Artist Talk: Chris Siu, Riot on an Empty Street

Photos: Daniel Marks

Artist Talk

Friday, April 12, 5:30-6:30pm

Gallery I, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Riot on an Empty Street in The Mill’s Gallery I, located at 154 Angas St, Kaurna Yarta (Adelaide).

  Gallery I is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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Join Chris Siu and The Mill's Visual Arts Curator Adele Sliuzas for a chat about his new exhibition 'Riot on an Empty Street', now showing in Gallery I at The Mill. 

Chris Siu developed Riot on an Empty Street as part of The Mill’s Visual Arts Studio Residency program presented in cooperation with the Mahmood Martin Foundation.

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This project has support from

The Mill’s Visual Arts Studio Residency is presented in cooperation with Mahmood Martin Foundation

Adelaide Fringe 2024: Alix Kuijpers, 'Grim Grinning Ghosts'

Photographer: Daniel Marks.

Adelaide Fringe 2024

When: March 6-8 and March 13-15, 4pm and 6pm

Where: The Breakout at The Mill, 154 Angas St, Kaurna Yarta

Cost: From $18-26

Duration: 60 minutes

• Getting to the show

  Grim Grinning Ghosts will be held in The Breakout at The Mill. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

  Accessibility

  Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

  If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

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On a day after grief, one lonely artist is left to wade through the belongings of some dead relatives, only to find they have walked into an otherworldly intervention. In a one-of-a-kind choreographic séance, the audience will be guided into the afterlife of those living, and deceased. Horrific? Yes! Sad? Absolutely! This solo work is one that will stay with you; it might even follow you home…

Created and performed by Alix Kuijpers, winner of the 2023 Adelaide Fringe Emerging Artist Award.

“It is exciting to witness emerging artists who are both talented and perceptive: Kuijpers is obviously a deep thinker and definitely a person of many talents.” Stage Whispers

“The hour is jam-packed with intense, varied, and embodied emotion conveyed through divergent and fragmentary scenes. Alix oscillates between grief, terror, and joy in jarring yet curated ways through an expert command of voice and body. There are also sensual, tender moments which are undoubtedly my favourite points of the performance, perhaps for their slow honey-like contrast to staccato bursts of pain. Flashes of true comedy also surface like guiding lights in a fearful fog… This is a performance for those who know love and loss. This is an important, exploratory work which shouldn’t be missed.” Marina Deller

“Grim Grinning Ghosts is more than a contemporary dance work, its an experience.”
★★★★.5 The Adelaide Show Podcast

This show was developed under The Mill x Adelaide Fringe Centre Stage Residency, and produced by The Mill and Alchemy Collective.

• About the artist

  Alix Kuijpers is an emerging freelance choreographer and sound designer whose queer based work has garnered a strong reputation for creating contemporary dance in South Australia. Kuijpers’ notable achievements include becoming the first dance honours student at a South Australian institution, receiving first-class honours from Flinders University for his solo work IMMATERIAL.

  Alix recently spent time in the USA and Europe participating in major dance festivals such as B12 and Orsolina 28 and working with practitioners such as Jacob Jonas the Company and Thar Be Dragons. His most notable sonic commissions include creating the sound score for Motus Collective’s work The Leftovers in 2022 and again in 2023, he also created the score for METTLE by Circus SA and for Ceremonial by Amelia Watson, which premiered at the ResiDanza di Primavera in Italy.

  In 2023, Kuijpers was awarded a Best Dance weekly award for his Adelaide Fringe debut ‘i know the end’ and later in the season received the coveted Emerging Artist Award for Fringe 2023.

  Alix is passionate about representing as a South Australian artist and champions the emerging artist voice through his roles and initiatives as Dance Hub SA's 2023 Associate Artist and as one of Carclew’s 2023 Sharehouse Residents.

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The Mill’s Centre Stage Residency is presented in collaboration with Adelaide Fringe as part of their Arts Industry Collaborations program

Visual Arts Studio Residency 2024: Oriana Julie Winston

The Mill is thrilled to announce Oriana Julie Winston as the recipient of the Visual Arts Studio Residency in 2024. Supported by the Mahmood Martin Foundation, Oriana will receive 9-months of studio space and an exhibition outcome in The Mill’s Gallery II.

About the artist:

• Oriana Julie Winston

  Situated on Kaurna Land in Adelaide, Oriana pioneers a visual language deeply rooted in Afrofuturism, leveraging imagination as a technology to embrace empowering diasporic narratives within a past/future/now.

  Blending bold visual and performance artistry, she sparks dialogue to collectively reimagine themes surrounding time, identity, and culture within the Anthropocene. This dynamic exploration is enriched by Oriana's African American and Italian ethnicity, creating a unique fusion of influences against the backdrop of Kaurna Land.

  Within this futuristic narrative, Oriana finds liberation within her body as a powerful force, extending beyond Eurocentric conditions and limitations of the physical body in space. In 2022, Oriana graduated from a Bachelor of Visual Art at Adelaide Central School of Art, earning an invitation to pursue Honours. Her artistic journey spans interstate performances, securing various commissions, and residencies.

  A defining moment in 2022 was her invitation to perform Mel O'Callaghan's Respire, Respire at the Samstag Museum of Art alongside artist Henry Wolfe, and Jingwei Bu. During the Nexus Arts Studio Residency Oriana engaged in a mentorship with Faye Blanche of the Unbound Collective, enriching her artistic perspective and earning her a nomination for the Don Dunstan Foundation Award.

  Beyond her artistic pursuits, Oriana is the Director of SOLSPACE, a studio, and art therapy platform. Through workshops and public lectures, she passionately demonstrates how visual and performance art can be powerful tools for social, personal, and cultural empowerment, weaving together artistic practice and commitment to community engagement.

Photo: Morgan Sette

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Outcomes

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This Visual Arts Studio Residency is presented in cooperation with Mahmood Martin Foundation

Writer in Residence 2024: Marina Deller

The Mill is thrilled to announce Marina Deller as the recipient of the 2024 Writer in Residence.

The Writer in Residence program, in partnership with CityMag, supports emerging writers from a variety of disciplines. The program creates a broader audience for writing through leadership, mentorship and publication.

About the writer:

• Marina Deller

  Marina Deller is writer, academic, and critic, working and creating on Kaurna Land. Marina has a PhD in Creative Writing (Life Writing) from Flinders University, where they are an award-winning teacher of Writing and Literature.

  In their creative practice Marina examines art, culture, (queer) identity, family, love, and loss. They write essays, short stories, poetry, and hybrid works incorporating objects, art, and photography.

  Their writing appears in such outlets as The Conversation, Westerly, Voiceworks, Archer, Babyteeth Journal, and InDaily and has been painted on the city streets as part of Raining Poetry in Adelaide. Their short story “Nostos” was shortlisted for the Rachel Funari Prize for Fiction 2021, and their essay “Dresses, heavy with water” was highly commended in the AAWP/Westerly Magazine Life Writing Prize 2022.

  Marina is also a recent recipient of the Island View Writers’ House Emerging Writer Residency and an active member of the Life Narrative Lab where they curate and run reading events which platform emerging life writers.

Photo: Supplied by Marina Deller.

Outcomes

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Read the articles

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The Writer in Residence program is presented in partnership with CityMag.

