writers in residence

Writer in Residence 2023: Corrie Hosking

The Mill is thrilled to announce Corrie Hosking as the recipient of the Citymag 2023 Writer in Residence January-June residency.

The Writer in Residence program, in partnership with Citymag, supports emerging writers from a variety of disciplines. The program creates a broader audience for writing through leadership, mentorship and publication.

About the writer:

Photo: Courtesy of the artist


sponsored studio, sponsored studio recipien

Sanaa Sponsored Studio: LK Artist in Residence 2023 recipient Charlene Komuntale

We are thrilled to welcome Charlene Komuntale to The Mill as the recipient of the Sanaa 2023 LK Artist in Residence.

Sanaa is a not-for-profit, multidisciplinary cultural arts collective, facilitating and celebrating the power of art and its capacity to bridge cultural gaps. The Mill’s partnership with Sanaa offers one Sponsored Studio for culturally diverse artists.

Travelling from Uganda, Charlene will join The Mill’s artist community in a Sponsored Studio for 6 weeks. During that time she will present an artist talk and a workshop at The Mill, culminating in a group exhibition at Kerry Packer Civic Gallery at the Bob Hawke Prime Ministerial Centre, running February to March 2023.

About the artist:

Photo: Courtesy of the artist


This Sponsored Studio has support from

 
 

public program

The Mill in Conversation: Charlene Komuntale, LK Artist in Residence

Artwork: Charlene Komuntale. Photo gallery: Daniel Marks.

The Mill in Conversation

When: February 10, 6:45pm

Where: The Mill’s Sponsored Studio,154 Angas St, Kaurna Yarta

Cost: Free


Join Ugandan artist Charlene Komuntale for a chat in her studio about work she is developing for the Sanaa exhibition at Kerry Packer Civic Gallery this February. Charlene is the current LK Artist in Residence, she will be spending 6 weeks living in Adelaide and working from a studio at The Mill supported by Sanaa. Charlene uses digital mediums to create stunning portraits of Black African women that centre empowerment, liberation and confidence. During the talk Charlene will chat about her practice, her subjects and use of symbolism in her portraiture.


 

The LK Artist in Residence Sponsored Studio is presented in partnership with Sanaa.

Sanaa aims to facilitate intercultural understanding by providing a platform to artists from culturally diverse backgrounds, with past exhibitions featuring international artists from many other cultures around the world, alongside Australian-based artists from Aboriginal, African, Middle Eastern and South American backgrounds.

The LK Artist in Residence is supported by Principal Partner LK Law.

 

public program, galleries

Exhibition: Snug Diaries, Tikari Rigney

Artwork: Tikari Rigney

February 6 - March 24, 2023

Opening event: Friday, February 10, 6-8pm

The Mill Exhibition Space, 154 Angas St, Kaurna Yarta


The Mill is thrilled to present a new solo exhibition titled ‘Snug Diaries’ by Tikari Rigney. Kaurna, Narrungga and Ngarrindjeri visual artist and poet Tikari has developed this body of work during their 6-month Sponsored Studio Residency at The Mill in 2022, a new initiative supported by the Mahmood Martin Foundation. Snug Diaries is a sensory and tactile environment that encourages audiences to ponder the complexities of human experience. The exhibition includes soft ‘bodies’, made from textile scraps that have been machine and hand embroidered with Tikari’s poetry. The undulating forms are friendly and inviting to touch, providing a unique sensory experience for audiences. Yet, the words in both English and First Nations languages (Kaurna, Narrungga and Ngarrindjeri) explore Tikari’s experiences and challenges navigating queer, Aboriginal, non-binary identities.

The recently formed Solidarity Collective, facilitated by Tikari, have also contributed to the exhibition, with an installation of objects, performance and poetry. The emphasis on peer learning and multidisciplinary collaboration within this project create a profound sense of community and care.


