show
March 13-20

A clown explores the comedic capacity of cutlery.

It's unclear where they got so many of these metal wonders, or for what purpose. With a fool’s brain, a dancer’s body and a determination reserved only for the truly idiotic, Fumble the Clown presents an unforgettable hour of culinary comedy. Simple, inventive and surprisingly heartfelt, this work brings its audience on a ride through the ridiculous imagination of a spoon-obsessed fool.


Before We Begin
March 11-15

An experimental solo about consent and queer intimacy. Explored through a series of escalating invitations for performer and audience.

Naughty, playful, awkward, joyful, and surprisingly tender. A vulnerable act of trust, patience, and curiosity - navigated in real-time. An important conversation that never feels like one.

Say yes, say maybe, say not today. Nothing happens without your say-so. What does happen might surprise you.


The Cycling Man
March 18-22

One of the best reviewed shows of the Edinburgh Fringe 2025 comes to Adelaide. Middle-aged and newly single, The Cycling Man has spent the salary of a nurse on lycra and he's on the verge of a breakdown. Get to know this absurd and deeply flawed man as he gets to know himself. 

Goofy drag king show from award-winning British character comedian Kathy Maniura, BBC New Comedian shortlisted, 2023 and Sketch Off winner, 2020.


I Can Have A Dark Side Too
March 18-21

His Mother calls her 30-year-old son her "Ray of sunshine" but beneath this child entertainer's cheerful facade lies a dark secret...

A one-man black comedy, featuring puppetry and upbeat songs. Ray, a children’s entertainer, starts to unravel as he deals with a personal tragedy. Attempting to process his grief, he begins confiding in his puppet, Emmett, who encourages him to tap into his dark side. As his cheerful facade begins to shatter in front of the kiddies, Ray must come to grips with something terrible in his past… Will he be able to keep it together when he embraces the truth?


This program has support from

 
 

galleries, public program, workshop

Workshop: Abstract painting with Nadera Rasulova

Image: Courtesy of the artist

Workshop

When: Saturday, March 14, 12:30-2:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Cost: $45 (+ booking fee)

Join artist Nadera Rasulova for an abstract painting workshop exploring inherited stories.

As an extension of Nadera’s exhibition Kosh-Chenar, she will be leading a workshop that invites participants to bring a textile or object of cultural, familial or personal significance. These items will act as starting points for creating abstract paintings through colour, pattern, texture or a more intuitive emotional response. The workshop reflects the intentions of Kosh-Chenar: to explore how the things we inherit carry stories, and how those stories can be reinterpreted and made new through the act of painting.

What to expect:

Seated within Nadera's exhibition, this two-hour workshop invites participants to explore abstract painting through memory, material, and intuition.

Working with a personally significant object or textile as a reference point, participants will be guided to translate story and emotion into colour, gesture, and texture - without the pressure of representation or a finished outcome. The focus is on process: layering, responding, obscuring, and revealing.

All materials are provided, including a canvas board and acrylic paints. Participants will take their artwork home on the day.

Guests are asked to bring one object or textile of cultural, familial, or personal significance.

Tea, coffee, and light refreshments will be available.


This exhibition has support from

 
 

galleries, public program

Artist talk: Nadera Rasulova, Kosh-Chenar

Image: courtesy of the artist

Artist Talk

When: Friday, February 20, 4:30-5:30pm

Gallery II, 154 Angas St, Kaurna Yarta

Free entry, all welcome

Join exhibiting artist Nadera Rasulova in conversation with The Mill’s Visual Arts Curator Adele Sliuzas for a chat about her exhibition, Kosh-Chenar. Hear the artist speak about process, material and making work about belonging and place.  


This exhibition has support from

 
 

galleries, public program

Exhibition: CHARTS Community Housing Art Awards

Photo: Sam Roberts

December 5 - 16

Galleries, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We are excited to present the third iteration of CHARTS, the Community Housing Art Awards. We love having this exhibition in our galleries, and congratulate all of the artists involved.

The Community Housing Art Awards (CHARTS) were created to celebrate and showcase the creative diversity, depth and talent of tenants in community and social housing. This is the third CHARTS Awards event, the first in 2021, and another event in 2023, held here at The Mill.

This year’s CHARTS has been a collaborative effort between Community Housing Industry Association SA and 9 Community Housing Providers: Access2Place, Believe Housing Australia, Common Equity Housing SA, Community Housing LTD, Junction Australia, Unity Housing Company, Uniting SA Housing, Westside Housing, YourPlace Housing.

Community Housing Providers are not-for-profit organisations that provide affordable, stable, secure, and safe housing to people living on low to moderate incomes, facing disadvantage and/or with specific needs.