Dance Residency 2024: Tanya Voges

The Mill is thrilled to announce Tanya Voges as the 2024 Dance Residency recipient.

This is an open project development and presentation platform available to South Australian performing artists working with contemporary culture. The aim of the residency is to offer place and space as part of a vibrant arts community for artists to develop and show new or existing work.

About the artists:

• Tanya Voges (Choreographer)

  Tanya Voges is an interdisciplinary artist, facilitator and dance movement therapist, whose work is based on her history of dance. Through an attempt to constantly capture the ephemerality of dance, Tanya works with mark-making and performance drawing, through film and photography, interviews and spoken word. Tanya’s dance works bridge arts and health and engage with the community through site-specific performances, workshops and choreography for diverse groups from mothers with their babies, youth dance practice, and professional performers through to the elderly.

  A graduate of Victorian College of the Arts (2004) and Melbourne University (2023), Tanya has worked with renowned choreographers in Australia and toured overseas in a career that spans 25 years. Living and working on the unceded Kaurna and Peramangk Lands of South Australia, Tanya’s work has been supported by Australian Dance Theatre, Dance Hub SA and The Mill. Artist Residencies at Flinders Medical Centre and South Australian Museum have extended her practice, and long-term collaboration with Louise Flaherty (visual artist) and Belinda Gehlert (musician) has produced two site-specific participatory performances Memorial for Forgotten Plants (Parklands 2020, Nature Fest 2021, Adelaide Fringe Festival 2022) and Understory (Fabrik, Lobethal 2023).

  More information: www.tanyavoges.com

• Belinda Gehlert (Musician)

  Belinda Gehlert plays the Violin, Viola and Piano as an independent musician and with the Adelaide Symphony Orchestra and Queensland Symphony Orchestra. Collaborating with diverse artists Belinda creates and produces electronic music and live performance for theatre, dance, live art, ensembles and bands. Her professional creative practice as a musician spans two decades. Since 2005 she has been writing chamber music, producing original electronic music and writing for the screen.

  As a member of the Australian Art Music and Ruby Award winning, Adelaide-based Zephyr Quartet, Belinda performed throughout Australia, The Philippines, England, Ireland, Germany, Scotland and The Netherlands. Belinda has composed and arranged music for Brink Productions, Patch Theatre Company, The Adelaide Symphony Orchestra, Restless Dance Theatre, Vitalstatistix, State Theatre Company of South Australia and is the 2020 COMA (Contemporary Original Music Adelaide) Composer in Residence.

  Since 2020, Belinda has collaborated on site-specific, participatory performance works Memorial for Forgotten Plants and Understory with visual artist Lousie Flaherty and dance artist Tanya Voges (www.louiseflaherty.com/lobethal)

  Website: https://www.belindagehlert.com/

• Kunyi (Queenie) Wu (Dancer)

  Kunyi (Queenie) Wu is a Chinese born, SA (Kaurna Land) based independent dance artist and educator. A graduate of Adelaide College of the Arts in 2022, Kunyi performed alongside ADT dancers in Daniel Riley’s Savage and danced in works by Alison Currie and Lee Brummer. Since graduating, she has worked with choreographers Alison Currie, Sue Healey and performed with Alchemy Collective and Adelaide Sakura Troupe.

  Her interest in researching human connection has led her to integrate social, emotional, cultural and physical approaches to working with people of different ages and disciplines, translating these experiences and information into her physical practices of performing and pedagogy.

  @queenie.k.w

• Amelia Watson (Dancer)

  Amelia Watson is an independent performance artist who works between Italy, The Netherlands and Australia. Born on Kaurna Land in Australia, Amelia has a detailed and long background training in diverse movement styles including martial arts, tumbling, floor work, yoga, puppeteering, improvisation, ballet and contemporary dance. Amelia is a 2020 graduate from Adelaide College of Arts, a 2023 Helpmann Academy Fellowship Recipient and a 2023 graduate of Interdisciplinary Art (specialising in contemporary dance and dramaturgy) through Anfibia Art in Bologna, Italy. As well as working with independent choreographers in Australia and Europe, Amelia continues to create work through an anthropological lens and is interested in ‘universal feelings’, hands-on research and social sciences. @milolikethedrink

  Amelia Watson Showreel: https://youtu.be/Mg2DPhVgKIc

• Alix Kuijpers (Dancer)

  Alix Kuijpers is an emerging freelance choreographer, performer and sound designer. Kuijpers’ notable achievements include being the first dance honours student at a South Australian institution, and receiving first-class honours from Flinders University for his solo work IMMATERIAL.

  Since graduating from Adelaide College of the Arts, Alix has participated in dance festivals throughout the USA and Europe, performing for Jacob Jonas Company and Thar Be Dragons while overseas. Kuijpers was awarded Best Dance weekly award for his Adelaide Fringe debut ‘i know the end’ and the Emerging Artist Award for Fringe 2023 and toured the work to Melbourne Fringe.

  Alix is passionate about representing as a South Australian artist and champions emerging artist voices through his roles and initiatives as Dance Hub SA's 2023 Associate Artist and as one of Carclew’s 2023 Sharehouse Residents.

  @alix_gaga_krueger

• Fern Mines (Dancer)

  Fern Mines is a South Australian emerging independent artist and teacher, dancing and working on Kaurna Meyunna Yerta. After graduating from the Western Australian Academy of Performing Arts (WAAPA) in 2021 Fern has begun to establish herself in the South Australian Sector. Central to Fern’s artistic practice is a deep love of movement and belief in the importance of dance as both creative expression and a well-being practice. Alongside her dance training, Fern has always loved teaching and currently shares her passion with students from toddlers through to adults at a number of South Australian Schools.

  As a Sharehouse resident at Carclew, Fern co-created Groundskeeping regular dance sessions for the contemporary dance sector with Alix Kujipers and collaborated with Alchemy Dance Collective to present At a mansion.

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This project has support from

First Nations Dance Residency 2024: Kaine Sultan Babij

The Mill is thrilled to announce Kaine Sultan-Babij as the recipient of the 2024 First Nations Dance Residency.

This is an open project development and presentation platform available to South Australian performing artists working with contemporary culture. The aim of the residency is to offer place and space as part of a vibrant arts community for artists to develop and show new or existing work.

About the artist:

• Kaine Sultan-Babij

  Arrernte and Gurindji Contemporary Dance Artist, Kaine Sultan-Babij, is making a lasting impact on the world of dance and drag.

  With a background that includes performing with Leigh Warren and Dancers, Bangarra Dance Theatre, and the Australian Dance Theatre, Kaine has skilfully blended Contemporary Dance and Contemporary Indigenous Dance. Based in Kaurna Country, Kaine stands as an Independent Dancer and Choreographer, contributing to the vibrant Australian performing arts scene.

  Beyond Kaine's achievements in the dance world, the emergence of Estelle, a captivating Drag Performer and Persona, has added another layer to their artistic repertoire. Estelle quickly gained recognition, establishing herself as a standout performer in the Adelaide Drag Scene. Through electrifying performances, Estelle has earned a respected place in the realm of drag.

  Together, Kaine and Estelle embody a powerful fusion of Tradition, creativity, and contemporary expression, making a lasting impression on the dance and drag communities in Australia.

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This project has support from

Theatre Residency 2024: The Kinetik Collective

The Mill is thrilled to announce The Kinetik Collective as the recipient of the 2024 Theatre Residency.