This exhibition has support from

 
 
 

The Mill’s Sponsored Studio program is presented in cooperation with Mahmood Martin Foundation

 
 
 

public program, galleries

Exhibition: Museum of Old Money, THE GOOD NEW$ BANK (Nicholas Hanisch and Cassie Thring), curated by Steph Cibich

February 6 - March 24, 2023

Monday-Friday, 10am-4pm, and extended hours during The Mill’s Adelaide Fringe season

The Mill Exhibition Space, 154 Angas St, Kaurna Yarta


The Mill is excited to present a new exhibition ‘Museum of Old Money’ by THE GOOD NEW$ BANK curated by Steph Cibich. THE GOOD NEW$ BANK is the collaborative moniker for artist duo Nicholas Hanisch and Cassie Thring, who have been working closely with Cibich to develop a body of work that playfully comments on the ideas surrounding ‘currency’, ‘value’ and ‘worth’ under consumer-capitalism. What is art worth? What value does the artist play within our society? How do we understand the exchange value of creative work? How do you put a price on the way that works of art make us feel?  

With the current ‘cozzie livs’ (cost of living crisis), we are all making daily choices to determine how we can make our money stretch. Art can be seen as a luxury item, but at what cost? We know from our times in pandemic lockdown that art and creativity are central to our sense of self, and sense of community. Featuring Art Vending Machine Australia’s (AVMA) ‘Adelaide Art Vending Machine’, in which Curator Steph Cibich seeks to democratise the process of buying artwork, without undermining the work of the artist.

The vending machine will sit alongside other works, developed through a collaborative relationship between curator and artists, offering unique moments for audience participation. Artworks will be available for purchase giving audiences an accessible option for becoming collectors of contemporary art.


This exhibition has support from

 
 

public program, free-range residency, dance residency

Breakout Residencies: A Dance Performance Research development with Daniel Jaber

Photo: Daniel Marks

Public showing

When: Friday, December 16, 6-7pm (5:45pm arrival for 6pm sharp start)

Where: The Mill, 154 Angas St, Kaurna Yarta (enter via The Exhibition Space)

Cost: $10 (+ booking fee)

Duration: 45 minutes (including casual Q&A)


The Mill presents the final showing of our 2022 Breakout Residency Program. 

We welcome you to view a showing of new solo dance work in development by renowned Adelaide independent dancer and choreographer Daniel Jaber, as part of his Free-range Residency. The showing will reveal the content being explored and a Q&A following the showing will take you inside the creation process of his newest work.


public program, centre stage residency

Breakout Residencies: Emma Beech showing, 'Here We Are'

Photo: Daniel Marks

Public showing

When: Friday, December 2, 5-6pm (4:45pm arrival for 5pm sharp start)

Where: The Mill, 154 Angas St, Kaurna Yarta (enter via The Exhibition Space)

Cost: $10 (+ booking fee)

Duration: 1 hour (including casual Q&A)


The Mill’s Centre Stage Residency will progress a new work presented by Emma Beech to its next stage of development, including a work-in-progress public showing and culminating in a season at The Mill as part of Adelaide Fringe 2023.

Here We Are crosses forms between stand-up comedy, improvisational theatre, performance lecture and traditional theatre. Embracing simplicity in form, a low carbon footprint in all areas of design, as well as a focus on the here and now, by creating improvised story performances.

“No rehearsals, no story set list, no set design, just me, the craft I have so finely tuned, my stories from the wonderful story life I have lived and sought out, and the relationship I build with the audience over the course of a show.”

About the artist:

Emma Beech graduated from Flinders Drama Centre 2002, has worked in theatre and screen plus developed a practice making theatre shows from intimate conversations with strangers. Emma has made theatre across a broad range of genres with rigorous makers from Adelaide, to Melbourne, to Spain to Denmark, for over 15 years and has been commissioned by Carte Blanche, Vitalstatistix, Country Arts SA, Arts House, DreamBIG and recently the Adelaide Festival.

Collaborator:

Here We Are is directed by Tim Overton.


This residency has support from

 
 

public program, galleries

Exhibition: Sonya Mellor, Deep Listening

Sonya Mellor, Lemniscate 1, Image: FINN MELLOR.

December 2, 2022-January 27, 2023

Finissage event: Friday, January 27, 5:30pm

Opening event: Friday, December 2, 6-8pm

Midsummer meditation: Tuesday, December 20, 6pm

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Accessibility: Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St. The Mill has concrete flooring throughout and a disability toilet. View more in-depth information on our accessibility page.


For our final exhibition of the 2022, The Mill presents Deep Listening by artist Sonya Mellor. Through sculpture, installation, movement, sound and performance art, Sonya Mellor will be activating The Mill’s Exhibition Space, inviting audiences to experience a vibrant, dynamic, living exhibition. Sonya builds on concepts that she explored while participating in The Mill’s City Mobilities Public Art Masterclasses in 2020 and 2021, bringing ideas of public space into the gallery space.