CHARTS is an event that has been open to all tenants of these Community Housing Providers and incorporates four award categories: 2D/Painting/Drawing; 3D/Sculpture Art/Textiles/Craft; Photography/Digital; Poetry and Literature, with 15 awards being given out, including the People’s Choice Awards, Artist Living with A Disability and First Nations Artist.

We hope CHARTS helps tenants find a sense of belonging – we know art brings people together, and by displaying tenants’ artwork in this exhibition at The Mill, and by making it accessible to the public, we hope it inspires engagement and a feeling of belonging to the community.


wayinthi, public program

Centre Stage Residency: WAYIN:THI, Fibres

Photo: Jack Fenby

Showing and Q&A

When: Friday, December 12, 4-5pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: $10 (+ booking fee)

Note: Please arrive 15 minutes early to grab a drink. This event will be 1 hour (including a Q&A).

Join us for an intimate private work-in-progress showing of Fibres, the latest creation by WAYIN:THI, choreographed by Kaine Sultan-Babij with support from Caleena Sansbury - The Mill’s First Nations Co-Leads and Coordinators.

Fibres weaves together movement, story and culture, drawing inspiration from the natural materials once used for healing, weaving, dance and art. Through gesture, texture and rhythm, this work threads connection between body and Country - honouring the strength, care and memory held within every fibre.

Come witness this powerful new work as it takes shape - raw, resonant, and full of life.

Please RSVP before Thursday, December 11.

Fibres is being developed as part of our Centre Stage Residency, in collaboration with Adelaide Fringe, and will be presented as part of our 2026 Adelaide Fringe program.

The showing will be followed by a short Q&A with WAYIN:THI, hosted by The Mill CEO / Artistic Director Katrina Lazaroff. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

About the artists:

Photo: Jack Fenby


This showing has support from

 
 

dancehouse residency

Dancehouse Residency 2025: Kaine Sultan-Babij

The Mill is thrilled to announce Kaine Sultan-Babij as the recipient of the 2025 Dancehouse Residency.

This residency is presented in partnership with Dancehouse (VIC), providing development and performance pathways for South Australian dance-makers. The residency aims to foster national conversations in dance, through participation and exposure and is a way to unite national dance sectors. 

Kaine was the 2024 and 2025 recipient of our First Nations Dance Residency. During these residencies he developed his new work Sovereign Sequins.

Kaine will further develop and present Sovereign Sequins at Dancehouse in Melbourne, November 24-28, 2025, with an invite-only showing on November 28.

About the artist:

Photographer: Bri Hammond


This residency has support from

 
 

galleries, public program

LIMITLESS 2025 Fundraiser Exhibition

Photo: Bri Hammond

September 17 - October 10

Opening event: Friday, September 19, 5:30-8pm

Finissage: Friday, October 10, 4:30-6:30pm

Galleries, 154 Angas St, Kaurna Yarta

Free entry, all welcome

Please note we are not open on Monday, October 6, due to the public holiday.

We are excited to present LIMITLESS, our annual fundraising exhibition shining a light on over 200 local artists.

This exhibition will raise funds for The Mill; a vibrant, creative home where artists collaborate, experiment and take risks. It will also celebrate the abundance of artistic talent within the South Australian visual arts community, including work by our studio artists and alumni, visual arts students and graduates and local artist studio collectives.

We invite you to find your favourite piece to add to your collection.

All A5 artworks are priced at $100, with artists working in diverse mediums and styles. This year, the exhibition also features a selection of larger works, priced at a higher level, from our studio artists, program alumni and invited contributors.

The exhibition features emerging alongside established artists, with all artists’ names kept anonymous in the exhibition. Artists’ names and details will be revealed when the buyer takes the work home. 

Sales from this fundraising exhibition support the artist and The Mill, helping us to continue championing artistic experimentation in our fantastic state.


galleries, public program

Finissage: LIMITLESS 2025 Fundraiser Exhibition

Photo: Bri Hammond

Finissage

When: Friday, October 10, 4:30-7:00pm

Galleries, 154 Angas St, Kaurna Yarta

Free entry, all welcome

We invite you to join us for the finissage event for LIMITLESS 2025, an opportunity for artists and creative industry professionals to network, and celebrate the work of over 200 local artists.

This exhibition will raise funds for The Mill; a vibrant, creative home where artists collaborate, experiment and take risks. It will also celebrate the abundance of artistic talent within the South Australian visual arts community, including work by our studio artists and alumni, visual arts students and graduates and local artist studio collectives.

We invite you to find your favourite piece to add to your collection. This closing event is a last chance to buy a work from LIMITLESS 2025.

All A5 artworks are priced at $100, with artists working in diverse mediums and styles. The exhibition features emerging alongside established artists, with all artists’ names kept anonymous in the exhibition. Artist’s names and details will be revealed when the buyer takes the work home. 

Sales from this fundraising exhibition support the artist and The Mill, helping us to continue championing artistic experimentation in our fantastic state.