This is an open project development and presentation platform available to South Australian performing artists working with contemporary culture. The aim of the residency is to offer place and space as part of a vibrant arts community for artists to develop and show new or existing work.

About the artists:

• Bianka Kennedy (Designer/ Co-Founder)

  Bianka Kennedy (Designer/ Co-Founder of The Kinetik Collective): Bianka is a designer + maker with a diverse practice, working across the stage, screen and gallery settings. Bianka has been Head of Prop Making for the multi-award-winning children’s TV series Beep and Mort, lectured in the creative industries division of Adelaide College of the Arts, is Co-Founder of Kinetik Collective and operates a workshop from Fab, the former acclaimed George Street Studios. Currently, Bianka is working on the design of DreamBIG festival (2025).

  Bianka’s design for State Theatre Company of South Australia’s 2019 sold-out season of Animal Farm was a national finalist in the Australian Production Guild’s awards for emerging designer for live performance. Her debut solo exhibition Sugar won an Adelaide Fringe 2021 visual arts award and was an industry example of integrating accessibility into the design, fabrication and exhibition of an art experience. Her accessible theatre designs have also been recognised with a 2022 Ruby Award. Permanent public artworks can be found in Adelaide and in the Kangaroo Island Sculpture Trail. Collaborators include Warner Brothers, Windmill Theatre, Windmill Picture + ABC, State Theatre Company of South Australia, Theatre Republic, Kinetik Collective, Crossover (London) + Adelaide Fringe, Largent Studio (New York) +FOMO, Fox Creek + Garden of Unearthly Delights, SA Water, SA Tourism Commission, SA Power Networks, Adelaide City Council, independent theatre and private commissions.

• Clara Solly-Slade (Director/ Co-Founder)

  Clara Solly-Slade (Director/ Co-Founder of The Kinetik Collective): Clara graduated from the acting stream of The Adelaide College of the Arts (2013) then undertook further training at the Royal Academy of Dramatic Arts, London (Acting Shakespeare course, 2016). In 2017 she trained in Italy with La Mama Experimental Theatre Company at their International Directors Symposium. Clara was awarded the Helpmann Academy’s Neil Curnow Award (2018) where she interned in the USA with The H.E.A.T Collective, Working Classroom and continued her work with La Mama Experimental Theatre Company. She is a member of the multidisciplinary art collective The Bait Fridge.

  Clara worked for two years full-time as an Emerging Director Fellow with the State Theatre Company of South Australia and State Opera of South Australia (2019-2020). In 2021 Clara directed Lemons, Lemons, Lemons, Lemons at Adelaide Collage of the Arts and for Dream Big Children’s Festival with Finnigan Kruckemeyer’s Everything They Ever Said with Fingers Crossed Behind their Backs for the Say Art’s Youth Ensemble. Co-Founder of Independent Company The Kinetik Collective she Directed Kill Climate Deniers in 2022 as part of The State Theatre Company of South Australia’s ‘Stateside Program’. Clara Co-Directed The River that Ran up Hill with Andy Packer for Slingsby Theatre Company presented in the 2023 Adelaide Festival, Hypercolour Miscellaneous Bistro Buffet with Dave Court for Slow Mango and The Bait Fridge as a part of Illuminate Festival and The Sight with Victoria Falconer for Dark Mofo.

• Anthony Nocera (Playwright)

  Anthony Nocera is a writer based in Adelaide. He writes essays, criticism and plays.

  In 2017, he was commissioned to co-write Boys of Sondheim for Woodward Productions. The play premiered at Melt Festival before touring to Sydney Mardi Gras in 2019. In 2023, Anthony’s work My Hair is Thinning was developed as part of Vitalstistix’s Adhocracy program and Theatre Republic presented his short play Black Widow Pussy as part of the FUTURE:PRESENT new writing incubator.

  Anthony’s writing has appeared in The Guardian, The Saturday Paper, The Age, Metro, Vice, Voiceworks and CityMag among many others. His essays have been anthologised in collections published by Black Ink and Wakefield Press. He has appeared at the National Young Writers Festival and Noted Festival.

  His work has been rejected from many publications and places of note.

• Zoë Dunwoodie (Performer/ Movement Consultant)

  Zoë is a performing artist and emerging maker currently living and working on Kaurna Yerta. She studied at the New Zealand School of Dance graduating in 2011 with a Diploma in Dance Performance and is a NZSD Distinguished Alumni for 2021.

  After being offered a position at Australian Dance Theatre (ADT) in 2012, Zoë worked full-time and as a guest dancer until 2020 under the directorship of Garry Stewart.

  As an ADT dancer and independent artist, Zoë has toured nationally and internationally, and worked with local and international choreographers including Daniel Jaber (Nought and Dirt) and Ina Christel Johannessen (North).

  Whilst living in SA, Zoë has also performed with local companies in children’s theatre and puppetry shows including Patch Theatre Company (Home and I Wish...), Windmill Theatre Co (Grug and Bluey’s Big Play) and Windmill Pictures (Beep and Mort: Season 1 and Season 2).

  Zoë is an emerging maker and in 2023 she choreographed Co-Incident which featured fourteen AC Arts students. She also completed a first-stage development for her new dance theatre work Llama, which deals with motherhood, transformation, and intergenerational peculiarities.

  When she isn’t performing, Zoë enjoys teaching people of all ages and abilities within a wide range of dance organisations, institutions, and studios.

• Elizabeth Hay (Performer)

  Elizabeth Hay (Performer): Elizabeth is a graduate of the Flinders Drama Centre and lives and works as an actor on Kaurna land. Her theatre credits include Hibernation, The Gods of Strangers, Red Cross Letters, Volpone and Jesikah for the State Theatre Company South Australia, The Garden for Theatre Republic, Baba Yaga, Grug and Grug and the Rainbow for Windmill Theatre Company, Yo Diddle Diddle and The Lighthouse for Patch Theatre Company, and the Helpmann Award-winning Emil and the Detectives for Slingsby. Elizabeth was part of the Australian cast of Girl from the North Country for GWB Entertainment/STCSA.

  She joined the main cast of Danger 5 as ‘Holly’ for the series return on SBS and has worked on many other locally made television productions, commercials, and short films. Most recently, she appeared in A Sunburnt Christmas on Stan. Elizabeth is the voice of Olli in Sun Runners, a collaboration between Audioplay and Windmill Theatre Company.

  Elizabeth made her directing debut in the inaugural season of RUMPUS at the end of 2019, with Sarah DeLappe’s The Wolves.

• Max Brading (Multi-Media Artist)

  Max is an artist working on Kaurna land, specialising in real-time visual arts, interactive programming, and artistic integration with multimedia systems. Max graduated with a BA in Photography from Charles Sturt University in 2012 and built their technical skills by working at art festivals including the Edinburgh Fringe, Sydney Festival and Adelaide Fringe, and was creative producer at The Lab (Adelaide) until 2022.