The exhibition’s title makes reference to writing by Quanamooka artist Megan Cope, who encourages the viewer to consider the relationship between sound, vibrations, our bodies and the land, inviting “...’deep listening’, in order to align mind and body with the earth”. Sonya’s approach to the act of deep listening is concerned with attention and respect, acknowledging her role as a non-Indigenous person on stolen land. ‘Through my passions of nature and community, I would like to engage the community/public, through arts activation, into deep listening’ she states. The works are created using a diverse range of materials, and artistic practices; Using reclaimed, repurposed, discarded and found on the ground objects, the discarded parts of natural objects, poetry, sound and movement. The exhibition will also include an ephemeral floor installation consisting of natural objects found on daily walks explorations during the exhibition time, an acknowledgement of ‘deep listening’ to the land where we live, work and play.


This exhibition has support from

 
 

expand, public program

Solidarity Collective

Artwork: Tikari Rigney

Exhibition opening: February 10, 6-9pm

Collective meet-ups:

Thursday, November 3, 5:30-8:30pm

Wednesday, November 16, 5.30-8pm
(Drop in Care Space, 143 Sturt St, Tarndanya, Adelaide, entrance via driveway on Hamley Street)

Wednesday, December 7, 5:30-8:30pm

Wednesday, January 11, 2023 5:30-8:30pm

Saturday, January 28, 2023 10am-4pm Workshop

Tuesday February 21, 2023 5:30-6:30 Artist talk

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: Free

The Mill’s Solidarity Collective (working title) is a new project initiated and facilitated by Kaurna, Narrunga and Ngarrindjeri artist, and 2022-23 Sponsored Studio recipient Tikari Rigney.

The Collective will be made up of South Australian based artists who identify as First Nations, and/or People of Colour. This Collective will create a community setting for multi-disciplinary artists to share, create and work collaboratively. Ultimately providing a platform for artists to express themselves and share stories within a safe space, while also making friends and sharing.

The Solidarity Collective have also contributed to Tikari’s solo exhibition Snug Diaries, with an installation of objects, performance and poetry. The emphasis on peer learning and multidisciplinary collaboration within this project create a profound sense of community and care.

What to expect at Collective meet ups:

Facilitated by Tikari, The Mill will host five meet-ups throughout late 2022 and early 2023. While we encourage you to attend in-person, there is flexibility for you to attend via Zoom and when your schedule allows. The meet-ups will include snacks and if you have any access needs to make your time at The Mill more comfortable, please email our team.

Once the five meet-ups have concluded, members of the Solidarity Collective will co-present an artists talk with Tikari, as an extension of their exhibition.

Photo: Johnny von Einem


This project has support from

 
 
 

The Mill’s Sponsored Studio program is presented in cooperation with Mahmood Martin Foundation

 
 
 

Adelaide Festival Masterclass: Bangarra Dance Theatre

Photo: Courtesy of Bangarra Dance Theatre. Photographer: Daniel Boud.

Masterclass

When: Friday, March 18, 2022, 11.30am-1pm (venue will be open for warm up 15 minutes early)

Where: AC Arts, Level 3, Rehearsal Studio, 23 Light Square, Kaurna Yarta (Adelaide)  

Cost: $30 (+ booking fees)


The Mill in Partnership with Adelaide Festival present a masterclass with Bangarra Dance Theatre (NSW) - an exploration of cultural elements of dance in a contemporary setting. 

About the masterclass:

While in Adelaide performing in Adelaide Festival, Bangarra is committed to engaging with the community beyond the performance and will be holding a contemporary dance workshop. This session focusses on exploring cultural elements of dance in a contemporary setting. 

Facilitated by two of the company members, who share the rich culture and history that is sewn through their storytelling. 

Wudjang: Not the Past follows the journey to honour Wudjang with a traditional resting place on Country. Combining poetry, spoken storytelling and live music with our unique dance language, this profoundly evocative piece of First Nations performance promises to be a benchmark Australian production. 

Wudjang: Not the Past can be seen at the Festival Theatre from Tuesday 15 – Friday 18 March

Experience level:

First Nations and Indigenous high school / tertiary students (preferred) or dance specialist high school/tertiary level students. Age: 14 - 26 yrs.