  Max is a member of The Bait Fridge arts collective and is currently based at Washdog Studios. From a lifelong interest in digital technology, Max has developed a creative practice that blends technical knowledge and multimedia arts, centred around collaboration and experimental process. Installation works include In The Belly Of The Beast (2023), a participatory experimental performance, and Computer Vision (2021) an early AI synthesized video installation. Notable collaborations include ROCKAMORA by Kaspar Shmidt Mumm at ACE Adelaide (2023), Trippin Up (2023) music video by The Jungle Giants created with volumetric 3D data, and ATM-001 (2023), an AI powered talking vending machine by Dave Court. With a diverse range of skills including photography, music and sonic arts, interactive programming, performance art, and lighting design, Max's experience allows them to connect and create using technology across disciplines. Max is proud to be have been selected to be one of Creative Australia’s Digital Fellows for 2024.

• Mat Morison (Composer)

  Adelaide-based musician and community arts facilitator, Mat Morison (he/they), is always looking for new ways to forge connections between disparate styles and ideas. Originally training in jazz piano, Mat has since taken their skills in improvisation and applied it to a wide variety of pursuits, from film and theatre composition, to performance art, Auslan interpreting, community arts facilitating, coding, and language making.

  Mat performs regularly with musical outfit Slowmango, and performance art group The Bait Fridge, and is the Coordinator of Music at disability arts organisation Tutti Arts. They also work in Deaf adult education classes at TAFE SA, and contribute to a number of other community arts organisations such as Girls Rock! Adelaide, Open Space Contemporary Arts, and MUD.

• Rob Wells (Performer)

  Rob (they/them) is an actor, and writer born in the USA and currently based on Kaurna country. Prior to graduating from Sydney Actors School in 2021, Rob studied engineering, education, and dance, having trained in Ballet (RAD) for 10 years.

  They dive head first into everything they do; from contemporary works - Five Women Wearing the Same Dress (Shane Anthony, 2021), to classic texts - The Comedy of Errors (Kyle Rowling, 2019), to short works of their own devising - Chip Off The Old Block (Rob C Wells, 2023).

  After the 2022 season touring Australia with Poetry In Action, Rob last year moved to Adelaide for love. With a few things in the works, they can't wait to continue to tell challenging stories, and show their dad that the theatre isn't just a "stage".

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This project has support from

Exhibition: Chris Siu, Riot on an Empty Street

Image: Chris Siu, Tattoo of a Wilting Bauhinia - Adelaide, South Australia, (detail), 2023, from the series Then We Keep Living Vol. 2. Courtesy of the artist.

February 5 - May 17, 2024

Artist talk: Friday 5 April 5:30-6:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Riot on an Empty Street in The Mill’s Gallery I, located at 154 Angas St, Kaurna Yarta (Adelaide).

  Gallery I is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill is excited to present Riot on an Empty Street, a new exhibition of photographs by Chris Siu derived from his ongoing project Then We Keep Living. Through medium format analogue photography, Chris explores his relationship with his homeland, Hong Kong. The work navigates the experience of mass civil unrest, as experienced in Hong Kong and living in diaspora here in Australia. The powerful images give the viewer a sense of dis-ease and tension, incorporating protest, the body, signifiers of colonial and authoritarian resistance and the political power of the masses contrasted with bone-aching isolation associated with cultural displacement, marginalisation and disconnection. Chris’ approach to image-making is cultural and academic as well as deeply feeling and intuitive. He offers us a very personal entry point into a political situation that many have observed through the cycles of journalism. 

Chris Siu developed Riot on an Empty Street as part of The Mill’s Visual Arts Studio Residency program presented in cooperation with the Mahmood Martin Foundation.

• Artist Statement

  My residency at The Mill has been dedicated to developing the long-term photography project titled Then We Keep Living. The project navigates my relationship with Hong Kong through a two-volume narrative presented in medium format analogue photography. This exploration takes place against the backdrop of the 2019 mass civil unrest in Hong Kong, followed by my life in diaspora here in Australia.

  The two respective volumes delve into representations of dispossession and defiance amidst the city’s ongoing socio-political transformation, contrasting with poignant reflections on diasporic experience and its isolating facets associated with cultural displacement, marginalisation, and disconnection. The project stands as a testament to the nuanced interplay of political dilemmas, self-discovery, and the frequently overlooked, profound repercussions of civil unrest.

• About the artist

  Chris Siu is a Hong Kong-born photographic artist living and working on Kaurna Yerta in Tarntanya Adelaide. Informed by the traditions of documentary photography, Chris’s work investigates and chronicles the intricate relationships that lie within his surrounding social landscapes. Chris’s practice is profoundly influenced by the flux of sociopolitical happenings in his homeland Hong Kong and his ever-changing place within it. Through exploring notions of layered histories and geopolitics, Chris’s work seeks to offer a reflection on personal and communal experience, pivoting around representations of civil unrest, diasporic experience, cultural displacement and marginality within contemporary existence.

  Chris has exhibited throughout Australia, beginning with his feature at the 2019 Head On Photo Festival. Subsequently, he has exhibited at venues including Nexus Arts, Adelaide Contemporary Experimental, Centre for Contemporary Photography, and Perth Institute of Contemporary Arts.

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This project has support from

The Mill’s Visual Arts Studio Residency is presented in cooperation with Mahmood Martin Foundation

Exhibition: Liliana Pasalic, Multiverse

Image: Courtesy of the artist

February 5 - May 17, 2024

Exhibition opening: Friday, February 9, 5:30-7:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Multiverse in The Mill’s Gallery II, located at 154 Angas St, Kaurna Yarta (Adelaide).

  Gallery II is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill is excited to present Multiverse, a new exhibition by Adelaide-based artist Liliana Pasalic. This exhibition presents a selection of new tapestries in tufted yarn on monk cloth. The work builds on Liliana’s former career in industrial design, as well as her practice in the visual arts, including painting. She skillfully uses the three-dimensional tufting in a way that is suggestive of abstract painting, combining positive and negative space with an adept use of colour and texture. She has also included a large tapestry-and-light-based installation pushing the medium to new and contemporary realms. The work draws on Liliana’s knowledge of contemporary and historical textile and tapestry practices, and imbues seriousness alongside humour in her art. 

• Artist Statement

  Multiverse explores the translation of visual cultural material into tapestry. I have collected a lot of photographic source materials of pasted-up posters in the urban environments of the three cities where I have lived: Adelaide, London and Zagreb. Within these photographs I find and extract motifs, formed by the ripped posters, degraded by weather and also remnant graphic elements. This exhibition is a woven visual library, an attempt to alchemize my familiar psychologically mapped home environments into one visual poem. I invite the viewer to observe urban debris in their own immediate environments and hopefully be inspired to use it in their creative projects. This body of work is a continuation of my previous work in broader themes of home and crossing borders between mediums. The exhibition aims to offer a contemporary take on non-traditional/neglected mediums of contemporary tapestry and contemporary painting. For this exhibition I am using only compostable materials of wool, wood and cotton monk cloth, which is in alignment with environmental aspects of The Mill's vision. The exhibition is one possible way of blurring disciplines and mediums and contemplating history of art.

• About the artist

  Liliana Pasalic has a background and formal education in industrial design, which organically transmuted into a full-time art practice over the last decade. Her practice centers on painting and tapestry while drawing from design recollections and blurring the boundaries between these vaguely intertwined forms. Pasalic’s work delves into art history, identity, the subconscious and relationships. Occupying the realm between abstraction and figuration, it references women’s roles, stereotypical suburban depictions, and iconic symbols infused with her individual outlook, both as creator and observer. Over the last 20 years she has exhibited design and artwork in solo and group shows around the world, including Zagreb, Ljubljana, New York, Bruxelles, Vienna, Adelaide, Jerusalem, Canberra. Pasalic is represented by Studio Gallery in Melbourne, Sydney and Brisbane and The Nada Gallery in Sydney. In 2023 she was a resident in The Mill as well as chosen as a finalist in the National Capital Art Prize in Canberra.

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This project has support from

Finissage: Alice Hu, 柔韧的骨头 (Annealed Bone) and Chantal Henley, Gulayi

Image: Courtesy of the artist

Finissage

Friday, January 19, 4:30-6:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Gulayi and Annealed Bone in The Mill Exhibition Spaces, located at 154 Angas St, Kaurna Yarta (Adelaide).

  The Exhibition Space is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill invites you to join us for the closing event of Gulayi by Chantal Helnley and Alice Hu's 柔韧的骨头 (Annealed Bone) and join Alice for a chat about her work.

The Mill seeking Voluntary Board Members

Become a Champion for the Arts

The Mill, Adelaide, is seeking new volunteer Members to join the Board.

What is The Mill?

Since 2013 The Mill has built a community where artists and audiences connect to generate new ideas, have exciting insights, and develop a broad appreciation of the significant contribution the arts make to the vibrancy and future of South Australia (SA).

In 2023, The Mill achieved the considerable milestone of 10 years in operation, solidifying its reputation as a visionary and inclusive organisation with an artistic program that provides national impact. Each year The Mill supports and presents over 1,000 artists and creatives from diverse backgrounds and at all stages of their careers.

The Mill’s multipurpose venue combines artist studios and creative workspaces, two galleries, a performing arts space, photography studio and tools workshop. In April 2023, The Mill expanded from 39 to 57 studios and is now home to over 60 independent artists, makers and creative businesses. This thriving creative center strengthens the SA arts sector through the sharing of knowledge, skills and networks; and by enabling and encouraging creatives to practice in Adelaide.

Is this for you?

We are seeking individuals who can strengthen the work of The Mill’s Board with their professional skills and experience. You will join a focused Board keen to share their passion for The Mill with you and draw on the guidance you bring in your expertise.

We are specifically seeking people with the following professional experience:

• Professional independent practising artists

• Arts workers with experience working with government

• Fundraising / philanthropic / corporate partnerships experience

The Mill actively supports diversity at all levels of the organisation and we encourage applications from First Nations peoples, people from culturally diverse backgrounds, and people with a disability.

For further details contact CEO Katrina Lazaroff on 0406 991 330 or director@themilladelaide.com for a confidential conversation.

To submit an EOI please include a 1 page cover letter outlining why you think you would be interested and suitable for the role and a CV including 3 referees.

EOI submissions to director@themilladelaide.com

Submissions close on January 31, 2024, at 5pm.

Board Director Job Description

Vision

The Mill’s vision is for a thriving and prosperous arts culture in South Australia.

Positions Requirements

The board supports the work of The Mill and provide vision-based leadership and strategic governance. While day-to-day operations are led by the paid management team, the board relationship is a partnership, and the appropriate involvement of the Board is both critical and expected. Specific board member responsibilities include:

• Leadership, governance, and oversight (all members)

• Strategic planning - set and review the short-, medium- and long-term goals of the organisation in consultation with key stakeholders

• Financial oversight including:

o Approve budgets; monitor business performance;

1. Approve large investments and any major financial decisions; and

2. Ensure there is accurate financial reporting.

3. Legal compliance - ensure that the organisation complies with all aspects of the law, including legislation covering such areas as ACNC governance, employment, trading, and occupational health and safety.

4. Risk - ensure major risks are identified and managed.

5. Organisational performance - monitor management and organisational performance.

6. Serving as a trusted advisor to the management team as they implement The Mills strategic plan.

7. Reviewing agenda and supporting materials prior to board and committee meetings.

8. Being informed of, and meeting all, legal and fiduciary responsibilities.

9. Assisting the Chair and Company Secretary in identifying and recruiting other Board Members.

10. Partnering with board members to ensure that board resolutions are carried out.

11. Serving on committees and taking on assignments.

12. Review job descriptions and complete self-evaluation on individual and board performance annually.

Fundraising, advocating, and communication (all members)

• Stakeholder relations - identify key stakeholders, build relationships, communicate, and seek stakeholder views on strategic direction.

• Promote The Mill as positive ambassadors externally and role modelling internally.

• Identify, qualify, cultivate, solicit, and steward major individual donors, grants, corporate, and/ or foundation gifts.

Board terms and participation

The Mill’s board members will serve a three-year term to be eligible for re-appointment for one additional term. Board meetings are held at least four times a year supported by and Annual General Meeting.

Qualifications, Skills and Attributes

This is an extraordinary opportunity for an individual who is passionate about The Mill’s vision and who has a track record of arts leadership. Selected board members will have achieved leadership stature in the arts, business, government, philanthropy, or the non-profit sector.

Ideal candidates will have the following qualifications, skills, and attributes:

• Extensive professional experience with leadership experience in the arts, business, government, philanthropy, legal, property, community or the non-profit sector.

• A commitment to and understanding of The Mill’s stakeholders, preferably based on experience.

• Savvy diplomatic skills and a natural affinity for cultivating relationships and persuading, convening, facilitating, and building consensus among diverse individuals.

• Personal qualities of integrity, judgment, sound decision making, and credibility.

1. The ability to think strategically, critically, creatively, laterally, and analytically.

2. Management skills such as financial management, legal, governance and risk management.

3. A passion for improving the arts in South Australia.

Free-range Residency: Taylor Nobes, 'She's Evil'

Photo: Jamie Hornsby.

Showing and Q&A

When: Thursday, December 7, 6-7pm

Cost: $10 (+ booking fee)

Note: Please arrive at 5:45pm arrival for a 6pm sharp start. This event will be 1 hour (including the Q&A). 

• Getting to the showing

  This showing and Q&A will be held in The Mill Breakout. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

  Please arrive at 5:45pm arrival for a 6pm sharp start.

  This event will be 1 hour (including the Q&A).

  Accessibility

  Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

  If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

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Gaslighting, manipulation, cliques, performative activism, lies, rumours and ruining reputations.

How far will we go to get ahead? Do we care about who we destroy along the road to “success”?

She's Evil touches on the pressures that are placed on young people who are breaking their way into the work industry and what they think they have to do to be accepted whether that be shrinking themselves to fit the mould or not speaking up or taking charge because they are afraid of being labeled as a bitch, difficult, a liability or ‘Evil’.

Because that's just the way it is right?

Taylor will be collaborating with an outstanding cast of local creatives - Jamie Hornsby, Felicity Boyd and Max Garcia-Underwood. This project is fueled with passion and with the help of this amazing team they will be able to create something special.

Content warning:

Mental Health, Talk of Suicide and Sexual Assualt/Harassment. 

• About the artist

  Taylor Nobes is a professionally trained actor, singer & theatre maker based in South Australia and a 2019 graduate from Adelaide College of the Arts. Taylor has a passion for creating innovative art with elements of music, dark comedy and physical theatre, with a strong focus on mental health awareness.

  Taylor has worked and collaborated with BRINK Productions on The Bridge of San Luis Rey (2021) and performed in FRANK Theatres’ Chameleon (2020) and then again as part of the SALT Festival in 2021.