Note: Dance specialist school students will require a teacher to attend and supervise 

Photo: Daniel Boud


This program has support from

 
 

masterclass series, public program

OzAsia Masterclass: Gudirr Gudirr with Co-Artistic Directors of Marrugeku

All images: Terry Murphy.

Masterclass

When: Friday, November 4, 1-3pm

Where: AC Arts, Rehearsal Studio, Level 3, 23 Light Square, Kaurna Yarta

Cost: $30 (+ booking fee)

Studio open at 12:45pm, please arrive then to check in and warm up.


The Mill in partnership with OzAsia Festival present a contemporary movement masterclass with Marrugeku’s Dalisa Pigram and Rachel Swain.

Dalisa Pigram is touring to Adelaide to perform in Gudirr Gudirr as part of 2022 OzAsia Festival.

About the masterclass:

Marrugeku's co-artistic directors Dalisa Pigram and Rachael Swain will lead a workshop for dancers, movers, and choreographers. The workshop will introduce Marrugeku’s devising approaches drawing on personal and cultural backgrounds to create contemporary movement. We will experiment with techniques to layer and structure movement, ideas, characters and cultural influences. The workshop will draw from the processes Marrugeku used to create Gudirr Gudirr.

Experience level:

Participants should have 2-3 years of experience in one or more of dance, circus, street forms like parkour or hip hop, traditional or contemporary Indigenous dance, martial arts or other movement based practices.

The workshop is also open to actors with some movement experience interested in improvisational movement processes to generate theatre.

About the Co-Artistic Directors:


This program has support from

 
 

masterclass series, public program

OzAsia Masterclass: Seeing and Being Seen with Sue Healey

All images: Wendell Teodoro.

Masterclass

When: Monday, October 17, 5:30-7pm

Where: AC Arts, Rehearsal Studio, Level 3, 23 Light Square, Kaurna Yarta

Cost: $30 (+ booking fee)

Studio open at 5:15pm, please arrive then to check in and warm up.


The Mill in partnership with OzAsia Festival present a masterclass with Sue Healey that explores the Dancer and the Camera through visual awareness, the frame and movement within it.

Sue Healey is touring to Adelaide to perform in The Long Walk as part of 2022 Oz Asia Festival.

About the masterclass:

The class will open up visual and kinaesthetic awareness through a series of exercises and improvisations that relate to the works Healey is showing in the festival. Participants will move and observe, experimenting with the frame and dynamic nature of a moving camera.

Experience level:

All ages and disciplines are welcome – Open to everyone, though the workshop setting is best suited for artists, filmmakers, cinematographers, choreographers, dancers, performance and media artists. No dance experience required. All movement exercises will be accessible for all abilities.

Requirements:

Participants must bring a smart phone with a camera.


This program has support from

 
 

spotlight residency, public program, emerging producer 2022, brand x residency

Brand X Residency: Olenka Toroshenko showing, 'i am root'

Photo: Lauren Connelly (LALA Photography)

Public showing

When: Friday, September 2, and Saturday, September 3, 8pm

Where: The Flying Nun by Brand X, 34-40 Burton St, Darlinghurst

Cost: $25

Accessibility: If you have access requirements for attending the show, please tick the access requirements box during the booking process. This includes booking companion card tickets. A Brand X team member will then be in touch to ensure we understand your requirements.


As part of the Spotlight / Brand X Residency, 2022 recipient Olenka Toroshenko flew to Sydney to further develop and perform her work i am root as part of Brand X’s Flying Nun Program.

The aim of this residency is to develop national pathways for artists to further develop and present their work interstate along with networking opportunities provided in partnership with Brand X in Sydney.

The residency began at The Mill for 2 weeks earlier in the year, followed by a 1-week residency and performance season at Brand X’s The Flying Nun program. Olenka’s performances will occur on September 2 and 3.

We look forward to reporting on the outcomes from this wonderful development presentation and touring opportunity that is built to empower and support South Australian makers!


This program has support from

 
 

public program, emerging producer 2022

Adelaide Fringe 2023: Expressions of Interest

Expressions of interest have closed for The Mill’s Adelaide Fringe 2023 season.

The Mill welcomes artists working in all areas of performance - from live music to theatre, dance, comedy and more. Our venue is a great space for risk-taking, trying out new ideas or presenting fully-realised works.