  Taylor’s original work Does It Please You? debuted as part of the Adelaide Fringe 2021 and was the recipient of the week 4 Best Emerging Artist Award and was the winner of The Holden Street Theatres Award for 2021. The remounted version of Does it Please You? played its latest season as part of the Adelaide Fringe 2022 at Holden Street Theatres.

  Taylor’s most recent work MUSIC & YOU - Cabaret’s Not Really My Thing (2023) was a recipient of an Adelaide Fringe Best Cabaret Award.

  Taylor was part of Windmill Theatres national tour of Hiccup July - August 2023.

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Exhibition: The Mill Showcase, Alice Hu, 柔韧的骨头 [Annealed Bone]

Image: Courtesy of the artist

December 8, 2023 - January 19, 2024

Exhibition opening: Thursday, December 7, 5-7pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Hamish and Juliane’s work in The Mill Showcase Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

  The Exhibition Space is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill is excited to present 柔韧的骨头 [Annealed Bone], a new Showcase exhibition by previous studio resident Alice Hu. The exhibition features new work in ceramic, glass and metal, some of which have been developed by Alice while she undertook the George Street Studio Residency, supported by Helpmann Academy.

Alice’s multi-disciplinary practice is conceptually and materially rich, exploring themes of immigration, acculturation and complex understandings of self. Sculptural works offer the comfort of familiar materials, smooth ceramic and glistening glass. However, Alice reframes materiality through sometimes strange assemblages, de-and-re-constructions, and a complex aesthetic unique to her practice.

The Mill Showcase is a gallery space dedicated to artists who work in studio spaces at our Angas Street location, exhibiting some of the artworks that have been produced under our roof. The Mill Showcase profiles our artists, so that you can put a face to the name and get to know some of our dedicated makers.

• About Alice

  Alice Hu is an emerging artist with an Honours of Contemporary Art and Design, living and working on Kaurna Land, Adelaide. They work across mediums including ceramics, glass, painting, tattooing, and installation, drawing from lived experiences to explore concepts of multiculturalism, equality, freedom, life and nature. Her current practice is deeply influenced by her unique background and cultural art-form.

  The use of ceramics stems from an interest in philosophy, childhood stories and mythologies. Alice aims to create art forms with multicultural aesthetics to promote the beauty and necessity of a diverse society while investigating how different cultures interact. Alice has participated in multiple art programs, over-sea experience and workshop across USA, Italy, New Zealand, Japan and China, and have been apart of exhibitions in Adelaide including Bridge (The Main Gallery, 2021), Kaleidoscope (Praxis Art Space, 2021), Pendulum (Nexus Arts, 2022), VASL (Kerry Packer Civic Gallery, 2023) and currently has a studio residency at George Street Studio and was a studio artist at The Mill.

• Artist's statement

  In my exhibition at The Mill, recycled metal and broken ceramics have found their second life together. The two distinctly different mediums has a strong character on their own and tells its unique story being together that forms a life and journey. The work has been welded, and the material have been carefully arranged to create an interesting and unique aesthetic. The different shapes, textures and colours of the ceramic and metal pieces interact with each other to create a dialogue between the two materials. The combination of the two materials creates a dynamic composition that is both visually appealing and emotionally evocative, it is very inspiring and a sentimental moment to see your broken, once shattered work to be alive again.

  Through the George street residency I sought to learn more skills that can help me define my concepts and to build artworks that can express my story. For my recent group exhibition, ‘Pendulum’ in Nexus Arts Gallery, I was supported by the Helpmann Academy’s Creative Boost Grant, and created several large ceramic works. As I worked on large ceramic sculptures, over 1 metre in height, I experienced lots of technical issues. It was not only a difficult process to make such large works, but I also encountered a number of problems during the drying and firing processes. One of the most unexpected, but ultimately fortuitous, outcomes was that the two large works exploded in the kiln during the firing process. It was a shocked like no other when I opened the kiln, but I then came to understand the resemblance between the broken work and my immigration experience, the world fell apart on me when I found out I had to move and leave everything I used to know behind. It was devastating, but yet an inseparable part of my life and my experience. The ceramic works were represented in the exhibition at Nexus as shattered pieces, and this process of breaking, rethinking, and “reassembling” became essential to actually ‘finishing’ the work.

  As I continue to develop as an artist and a person with a multicultural background, I have learnt more about the cultural history of both countries I have called home throughout my life, China and Australia. I realised how my unique aesthetics built from my multicultural background is at the core of my practice. As much as I loved this broken work and its strong impact on me, I need to further develop this concept.

  I have re-constructed myself and build works with my complex aesthetics, by combining these seemly irrelevent materials. As much as the shattering and breaking is what made this installation meaningful, it was essential for me to learn how to bring the pieces back together. I created this standing work, which acknowledges that while the pieces are still broken, they have been reassembled in reference to the re-construction of an identity after traumatizing experience or damage.

  These works were created mainly with the support from my George Street Studios Residency (through Helpmann Academy )

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Finissage: The Mill Showcase, Hamish Fleming and Juliane Brandt

Image: Courtesy of the artist

Exhibition Finissage

Friday, December 1, 4:30-7pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Hamish and Juliane’s work in The Mill Showcase Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

  The Exhibition Space is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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Join us for a drink and to commemorate the closing of Hamish Fleming and Juliane Brandt’s fantastic Showcase exhibition.

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Centre Stage Residency: Alix Kuijpers, 'Grim Grinning Ghosts'

Photo: Courtesy of the artist.

Showing and Q&A

When: Thursday, November 23, 6pm

Cost: $10 (+ booking fee)

Note: Please arrive at 5:45pm arrival for a 6pm sharp start. This event will be 1 hour (including the Q&A). 

• Getting to the showing

  This showing and Q&A will be held in The Mill Breakout. Please come to the Exhibition Space at 154 Angas Street, the bar will be open to grab a drink before we take you through to The Breakout.

  Please arrive at 5:45pm arrival for a 6pm sharp start.

  This event will be 1 hour (including the Q&A).

  Accessibility

  Disability access is available via our Angas St entrance, access the pedestrian ramp on the corner of Gunson St to get to our front door, which will be open.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

  If you have questions or would like to talk to one of The Mill team contact info@themilladelaide.com

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Grim Grinning Ghosts is looking to experiment with different combinations of Alix Kuijpers' performance practices to create a unique lived experience. In a one-of-a-kind choreographic séance, the audience will be guided into the afterlife of those living, and deceased.

Alix's queer based cross disciplinary exploration of interactive theatrical elements, sound design and choreographic exploration are the core pillars of this new work. This solo work is asking audiences to come and experience a full spectrum of emotion derived from campy theme park attractions, personal loss and missed connections.

Alix will also be bringing this development to life with the assistance of the talented Alchemy Collective.

The showing will be followed by a short Q&A with Alix, hosted by The Mill CEO / Artistic Director Katrina Lazaroff. Audiences will have the opportunity to ask questions about the development and provide feedback about the performance.

• About the artist

  Alix Kuijpers is an emerging freelance choreographer and sound designer whose queer based work has garnered a strong reputation for creating contemporary dance in South Australia. Kuijpers’ notable achievements include becoming the first dance honours student at a South Australian institution, receiving first-class honours from Flinders University for his solo work IMMATERIAL.