The Breakout is a 50-seater black-box theatre space adjacent to The Mill’s 35 artist studios and exhibition spaces. Located a 15 minute walk from Rundle Street, our theatre is perfect for intimate artist-audience interactions.

While the EOI is closed, we encourage those interested in joining our waitlist to contact The Mill Associate Producer Louie Dempsey.

Before you send an EOI, complete the following steps:

  • Read the Venue Information Pack to familiarise yourself with our venue.

  • Collate as much information about your show as you can (about you/your show, technical specifications, marketing plans, etc).


Key Dates

Tuesday, August 23: EOIs Open

Sunday, September 18: EOIs Close

September 23 - October 7: Offers sent out

Thursday, October 20: Adelaide Fringe printed program deadline


Any questions please email The Mill Associate Producer Louie Dempsey.


public program, galleries

Exhibition: The World Needs Us, We Need the World: Political poster art for climate action

Image: Australian Youth Climate Coalition ‘Climate Justice Bootcamp’ poster illustration.

October 7 - November 18, 2022

Opening event: Friday, October 14, 6-8pm

School Holiday workshop: Tuesday October 11, 1pm

Opening hours: Monday-Friday, 10am-4pm

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: Free


For Nature Festival 2022, The Mill presents a new 6-week exhibition that celebrates the role of art as activism in the context of climate crisis and various political issues. The exhibition features poster art from the Australian Youth Climate Coalition (AYCC), historical works from the FUMA collection, alongside contributions from local activists.

We invite the general public, young people, artists and creatives to contribute to a community poster wall as part of the exhibition. A poster making station with materials will be a permanent feature of the exhibition, with audiences invited to create a poster and add it to the wall. Contributing artists can respond to the theme ‘The World Needs Us, We Need the World’. 

A free school holidays workshop (Tuesday, October 11) will invite young people and their families to create and contribute to the exhibition.

Call-out for contributions:

We invite you to contribute a poster to the exhibition to be included in the community poster wall. Flex your creative muscles and design something meaningful and authentic that responds to the theme of the exhibition ‘The World Needs Us, We Need the World’. See examples from AYCC below!

Artworks must be:

  • A3 or smaller

  • Able to be pinned to the wall

  • Welcoming, inclusive and appropriate for all ages (keep it clean folks!)

  • include your name, email and phone number on the reverse

Delivered to The Mill by September 30, 2022

Att. Adele Sliuzas, The Mill, 154 Angas Street, Kaurna Yarta, Adelaide, 5000

Artworks can be collected from November 21, or include a return self addressed envelope

 
 

This exhibition has support from

 
 

masterclass series, public program

OzAsia Masterclass: The Craft of Fight Choreography with Maria Tran

All images: Anna Kucera.

Masterclass

When: Tuesday, October 25, 4-6pm

Where: AC Arts, Rehearsal Studio, Level 3, 23 Light Square, Kaurna Yarta

Cost: $30 (+ booking fee)

Studio open at 3:45pm, please arrive then to check in and warm up.


The Mill in partnership with OzAsia Festival present a masterclass with Maria Tran exploring action fight choreography and stage combat.

Maria Tran is touring to Adelaide to perform in ACTION STAR as part of 2022 Oz Asia Festival.

About the masterclass:

The central focus is to give opportunities for artists to explore themselves performatively through the format of action fight choreography and stage combat. Creatives will unpack leadership skills, courage, kindness, and what being strong and taking action means. Skills include improvisation, voice and movement devising, acting, and creating group work scenes.

Experience level:

16+, any level or experience welcome.


This program has support from

 
 

sponsored studio

Sanaa Sponsored Studio: LK Artist in Residence call-out

Sanaa is a not-for-profit, multidisciplinary cultural arts collective, facilitating and celebrating the power of art and its capacity to bridge cultural gaps. The Mill’s partnership with Sanaa offers one Sponsored Studio for culturally diverse artists.

An African artist will join The Mill’s studio community for 6-weeks, also presenting an artist talk and workshop with support from The Mill and Sanaa. The residency will culminate in a group exhibition at Kerry Packer Civic Gallery at the Bob Hawke Prime Ministerial Centre, February-March 2023.


 

This Sponsored Studio has support from

 

public program, masterclass series, galleries

Workshop: Yarning Circle with Marika Davies and Natalie Austin

Image: Marika Davies with Natalie Austin’s Opal Painting.