  Alix recently spent time in the USA and Europe participating in major dance festivals such as B12 and Orsolina 28 and working with practitioners such as Jacob Jonas the Company and Thar Be Dragons. His most notable sonic commissions include creating the sound score for Motus Collective’s work The Leftovers in 2022 and again in 2023, he also created the score for METTLE by Circus SA and for Ceremonial by Amelia Watson, which premiered at the ResiDanza di Primavera in Italy.

  In 2023, Kuijpers was awarded a Best Dance weekly award for his Adelaide Fringe debut ‘i know the end’ and later in the season received the coveted Emerging Artist Award for Fringe 2023.

  Alix is passionate about representing as a South Australian artist and champions the emerging artist voice through his roles and initiatives as Dance Hub SA's 2023 Associate Artist and as one of Carclew’s 2023 Sharehouse Residents.

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The Mill’s Centre Stage Residency is presented in collaboration with Adelaide Fringe as part of their Arts Industry Collaborations program

Acting Workshop: Mask Work, Theatricality and Improvisation

Image: Supplied by the artist.

Workshop

October 20, 9.30-11am

The Breakout at The Mill, 154 Angas Street, Kaurna Yarta

$30 (+ booking fee)

• Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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Work with actor and mask performer, Jacob Rajan, to discover what it is to act at the level of mask.

What to expect:

Participants will work with Indian Ink’s own mask collection of Balinese Topeng masks to enable them to experience, through exercises, games and improvisation, the truth of the actor’s actions and the essence of theatricality. Participants should wear comfortable clothes they can move in.

Experience level:

Ideal for acting/theatre students and/or professionals wanting to develop mask work skills.

• About the workshop leader

  Jacob is a founding partner of Indian Ink and co-wrote all of Indian Ink’s plays as well as performing in many of them.

  He is a graduate of Toi Whakaari: NZ Drama school, Otago University (B.Sc Microbiology) and Wellington Teacher’s College. Jacob is an Arts Foundation Laureate and a Member of the New Zealand Order of Merit (MNZM) for services to theatre.  

• About the company

  Indian Ink is one of New Zealand’s most successful theatre companies. Founded by Justin Lewis and Jacob Rajan (MNZM) over 25 years ago, it has generated 13 national and international awards, critical acclaim, standing ovations and sell out seasons. Since 1997 over 510,000 people have had their lives enriched by their original plays.

  Alongside a whānau of multi-talented artists, Indian Ink creates vibrant, fresh, culturally diverse theatre that combines artful storytelling, mischievous wit and theatrical magic in a way that celebrates our differences but connects us through our shared humanity. This truly unique style promotes community and fosters empathy in audiences across cultures.

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Paradise (or the Impermanence of Ice Cream) is showing as part of OzAsia Festival 2023.

HollowBody Workshop with The Human Expression Dance Company

All images: HollowBody Workshop at KongsiKL (2018), by Joie Koo.

Workshop

October 25, 11am-12:30pm

AC Arts, Level 3, Rehearsal Studio, 39 Light Square, Kaurna Yarta

$30 (+ booking fee)

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Led by Kuik Swee Boon, Founder and Artistic Director of T.H.E Dance Company, the workshop will include improvisational prompts and tools to guide participants to arrive at nuanced states of physical and physiological connectedness.

About HollowBody:

HollowBody™️ is the signature methodology and movement philosophy advocated by founding artistic director and main choreographer of Singapore’s T.H.E Dance Company, Kuik Swee Boon; it is the current methodology with which the dance artists at T.H.E train. Neither a mere movement aesthetic nor an existential state of being, it is an experiential process, utilising improvisational tools to guide practitioners towards a heightened physiological awareness that resonates in their movement choice, approach, and expression.

HollowBody™️ is based on the understanding of the body as the foundation of our world. As a vessel for thoughts, emotions and energy, our embodied experiences and knowledge transcend language and logic. The HollowBody™️ methodology seeks to establish in its practitioner a level of trust and access that can surface these deep impulses and needs, and unearth an innate connectivity between mind, heart, and body. With the practitioner’s curiosities, potential, and limitations becoming wholly available to themselves, self-understanding and creative expression unfold. 


Today, long-term practice of the HollowBody™️ methodology has fed naturally into T.H.E’s creation and performance voice. We at T.H.E believe that with HollowBody™️, dance and movement can be embraced as a fundamental pillar in life that offers a deep connection to the body, and in turn, the world. 


What to expect:

Participants will be given improvisational prompts and tools, guided to listen to their instinct and impulses, and to rediscover movement as a unique expression and identity.

Experience level:

Suitable for professional and semi-professional dance artists, dancers, full-time dance students aged 18 and above, and movement enthusiasts who are comfortable with improvisation.

• About the company

  The Human Expression (T.H.E) Dance Company was founded in 2008 by Artistic Director Kuik Swee Boon. Rooted firmly in Singapore yet universal in its perspective, T.H.E's contemporary dance works reveal the body as a medium for exploring and celebrating the human condition.

  Dance artists at T.H.E are immersed in the Company's signature methodology, HollowBody™️, which guides them to access their deeper instincts and impulses through movement. The Company's movement vocabulary is distinct in its intensely personal aesthetics, yet thrilling in its diversity. Driven by a sincere desire to uncover the intricate, complex and oft-times overlooked dimensions of human existence, the Company's incisive observations on the human condition and its original creations are an essential mirror to the issues and rhythms of contemporary life.

  As one of Singapore's seminal contemporary dance companies, T.H.E has performed and toured at many major and prestigious festivals in Singapore, Malaysia, Indonesia, Thailand, Laos, South Korea, Japan, Taiwan, China, India, France, Italy, Poland, Denmark, Latvia, United Arab Emirates, Australia, and New Zealand.

  Based on its vision of contemporary dance as a medium for nurturing human potential, T.H.E has also actively initiated numerous platforms to engage young artists and the wider public. Since it was founded, the Company also started its semi-professional wing, T.H.E Second Company, which identifies and mentors dance artists who aspire to reach a professional standard of contemporary dance. In 2010, T.H.E also founded the cont·act Contemporary Dance Festival (previously known as the M1 Contact Contemporary Dance Festival) – the country's first annual contemporary dance festival to showcase local and international artists. The Company also regularly runs public classes, workshops, and customised programmes for schools and the community.

  Kuik Swee Boon
  Founder and Artistic Director of T.H.E Dance Company (est. 2008) and its annual cont·act Contemporary Dance Festival (est. 2010), Kuik Swee Boon danced in Compañia Nacional de Danza (CND) from 2002—2007, performing in works by renowned choreographers such as Nacho Duato, Jiri Kylian, and Ohad Naharin. Prior to CND, he danced in Singapore People’s Association Dance Company and Singapore Dance Theatre. A 2007 Young Artist Award recipient, he was nominated for the Benois De La Danse Award in 2003, and selected for the 2021—2023 Fellowship Programme with the International Society for the Performing Arts (ISPA).

  Under Swee Boon’s direction, T.H.E has become a seminal dance company that trains in his HollowBody™️ methodology, with a repertoire of works that has toured many international festivals. Even when the pandemic hit, his 360° virtual reality adaptation of PheNoumenon (2019), amongst other digital projects, made its rounds to Italy and Israel in 2021. Most recently, he was commissioned by Esplanade’s da:ns festival 2022 to create Infinitely Closer, which also marked the opening of the new Singtel Waterfront Theatre.

• About the workshop leader

  Kuik Swee Boon

  Founder and Artistic Director of T.H.E Dance Company (est. 2008) and its annual cont·act Contemporary Dance Festival (est. 2010), Kuik Swee Boon danced in Compañia Nacional de Danza (CND) from 2002—2007, performing in works by renowned choreographers such as Nacho Duato, Jiri Kylian, and Ohad Naharin. Prior to CND, he danced in Singapore People’s Association Dance Company and Singapore Dance Theatre. A 2007 Young Artist Award recipient, he was nominated for the Benois De La Danse Award in 2003, and selected for the 2021—2023 Fellowship Programme with the International Society for the Performing Arts (ISPA).

  Under Swee Boon’s direction, T.H.E has become a seminal dance company that trains in his HollowBody™️ methodology, with a repertoire of works that has toured many international festivals. Even when the pandemic hit, his 360° virtual reality adaptation of PheNoumenon (2019), amongst other digital projects, made its rounds to Italy and Israel in 2021. Most recently, he was commissioned by Esplanade’s da:ns festival 2022 to create Infinitely Closer, which also marked the opening of the new Singtel Waterfront Theatre.

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Infinitely Closer is showing as part of OzAsia Festival 2023.

Exhibition: The Mill Showcase, Hamish Fleming and Juliane Brandt

Image: Courtesy of the artist

October 20 - December 1, 2023

Exhibition opening: Friday, October 27, 5:30-7:30pm

Finissage: Friday December 1, 4:30-6:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Hamish and Juliane’s work in The Mill Showcase Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

  The Exhibition Space is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill is excited to present a new Showcase exhibition featuring work by Hamish Fleming and Juliane Brandt. Hamish’s oil paintings are moody and evocative, capturing narrative elements within his life - studio still life’s, discarded studies on the green velvet chaise lounge, the artist's shoes. Juliane’s sculptural work situates small clay figures and busts as the head of burnt matches, speaking about the power of fire to burn, but also to regenerate.  

The Mill Showcase is a gallery space dedicated to artists who work in studio spaces at our Angas Street location, exhibiting some of the artworks that have been produced under our roof. The Mill Showcase profiles our artists, so that you can put a face to the name and get to know some of our dedicated makers.

• About Hamish

  Hamish Fleming is a contemporary realist painter currently based in Adelaide (Kaurna Country). Fleming is self-taught, working both with and against the long-standing traditions of realism. In 2023 Hamish has been a finalist in the Bluethumb Art Prize, Centre for Creative Health Art Prize, and Smallacombe Prize, and winner of the Young Artist Category, Adelaide Parklands Art Prize.

  Artist Statement

  My practice draws upon many influences, ranging from the classical masters and post-modernism, to gothic and dirty realism literature. I work solely from life, to convey the subtler elements of the human experience through frequently mundane subject matter.

• About Juliane

  Juliane Brandt is a figurative sculptor, her artworks are an invitation for the viewer to engage and discover intricate facial expressions that visualise an interaction with the surroundings.

  Born in Berlin, Germany, and based in Adelaide since 2022, Juliane´s work evolved from a long process of studies and experiments formed by different influences. Throughout her life, she was able to experiment with many different materials and artistic forms, further developing her skills by gaining extensive practical experience during her Art & Design studies in Berlin and London.

  Juliane has presented her art in various exhibitions across Europe. Her artwork is on permanent display in different venues and also found in private collections. In 2023, she received a People’s Choice Award at the ‘Sculpture in the Garden’ Exhibition at Wollongong Botanic Garden, NSW.

  Artist Statement

  The Enlightened by Nature Series represents the celebration of life and nature through subtle expressions that become evident upon closer inspection.

  My work draws attention to the fragility of nature and the ability to regenerate when given the opportunity and place. Fire management, known as ‘cultural burning’, is part of how First Nations people protect their land, plants and animals. Controlled fires allow the land to rejuvenate and many plants to thrive.

  Symbolised by a simple tool – a matchstick – that becomes truly unique once it is lit, this piece of art celebrates the natural life cycle, the way we exist, interact and adapt to our environment – the foundation for the diversity of nature. They received a People’s Choice Award at the ‘Sculpture in the Garden’ Exhibition at Wollongong Botanic Garden in 2023.

Exhibition: Chantal Henley, Gulayí [Woven Vessel]

Image: Courtesy of the artist

October 20, 2023 - January 19, 2024

Exhibition opening: Friday, October 27, 5:30-7:30pm

Artist Talk: Friday, December 1, 5:30pm

The Exhibition Space, 154 Angas St, Kaurna Yarta

Free entry, all welcome

• Visiting the exhibition

  You can find Gulayí in The Mill Exhibition Space, located at 154 Angas St, Kaurna Yarta (Adelaide).

  The Exhibition Space is open Monday-Friday, 10am-4pm.

  Accessibility

  The Mill has two entrances, the main entrance on the corner of Angas and Gunson Street and an accessible entrance further down Angas Street.

  Both doors are locked from the outside, there is a doorbell on the main door that will alert The Mill team. They will meet you at the accessible entrance to welcome you into the building.

  The Mill has concrete flooring throughout with no internal steps and a disability toilet on site.

  Read more in-depth information on our accessibility web page.

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The Mill is excited to present Gulayí [Woven Vessel], a new exhibition by Quandamooka and Mununjali artist Chantal Henley as part of Tarnanthi 2023. Working with textiles, Chantal explores body adornment through garments, sculpture, dance and film, embedding her connection to her Grandmother’s country and her own experience as a mother.

• Artist Statement

  Gulayí [Woven Vessel] is a gathering of exclusively hand woven, hand printed garments and body adornments that highlight the prominence of retaining and reclaiming language, dance, song and design.

  Embellished in gathered fibers, up cycled fabrics, shells, feathers and clay, Gulayí features custom prints that are a direct tribute to my Quandamooka and Mununjali kinship, paying homage to Country and Water through woven techniques reclaimed through the many Gulayí makers that carry and contain the stories of our Elders.

• About the artist

  Chantal Henley is an Artist & Designer from the Ngugi and Mununjali clans of the Quandamooka and Yugambeh peoples of South - East Queensland.

  From an early age, Chantal connected to culture through Dance and Song and soon became familiar with textiles through both of her Grandmothers, encouraging her to learn various techniques and explore fabrics and fibres.

  Through a brief stay at design school, she explored western design fundamentals and obtained insight into the production and manufacturing processes within the textile and fashion industry, soon deciding to journey elsewhere with her creativity.

  Henley credits her time with master weavers and their unconditional effort to exchange with her through kinship and storytelling, contributing to her ability to regain and retain those Gulayí songlines.

  Chantal carries her strong message of connection and retaining ancestral skills and techniques through her woven Gulayí (bag, vessel) and hand painted Ungarie (Swamp Reed) prints included in her collections and body of work, paying homage to her Mununjali and Ngugi songlines.

  Her textiles and body adornments have been showcased and exhibited by Artisan, National Gallery of Australia, Redland Art Gallery, Jam Factory, Art Gallery Gold Coast and Cairns Indigenous Arts Fair, including publications such as Peppermint & RUSSH Magazine.

  Henley is currently based in Tarntanyangga (Adelaide) Kaurna Yerta with her partner and children.

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This project has support from