Workshop

This is a special event for folks who identify as non-binary or women.

When: Saturday, July 30, 11am-12pm

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: $15 (+ booking fee)


The Mill invites you to join us for an intimate yarning circle with exhibiting Antikjrita artist Natalie Austin and Wangkangurru woman and independent curator Marika Davies.

Natalie will have a chat about her work and Marika will keep our hands busy with some weaving while chatting about her role as exhibition curator. We'll also have some tea and biccies!

About the exhibition:

Memory of Water by Antikjrita woman Natalie Austin speaks of the artists connection to Country as motif within her life. Natalie traces her life from child, teen, mother and now grandmother and the meaningful role that water has in her understanding of self, Country and community. Natalie has worked with Wangkangurru woman and independent curator Marika Davies to develop this exhibition, an inaugural collaboration between The Mill and regional South Australian Aboriginal artists. The exhibition will be accompanied by a catalogue essay written by Yankunytjatjara / Kokatha woman and well-known poet Ali Cobby Eckermann.

Memory of Water is presented in partnership with Ku Arts, Ripple Effect/HumanKind and City of Adelaide.


This exhibition has support from

public program, viray thach, galleries

Exhibition: Viray Thach, Resilience

All images: Ivy Lee, @ivyleecreative

July 18 - September 16, 2022

Opening event: Friday, July 29, 6-8pm

Opening hours: Monday-Friday, 10am-4pm

Where: The Mill Exhibition Space, 154 Angas St, Kaurna Yarta

Cost: Free


This SALA The Mill's Showcase space hosts Resilience, a solo exhibition by illustrator and educator Viray Thach.

The exhibition elevates the voices of sexual assault survivors and opens conversations of the commonly misunderstood topic. Viray showcases her skills as a digital illustrator, as well as exploring new techniques developed through her six month studio residency at The Mill. She is the recipient of the 2022 Sponsored Studio a new initiative in co-operation with Mahmood Martin Foundation. The exhibition will be accompanied by a catalogue essay written by The Mill's Writer in Residence Renee Miller.

Presented with support from Mahmood Martin Foundation and Arts SA.

Content warning: This exhibition includes sensitive topics around sexual assault. Please be mindful before attending.


This exhibition has support from

 
 
 

The Mill’s Visual Arts Studio Residency is presented in cooperation with Mahmood Martin Foundation

 
 
 

virtual gallery

Virtual Gallery: Tarsha Cameron and Tailor Oriana-Julie Winston, One

In May-July 2022, The Mill continued our focus on Visual Arts collaborations, presenting One, a new exhibition by emerging multidisciplinary artists Tarsha Cameron and Tailor Oriana-Julie Winston. With an interest in developing relational connections and shared stories, Tarsha and Tailor developed a unique, evolving installation in the gallery. During the first ‘soft opening’ week audiences were invited to visit and witness the work in progress, share their responses and also contribute. With sculptural, installation, sound, photography, video, painting and textiles, One is an exploration of collaboration and connectivity.

Image: Tarsha and Tailor in the Exhibition Space, Photo Morgan Sette.

Artist statement

The threads of connection

Stay

Forever present

In our genes

Across space and time

And

In our bodies; flesh and ethereal 

Life is an entangled whole

Connectivity surrounds us. It is more than just between you and I, but also between the moon and the stars, the trees and the sea; all living beings living in symbiosis with one another. Close your eyes and notice for a moment. Breathe. Feel it in the air. Feel it in you.

One attempts to creatively explore and materialise the more complex and subtle forms of collaboration that occur in everyday life, yet remain hidden to our visual and auditory perception. We are in constant developmental flux with ourselves, nature, our immediate and distant surroundings; reciprocally invoking the law of cause-and-effect that expands across time, space and place.

The process leads us into a philosophical investigation where everything co-exists, akin to an ecosystem with many differing identities that inform, inspire, and rely on the other. It is a continuous collaborative exploration as we respond to and negotiate nature, each other,  and our close and more remote environmental, historical and ancestral storylines. 

Situated on Kaurna Yarta, One culminates as a work that is both fluid and organic, still, yet full of life. A reflection of the interconnectedness of existence.

Social photos: Daniel Marks / All other photos: Morgan Sette.